Record ID | marc_columbia/Columbia-extract-20221130-029.mrc:125206894:7308 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-029.mrc:125206894:7308?format=raw |
LEADER: 07308cam a2200793 i 4500
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019 $a1176267878$a1182022821
020 $a9780300239942$q(hardcover)
020 $a0300239947$q(hardcover)
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043 $an-us---
050 00 $aN6512$b.W585 2019
082 04 $a700.411
084 $aJ171.209.5$2clc
049 $aZCUA
245 00 $aWith pleasure :$bpattern and decoration in American art, 1972-1985 /$cedited by Anna Katz ; essays by Elissa Auther, Anna Katz, Alex Kitnick, Rebecca Skafsgaard Lowery, Kayleigh Perkov, Sarah-Neel Smith, and Hamza Walker.
246 30 $aPattern and decoration in American art, 1972-1985
264 1 $aLos Angeles, California :$bThe Museum of Contemporary Art ;$aNew Haven, Connecticut :$bYale University Press,$c[2019]
264 4 $c©2019
300 $a328 pages :$billustrations (chiefly color), portraits ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of the exhibition of same name held at the Museum of Contemporary Art, Los Angeles, October 27, 2019-May 11, 2020 and at the Hessel Museum of Art at the Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York, June 20-December 11, 2020.
500 $aArtists include: Neda Alhilali; Emma Amos; Ralph Bacerra; Tony Bechara; Lynda Benglis; Billy Al Bengston; Cynthia Carlson; Lia Cook; Brad Davis; Merion Estes; Sam Gilliam; Tina Girouard; Nancy Graves; Mary Grigoriadis; Diane Itter; Valerie Jaudon; Jane Kaufman; Joyce Kozloff; Robert Kushner; Pat Lasch; Al Loving; Kim MacConnel; Constance Mallinson; Susan Michod; Ree Morton; Judy Pfaff; Howardena Pindell; Faith Ringgold; Tony Robbin; Sandra Sallin; Lucas Samaras; Miriam Schapiro; Dee Shapiro; Kendall Shaw; Alan Shields; Arlene Slavin; Sylvia Sleigh; Ned Smyth; Frank Stella; Franklin Williams; William T. Williams; Betty Woodman; Takako Yamaguchi; Robert Zakanitch; Barbara Zucker.
504 $aIncludes bibliographical references and index.
505 00 $tDirector's Foreword --$tCurator's Acknowledgements --$tLessons in Promiscuity: Patterning and the New Decorativeness in Art of the 1970s and 1980s /$rAnna Katz --$tMiriam Schapiro and the Politics of the Decorative /$rElissa Auther --$tInfinite Progress: Criss-Cross and the Gender of Pattern Painting /$rRebecca Skafsgaard Lowery --$tA Meeting of Two Minds: Oleg Grabar and Amy Goldin on the Met's Islamic Art Galleries, 1975 /$rSarah-Neel Smith --$tRebecca Morris and the Revenge of P & D /$rHamza Walker --$tPattern Consciousness: Counterculture-Influenced Interior Design /$rKayleigh Perkov --$tCosmopolitanism and Antagonism: On Public Art, Postmodern Architecture, and P & D /$rAlex Kitnick --$gHistorical Reprints --$tPatterns, Grids, and Painting (1975) /$rAmy Goldin --$tNegating the Negative (An Answer to Ad Reinhardt's "On Negation") (1976) /$rJoyce Kozloff --$tOn Affirmation /$rJoyce Kozloff --$tIssues in Pattern Painting (1977) /$rJohn Perreault --$tAn Intuitive Analysis of Decoration and Pattern Painting (1977) /$rSusan Michod --$tArtists Biographies --$tExhibition History /$rFrances Lazare --$tBibliography /$rFrances Lazare.
520 $aThe Pattern and Decoration movement emerged in the 1970s as an embrace of long-dismissed art forms associated with the decorative. Pioneering artists such as Miriam Schapiro (1923-2015), Joyce Kozloff (b. 1942), Robert Kushner (b. 1949), and others appropriated patterns, frequently from non-Western decorative arts, to produce intricate, often dizzying or gaudy designs in media ranging from painting, sculpture, and collage to ceramics, installation art, and performance. This dazzling book showcases an astonishing array of works by more than 40 artists from across the United States, examining the movement's defiant adoption of art forms traditionally viewed as feminine, craft-based, or otherwise inferior to fine art. In addition to offering an overview of the Pattern and Decoration movement as it is commonly recognized, this volume considers artists of the period who are not typically associated with the movement. Rethinking the significance of patterns and the decorative in postwar American art, this panoramic view provides new insights into abstraction, feminism, and installation art. Essays explore the movement's feminist methods and values, including Miriam Schapiro's "femmage" practice; its impact on contemporary abstract painting; and its relationship to postmodern architecture and design. Artist biographies, an exhibition history, and reprints of historically significant writings further establish With Pleasure as the most expansive publication on the subject.00Exhibition: Museum of Contemporary Art, Los Angeles, USA (20.10.2019-14.03.2020); Hessel Museum of Art, Bard College, Annandale-On-Hudson, USA (June-December 2020); Pérez Art Museum, Miami, USA (Spring/Summer 2021).
650 0 $aArt, American$y20th century$xThemes, motives$vExhibitions.
650 0 $aDecoration and ornament in art$vExhibitions.
650 7 $aRepetitive patterns (Decorative arts)$2fast$0(OCoLC)fst01094815
650 7 $aDecorative arts.$2fast$0(OCoLC)fst00889315
650 7 $aDecoration and ornament.$2fast$0(OCoLC)fst00889145
650 7 $aDecorative arts$xInfluence.$2fast$0(OCoLC)fst00889340
650 7 $aDecoration and ornament$xInfluence.$2fast$0(OCoLC)fst00889180
650 7 $aDecoration and ornament in art.$2fast$0(OCoLC)fst01902987
650 7 $aArt movements.$2fast$0(OCoLC)fst00815613
650 7 $aArt, American$xThemes, motives.$2fast$0(OCoLC)fst00815923
650 7 $aArt, American.$2fast$0(OCoLC)fst00815895
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aIllustrated works.$2fast$0(OCoLC)fst01423873
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aEssays.$2fast$0(OCoLC)fst01919922
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aKatz, Anna,$d1981-$eauthor,$eeditor,$ecurator.
700 1 $aLowery, Rebecca,$eauthor,$ecurator.
700 1 $aAuther, Elissa,$eauthor.
700 1 $aKitnick, Alex,$d1981-$eauthor.
700 1 $aPerkov, Kayleigh,$eauthor.
700 1 $aSmith, Sarah Neel,$eauthor.
700 1 $aWalker, Hamza,$eauthor.
710 2 $aMuseum of Contemporary Art (Los Angeles, Calif.),$eissuing body,$epublisher,$eorganizer,$ehost institution.
710 2 $aYale University Press,$epublisher.
710 2 $aHessel Museum of Art,$ehost institution.
752 $aUnited States$bCalifornia$dLos Angeles.
752 $aUnited States$bConnecticut$dNew Haven.
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852 80 $brbx$kAIGA$h2020$i47