MARC Record from marc_columbia

LEADER: 04043cam a2200505Ii 4500
001 14361859
005 20191025104753.0
008 190903s2019 ag afh c 000 0dspa d
035 $a(OCoLC)on1117467927
040 $aH7K$beng$erda$cH7K$dOCLCO$dJPG$dOCLCF$dNNC
020 $a9789874713735
020 $a9874713739
035 $a(OCoLC)1117467927
041 0 $aspa$aeng
050 4 $aN6639.E75$bA4 2019
049 $aZCUA
245 00 $aLeandro Erlich :$bliminal /$cLuis Camnitzer, Dan Cameron, Julia Napier.
246 3 $aLiminal
250 $a1a. edición bilingüe.
264 1 $aCiudad Autónoma de Buenos Aires :$bMalba,$c2019.
300 $a149 pages, 36 unnumbered pages of plates :$bcolor illustrations, facsimile ;$c26 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aTitle on page [45].
500 $aPublished on the occasion of the anthological exhibition held from July 5 to October 27, 2019 at MALBA, Buenos Aires.
505 8 $aLos ordenes arbitrarios = Arbitrary orders / Luis Camnitzer -- Atravesar El umbral = Crossing the threshold / Dan Cameron -- Las cosas como son, como son = Things as they are, as they are not / Julia Napier -- Obras = Works -- Nota biografica = Biographical note.
520 $aMore than any artist working today, Leandro Erlich (1973, Buenos Aires) has created a body of sculpture and large installations over the past two decades in which the architectural appearance of the everyday functions as a type of perceptual trap, leading he unsuspecting viewer into a visual paradox that systematically defies what should be the rules and order of the material world. Liminalis the first monographic survey exhibition of Erlichœs workthroughout the American continent and brings together a selection of twenty-one installations, produced since 1996 to date. The title of the exhibition references a zone that exists at the threshold of another space, suggests a position of being on the verge of crossing over, or entering into, a specific destination or state of existence, but without ever fully getting there. To hover at the liminal edge of an experience suggests that one is perpetually caught between a prior reality that has been left behind, and a new reality beckoning at close range, but leaving us stranded if we were to linger. Over the past two decades, his work has been shown internationally and featured in the permanent collections of major museums and private collectors. He enjoys particular renown in Asia, and his most recent exhibitions at the MORI Art Museum (Tokyo, 2017) and the HOW Art Museum (Shanghai, 2018) have attracted hundreds of thousands of visitors. On June his new show Próximamenteopens at the Ruth Benzacar Gallery in Buenos Aires, followed by LIMINAL. On July, he will become the first non-Chinese artist to occupy the entire exhibition space at the CAFAM (Central Academy of Fine Arts, Beijing), Chinaœs premiere museum, with the show The Confines of The Great Void.
546 $aTexts in Spanish and English.
600 10 $aErlich, Leandro,$d1973-$vExhibitions.
650 0 $aInstallations (Art)$vExhibitions.
650 0 $aVisual perception in art$vExhibitions.
600 17 $aErlich, Leandro,$d1973-$2fast$0(OCoLC)fst00466298
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
650 7 $aVisual perception in art.$2fast$0(OCoLC)fst01905084
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 12 $aErlich, Leandro,$d1973-$tWorks.$kSelections.
700 1 $aNapier, Julia,$ewriter of supplementary textual content.
700 1 $aCameron, Dan,$ewriter of supplementary textual content.
700 1 $aCamnitzer, Luis,$d1937-$ewriter of supplementary textual content.
710 2 $aMuseo de Arte Latinoamericano de Buenos Aires,$eissuing body,$ehost institution.
730 02 $aLeandro Erlich.
730 02 $aLeandro Erlich.$lEnglish.
852 00 $boff,fax$hN6639.E75$iA4 2019g