MARC Record from marc_columbia

LEADER: 05793cam a2200601 i 4500
001 13626203
005 20190122163018.0
008 181204t20182018gw a b 000 0 ger c
016 7 $a1148967990$2GyFmDB
020 $a9783731903680$q(hardback)
020 $a3731903687$q(hardback)
035 $a(OCoLC)on1056155502
035 $a(OCoLC)1056155502
035 $a(NNC)13626203
040 $aOHX$beng$erda$cOHX$dQGJ$dOSU$dOCLCF
041 0 $aeng$ager
042 $apcc
043 $ae-be---
050 4 $aNX554.Z9$bJ67 2018
050 4 $aND673.J6$bR44 2018
072 7 $aND$2lcco
082 04 $a700-9492
245 00 $aReframing Jordaens :$bPictor doctus, Techniken, Werkstattpraxis = Reframing Jordaens : pictor doctus, techniques, workshop practice /$cJustus Lange und Birgit Ulrike Münch (Hg.) ; unter Mitarbeit von Anne Harmssen ; [[Mitwirkende], Anne Harmssen, Justus Lange [and others]].
246 31 $aReframing Jordaens :$bpictor doctus, techniques, workshop practice
246 30 $aPictor doctus, Techniken, Werkstattpraxis
246 30 $aPictor doctus, techniques, workshop practice
264 1 $aPetersberg :$bMichael Imhof Verlag GmbH & Co. KG,$c[2018]
264 4 $c©2018
300 $a335 pages :$billustrations (chiefly color) ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aInternational conference proceedings.
504 $aIncludes bibliographical references.
505 00 $gEinleitung/Introduction /$rJustus Lange, Birgit Ulrike Münch --$gPart I. Pictor doctus.$tRubens' Neid und Judas' Verrat: Jacob Jordaens' Vita in der Teutschen Academie /$rEsther Meier --$tJordaens and North Italian art: taking Sandrart seriously /$rIrene Schaudies --$tEine Pathosformel für Mailand: Jacob Jordaens' Karl Borromäus bittet für die Pestkranken der Antwerpener Sint-Jacobskerk /$rBirgit Ulrike Münch --$tThe Penitent Magdalene from the former Joseph Robinson collection: young Van Dyck working up Rubens's conception /$rToshiharu Nakamura --$tJordaens's reading /$rNils Büttner --$gPart II. Techniken/Techniques.$tThe Allegory of fruitfulness at the Wallace collection and its conservation treatment /$rLucy Davis, Anna Sandén --$tThe Antwerp Maagdenhuis Washing and anointing of the body of Christ: Jordaens's complex modifications of his own work - genesis and conservation /$rLouise Decq, Hélène Dubois, Steven Saverwyns, Sarah Swinnen, Jana Sanyova, Daniel Christiaens --$tConstruction of canvas supports for Jordaens's Paintings suggested by thread count analysis /$rDon H. Johnson --$tMeisterhaft in der Veränderung: Jordaens in der Gemäldegalerie Alte Meister in Kassel /$rAnne Harmssen --$tKunsttechnologische Auswertung von Röntgenbildern: elf Gemälde von Jacques Jordaens und seiner Werkstatt aus der Sammlung der Museumslandschaft Hessen Kassel /$rIvo Mohrmann, Monika Kammer --$tLeinwand und Grundierung im Röntgenbild: eine kunsttechnologische Untersuchung von vier GemÄlden Jordaens' und seiner Werkstatt aus der Kasseler Gemäldegalerie Alte Meister /$rThomas Krämer --$gPart III. Werkstattpraxis/Workshop practice.$tDie pluripotente Zeichnung: Anstückungen in der Komositionspraxis von Jacques Jordaens /$rSebastian Dohe --$tThe genesis of Jordaens's paintings in the Oranjezaal in Huis ten Bosch Palace /$rMargriet van Eikema Hommes, Lidwien Speleers --$tTwo versions of The Satyr and peasant in Kassel: new insights into Jordaens's workshop practice and new questions /$rJustus Lange --$tDas Kasseler Bohnenfest: Ursprung und Vermittlung einer Bildidee /$rTimo Trümper --$tDas Kasseler Bohnenfest: neueste Erkenntnisse zur Werkgenese und Restaurierungsgeschichte /$rChristiane Ehrenforth --$tFormatveränderungen an Holztafelbildern von Rubens: Beobachtungen an den Beständen der Berliner Gemäldegalerie /$rBabette Hartwieg --$tGrossformatige zeitgenössische Malerei /$rkathrin Kinseher.
520 8 $aSurprisingly, until recently, the Flemish painter Jacob Jordaens was still overshadowed by Peter Paul Rubens in the scientific debate. This fact is owed to the 19th century of the genius and discourses on painter princes. However, Jordaens was the head of a significant workshop and had a major influence on the Antwerp art market for 40 years after Rubens' death. This extensive collection of essays combines for the first time in balanced proportion the research of renowned experts on Jacob Jordaens from the field of art history with that of painting restoration. The interdisciplinary approach allows a closer look at the workshop's practice and the artist's creative processes. This results in a new image of the artist, who stands out for his undreamed-of innovative strength as well as his pictorial and intellectual independence.--$cPublisher's website.
546 $a10 German, 8 English contributions.
600 10 $aJordaens, Jacob,$d1593-1678$xCriticism and interpretation.
600 17 $aJordaens, Jacob,$d1593-1678.$2fast$0(OCoLC)fst00042946
650 0 $aPainters$zBelgium$y17th century$vBiography.
650 0 $aPainting, Flemish$zBelgium$y17th century$xHistory and criticism.
650 7 $aPainters.$2fast$0(OCoLC)fst01050530
650 7 $aPainting, Flemish.$2fast$0(OCoLC)fst01050822
651 7 $aBelgium.$2fast$0(OCoLC)fst01210278
648 7 $a1600-1699$2fast
655 7 $aBiography.$2fast$0(OCoLC)fst01423686
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aJordaens, Jacob,$d1593-1678,$eartist.
700 1 $aLange, Justus,$eeditor,$econtributor.$4edt
700 1 $aMünch, Birgit Ulrike,$eeditor.$4edt
700 1 $aHarmssen, Anne,$econtributor.
852 00 $boff,fax$hND673.J6$iR44 2018g