MARC Record from marc_columbia

LEADER: 06488pam a2200469 i 4500
001 13619137
005 20190216174428.0
008 180315s2018 maua 001 0 eng
010 $a 2018011907
020 $a9780262039109$qhardcover ;$qalkaline paper
020 $a0262039109$qhardcover ;$qalkaline paper
024 $a99978722426
035 $a(OCoLC)on1029071802
035 $a(OCoLC)1029071802
035 $a(NNC)13619137
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dYDX$dOCLCQ$dOCLCF$dERASA$dCIA$dNhCcYBP
050 00 $aNK1390$b.C85 2018
082 00 $a745.409/04$223
245 00 $aCulture is not always popular :$bfifteen years of Design observer /$cedited by Michael Bierut, Jessica Helfand, with Jarrett Fuller.
264 1 $aCambridge, Massachusetts :$bThe MIT Press,$c[2018]
300 $a232 pages$billustrations (some color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aEssays originally published in Design observer.
500 $aIncludes index.
505 00 $tAbout this book /$rMichael Bierut and Jessica Helfand --$tA conversation with Michael Bierut and Jessica Helfand /$rJarrett Fuller --$g01.$tCritical commentary. --$tWhy write about graphic design /$rJessica Helfand --$tWhere are the design critics? /$rRick Poynor --$tOpen letter to design students everywhere /$rJessica Helfand --$tThe politics of desire and looting /$rAdrian Shaughnessy --$tDesigning under the influence /$rMichael Bierut --$tJan van Toorn: arguing with visual means /$rRick Poynor --$tCritical graphic design: critical of what? /$rFrancisco Laranjo --$tRemembering Yves Saint Laurent /$rThomas de Monchaux --$tHer story meets his story: Janet Bennett, Charles Kratka, and the LAX murals /$rLouise Sandhaus --$tDid we ever stop being postmodern? /$rRich Poynor --$tToward relational design /$rAndrew Blauvelt --$tCriticism = love /$rAlexandra Lange --$tA street photographer of nineteenth century London /$rJohn Foster --$g02.$tCultural investigation. --$tCulture is not always popular /$rWilliam Drenttel and Jessica Helfand --$tThe magic of the peace symbol /$rSteven Heller --$tAre JPEGs the new album covers? /$rAdrian Shaughnessy --$t100% design /$rLorraine Wild --$tUlysses: fast track to 1934 best seller /$rMartha Scotford --$tSteampunk'd, or Humbug by design /$rRandy Nakamura --$tTrump, the logo /$rJohn Cantwell --$tBranding youth in the totalitarian state /$rSteven Heller --$tInnovation is the new black /$rMichael Bierut --$tMy country is not a brand /$rWilliam Drenttel --$tWhat am I doing here?: tall buildings and high anxiety in Las Vegas /$rMark Lamster --$tJump cut: thoughts on editing /$rAdam Harrison Levy --$tCan graphic design make you cry? /$rJessica Helfand --$tToday /$rEric Baker --$g03.$tWill and whimsy. --$tWarning: may contain non-design content /$rMichael Bierut --$tMysterious disappearance of Carole Hersee /$rDmitri Siegel --$tComparakeet /$rKathleen Meaney --$tA president and his dog, part two /$rKarrie Jacobs --$tA place for ribs /$rMimi Lipson --$tSmall worlds /$rTom Vanderbilt --$tWhy Scientology is good for Hollywood /$rAlissa Walker --$tJapanese face masks /$rSteven Heller --$tThe designibles /$rJessica Helfand --$tPhil Spector vs. the Wall of Sound /$rLiz Brown --$tThe baseball card as design inspiration /$rMark Lamster --$tFollowing suit /$rTimothy Young --$g04.$tReason and responsibility. --$tFrom milk to superfoods: supping with the devil? /$rJohn Thackara --$tPaper, plastic, or canvas? /$rDmitri Siegel --$tThe language of design imperialism /$rMaria Popova --$tYoza /$rMeena Kadri --$tArchitecture vs. the people /$rBryan Finoki --$tHeteronormative design discourse /$rStephen Eskilson --$tFlies in urinals: the value of design disruptions /$rAndrew Shea --$tDawn of the Dead mall /$rMark Dery --$tWhat if Uncle Sam wanted you? /$rElizabeth (Dori) Tunstall --$tTrust is not an algorithm /$rJohn Thackara --$tTo be a design-led company /$rAshleigh Axios --$tLet's get to work /$rMichael Bierut and Jessica Helfand --$tCafés and cigarettes /$rVéronique Vienne --$g05.$tMethod designing: the paradox of modern design education /$rJessica Helfand --$tReturn of the standards manuals; or, Revenge of the rigid /$rSean Adams --$tWhy Tatlin can never go home again /$rRick Poynor --$tMaps of cyberspace /$rWilliam Drenttel --$tTracking war drones /$rRob Walker --$tDodging, dazzling, and divulging /$rAlice Twemlow --$tOn the shoulders of rebels /$rPhil Patton --$tTell, don't show: algorithmic thinking for beginners /$rVéronique Vienne --$tDesigning in the now /$rRachel Berger --$tWeCommune /$rAllison Arieff --$tA short manifesto on the future of attention /$rMichael Erard --$tI believe in design /$rKenneth FitzGerald --$tDeathiquette: a design problem /$rJessica Helfand --$tTimeline: Fifteenyears: 2003-2018.
520 8 $aFounded in 2003, 'Design Observer' inscribes its mission on its homepage: Writings about Design and Culture. Since its inception, the site has consistently embraced a broader, more interdisciplinary, and circumspect view of design's value in the world-one not limited by materialism, trends, or the slipperiness of style. Dedicated to the pursuit of originality, imagination, and close cultural analysis, 'Design Observer' quickly became a lively forum for readers in the international design community. Fifteen years, 6,700 articles, 900 authors, and nearly 30,000 comments later, this book is a combination primer, celebration, survey, and salute to a certain moment in online culture. This collection includes reassessments that sharpen the lens or dislocate it; investigations into the power of design idioms; off-topic gems; discussions of design ethics; and experimental writing, new voices, hybrid observations, and other idiosyncratic texts.
650 0 $aDesign$xHistory$y20th century.
650 0 $aDesign$xHistory$y21st century.
650 0 $aDesign$xSocial aspects$xHistory$y20th century.
650 0 $aDesign$xSocial aspects$xHistory$y21st century.
650 7 $aDesign.$2fast$0(OCoLC)fst00891253
650 7 $aDesign$xSocial aspects.$2fast$0(OCoLC)fst00891292
648 7 $a1900-2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aBierut, Michael,$eeditor.
700 1 $aHelfand, Jessica,$eeditor.
700 1 $aFuller, Jarrett,$eeditor.
730 0 $aDesign observer.
852 00 $bavelc$hNK1390$i.C85 2018