MARC Record from marc_columbia

LEADER: 01963cam a2200361Ia 4500
001 14380483
005 20200903103156.0
008 190901s2019 be a 000 0 eng d
035 $a(OCoLC)on1105605964
040 $aERASA$beng$cERASA$dJPG$dOCLCF$dHFL
020 $a9789493146099
020 $a949314609X
035 $a(OCoLC)1105605964
050 4 $aTR660$b.V36 2019
082 04 $a770
049 $aZCUA
100 1 $aVanoverberghe, Sybren.
245 10 $aSybren Vanoverberghe :$bconference of the birds.
246 30 $aConference of the birds
250 $aFirst edition.
260 $a[Sint-Amandsberg] :$bArt Paper Editions,$c2019.
300 $a1 volume (unpaged) :$billustrations ;$c30 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAPE ;$v#138
520 8 $aConference of the Birds' shows an outtake from an analysis of the correlation between time and place and of the historical Iranian landscape. How do places appear and disappear? How do we attach meaning to a certain site and in what way photography can deal with deconstructed icons in comparison to the (a-)historical palm tree sticking out its tongue? A small desert village has been photographed obsessively and captured from every angle possible. Elements are positioned in the frame so that they are repeated in the next. The photographs move in closely to the landscape of a palm tree village. The village is small and serene. Palm trees appear all over the place, they are burned, bent, dry and dead. They resemble pillars and artefacts that are left behind on various historical sites and they can be associated with land art installations.
600 10 $aVanoverberghe, Sybren.
650 0 $aLandscape photography.
650 7 $aLandscape photography.$2fast$0(OCoLC)fst00992030
830 0 $aAPE (Series) ;$v#138.
852 00 $boff,fax$hTR660$i.V36 2019g