MARC Record from marc_columbia

LEADER: 02887cam a2200493Ii 4500
001 13673079
005 20190310101727.0
008 181222t20182018au ac b 000 0 eng d
016 7 $a1161020683$2DE-101
019 $a1082202001
020 $a9783903228658
020 $a3903228656
024 3 $a9783903228658
035 $a(OCoLC)on1050763591
035 $a(OCoLC)1050763591$z(OCoLC)1082202001
035 $a(NNC)13673079
040 $aERASA$beng$erda$cERASA$dOCLCQ$dJPG$dNYP$dOHX$dOCLCF
041 1 $aeng$hger
050 4 $aN6888.H36$bZ3813 2018
072 7 $aN$2lcco
072 7 $aTR$2lcco
082 04 $a700.411
100 1 $aZaunschirm, Thomas,$d1943-$eauthor.
240 10 $aNarziss und Goldgrund.$lEnglish
245 10 $aNarcissus and the golden mirror :$bthe consummation of the portrait : Hubertus Hamm, Portrait IV /$cThomas Zaunschirm ; translation, Sean Kenney.
246 30 $aHubertus Hamm, Portrait IV
264 1 $aWien :$bVerlag für Moderne Kunst,$c[2018]
264 4 $c©2018
300 $a235 pages :$billustrations (chiefly color), portraits ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTranslation of: Narziss und Goldgrund : die Vollendung des Portraits : Hubertus Hamm, Portrait IV.
504 $aIncludes bibliographical references.
520 8 $a"The works of Hubertus Hamm investigate the parameters of photography. A central subject in his oeuvre is an in-depth and sometimes critical preoccupation with the photographic portrait that comes to a head in the installation 'Portrait IV' (2016). The art historian Thomas Zaunschirm positions this installation, that features a timber stele with the first golden mirror in the history of art, as Hamm's 'epoch-making' work: 'On the one hand, the minimalistic, simply effective work embodies the quest to broaden the boundaries of photography. On the other hand, this installation with its 18 kg sheet of 24-carat gold presupposes some knowledge of the history/histories of seeing (awareness), perspective (space), the mirror and the portrait as well as gold and its value.' In the spirit of the Renaissance theorist Leon Battista Alberti the title 'Narziss und Goldgrund' (Narcissus and Gold Ground) refers to both Narcissus - the motif of reflection as the origin of art - and the associated end of the gold ground of the Middle Ages"--Publisher's website.
600 10 $aHamm, Hubertus,$d1950-$xCriticism and interpretation.
650 0 $aMirrors in art.
650 0 $aGold in art.
650 7 $aGold in art.$2fast$0(OCoLC)fst00944439
650 7 $aMirrors in art.$2fast$0(OCoLC)fst01023592
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aKenney, Sean,$etranslator.
776 0 $z9783903228641$iGerman edition
852 00 $boff,fax$hN6888.H27778$iZ3813 2018g