Record ID | marc_columbia/Columbia-extract-20221130-028.mrc:75120722:5628 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-028.mrc:75120722:5628?format=raw |
LEADER: 05628cam a2200625Ii 4500
001 13616913
005 20190310101438.0
008 181108t20182018be ac bc 000 0 dut d
020 $a9789461615022
020 $a9461615027
035 $a(OCoLC)on1061310628
035 $a(OCoLC)1061310628
035 $a(NNC)13616913
040 $aERASA$beng$erda$cERASA$dFNE$dOCLCO$dAUXAM$dOCLCF$dNMWMA$dL2U$dJPG
041 0 $adut$afre
043 $ae-it---
050 4 $aND616$b.D36 2018
082 04 $a709.945
245 03 $aDe dames van de barok :$bvrouwelijke schilders in het Italië van de 16de en 17de eeuw = Les dames du baroque : femmes peintres dans l'Italie du XVIe et XVIIe siècle /$cValentine De Beir, Francesco Solinas, Alain Tapié.
246 31 $aDames du baroque :$bfemmes peintres dans l'Italie du XVIe et XVIIe siècle
264 1 $aGent :$bMSK :$bSnoeck,$c[2018]
264 4 $c©2018
300 $a240 pages :$billustrations (chiefly color), portraits ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with an exhibition held at Museum of Fine Arts in Ghent, October 20, 2018 - January 20, 2019.
504 $aIncludes bibliographical references.
505 00 $tDames van de barok. Verhalen van vrouwelijke schilders in het Italië van de contrareformatie = Les dames du Baroque. Histoires de femmes peintres dans l'Italie de la Contre-Réforme /$rFrancesco Solinas --$tDames van de barok tussen portret en zelfportret. Het doorbreken van genres = Les Dames du Baroque entre portrait et autoportrait. La transgression des genres /$rAlain Tapié --$tMarietta Robusti bijgenaamd La Tintoretta. Portret van een afwezige = Marietta Robusti dite La Tintoretta. Portrait d'une absente /$rValentine De Beir --$tSofonisba Anguissola /$rGiada Policicchio, Adriana Capriotti --$tLavinia Fontana /$rConsuelo Lollobrigida --$tFede Galizia /$rGiada Policicchio, Alain Tapié, Francesco Solinas --$tOrsola Maddalena Caccia /$rFrancesco Solinas, Adriana Capriotti --$tArtemisia Gentileschi /$rRoberto Contini, Francesco Solinas --$tVirginia Vezzi /$rConsuelo Lollobrigida, Roberto Contini --$tElisabetta Sirani /$rAdelina Modesti --$tGiovanna Garzoni /$rAlain Tapié, Giada Policicchio, Francesco Solinas --$tHet album met miniaturen en tekeningen van Giovanna Garzoni uit de Accademia di San Luca = L'Album de miniatures et dessins de Giovanna Garzoni à l'Accademia di San Luca /$rGiada Policicchio.
520 8 $a"What was the role of women artists in Late Renaissance and Baroque Italy? How did they come into their own artistically in a male-dominated world? Such is the premise of the fall exhibition of the Museum of Fine Arts Ghent (MSK). Featuring some fifty paintings, the exhibition sheds light on the critical role of women painters in Italy from 1550 to 1680. Artemisia Gentileschi (1593-1652), arguably the most famous female artist of 17th-century Italian art, figures prominently in the exhibition, which compares her work with that of her female contemporaries. The inclusion of decorative art objects from the period serve to contextualize the works of these women. During the 16th and 17th centuries, women artists in Venice, Rome, Naples, and Bologna undeniably shared a common ground that earned them their own place in the Baroque aesthetics. These women chose to dedicate themselves to painting and, consequently, to compete with accomplished male artists and their studios...'The ladies of the baroque' shows how these painters tackled the restrictions of their time in inventive ways. To that end, the MSK has brought together an exceptional selection of works from both prestigious museum such as the Galleria degli Uffizi (Firenze), the Gemäldegalerie (Berlin) and the Galleria Borghese (Rome), as well as finds from important private collections. Many of these works have been on public display only occasionally or are presented now for the first time"-- Museum voor Schone Kunsten Gent.
546 $aParallel texts in Dutch and French.
650 0 $aPainting, Baroque$zItaly$vExhibitions.
650 0 $aPainting, Italian$y17th century$vExhibitions.
650 0 $aPainting, Italian$y16th century$vExhibitions.
650 0 $aWomen painters$zItaly$xHistory$y17th century$vExhibitions.
650 0 $aWomen painters$zItaly$xHistory$y16th century$vExhibitions.
650 7 $aPainting, Baroque.$2fast$0(OCoLC)fst01050685
650 7 $aWomen artists.$2fast$0(OCoLC)fst01177159
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
650 7 $a20.70 European art.$0(NL-LeOCL)077594983$2nbc
648 7 $a1500-1699$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aDe Beir, Valentine,$eeditor,$ewriter of supplementary textual content.
700 1 $aSolinas, Francesco,$eeditor,$ewriter of supplementary textual content.
700 1 $aTapié, Alain,$eeditor,$ewriter of supplementary textual content.
700 1 $aPolicicchio, Giada,$ewriter of supplementary textual content.
700 1 $aCapriotti, Adriana,$ewriter of supplementary textual content.
700 1 $aLollobrigida, Consuelo,$ewriter of supplementary textual content.
700 1 $aContini, Roberto,$ewriter of supplementary textual content.
700 1 $aModesti, Adelina,$ewriter of supplementary textual content.
710 2 $aMuseum voor Schone Kunsten (Ghent, Belgium),$ehost institution.
730 02 $aDames van de barok.
730 02 $aDames van de barok.$lFrench.
852 00 $boff,fax$hND616$i.D36 2018g