MARC Record from marc_columbia

LEADER: 03526cam a2200613Ii 4500
001 13612885
005 20190419090024.0
008 160928t20162016it a b 000 0 eng d
024 $a99978530425
035 $a(OCoLC)ocn959419696
040 $aCAM$beng$erda$cCAM$dYDX$dOCLCF$dBTCTA$dC3L$dZCU$dGZN$dMZA$dZLM$dZYU$dERASA$dIUL$dSTF$dOCLCQ$dTXI$dAVA$dUKTTE$dUCW$dNIU$dGZM$dCUY$dVOD$dGILDS$dBP1$dUWO$dNYP$dOCLCQ$dOCLCO$dCNGUL$dMAV$dOCL
019 $a1008170646
020 $a9788887029673$q(pbk.)
020 $a8887029679$q(pbk.)
035 $a(OCoLC)959419696$z(OCoLC)1008170646
041 0 $aeng$aita
050 4 $aN6537.S2$bA4 2016
080 $aSAAR
082 14 $a709$214
084 $aJ171.209.5$2clc
100 1 $aSaar, Betye,$eartist.
245 10 $aBetye Saar :$buneasy dancer /$cedited by Mario Mainetti.
246 30 $aUneasy dancer
264 1 $aMilan :$bFondazione Prada,$c[2016]
264 4 $c©2016
300 $a317 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of an exhibition of the same name held at Fondazione Prada, Milan, September 15, 2016-January 8, 2017.
546 $aText in English; essays also in Italian.
504 $aIncludes bibliographical references.
505 00 $tBetye Saar: uneasy dancer /$rElvira Dyangani Ose --$tTimeline: 1926-2016 /$rCarlo Barbatti and Chiara Costa --$tBetye Saar's mojo hands /$rRichard J. Powell --$t"every picture tells a story": out of the album, into the art /$rDeborah Willis --$tRock goddess: in celebration fo Betye Saar's 90th trip around the sun /$rKellie Jones.
520 $a"Uneasy Dancer brings together over 80 works including installations, assemblages, collages and sculptures by the pioneering Los Angeles artist Betye Saar (born 1926) produced between 1966 and 2016. This handsomely designed volume presents Saar's work as a copiously illustrated timeline, with numerous documentary images and exhibition details. "Uneasy Dancer" is an expression Saar has used to define both herself and her artistic practice: "my work moves in a creative spiral with the concepts of passage, crossroads, death and rebirth, along with the underlying elements of race and gender." Through her use of found objects, personal memorabilia and derogatory images that evoke denied or distorted narratives, Saar developed a powerful social critique that challenges racial and sexist stereotypes deeply rooted in American culture."--D.A.P website.
600 10 $aSaar, Betye$vExhibitions.
600 10 $aSaar, Betye$vBiography.
600 17 $aSaar, Betye.$2cct
600 17 $aSaar, Betye.$2fast$0(OCoLC)fst00048936
650 0 $aAfrican American women artists$vExhibitions.
650 0 $aInstallations (Art)
650 0 $aArt, Modern$y20th century.
650 0 $aArt, Modern$y21st century.
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aAfrican American women artists.$2fast$0(OCoLC)fst00799474
648 7 $a1900-2099$2fast
655 7 $aBiography.$2fast$0(OCoLC)fst01423686
655 4 $aExhibition catalogues.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aMainetti, Mario,$eeditor.
710 2 $aFondazione Prada (Milan, Italy),$ehost institution.
852 00 $bbar$hN6537.S2$iA4 2016