MARC Record from marc_columbia

LEADER: 03472cam a2200553Ii 4500
001 14409277
005 20200108154303.0
008 190304s2019 fr a q 000 0beng d
024 $a99982765938
035 $a(OCoLC)on1089011398
040 $aYDX$beng$erda$cYDX$dCIA$dOCLCO$dBDX$dOCLCF$dIQU
020 $a2914563922
020 $a9782914563925
035 $a(OCoLC)1089011398
050 4 $aPN1998.3.Y53$bC395 2019
100 1 $aCazier, Jean-Philippe,$d1966-$eauthor.
245 10 $aLee Chang Dong /$cJean-Philippe Cazier, Véronique Bergen, Antoine Coppola ; translated from French by Valentine Leys.
264 1 $a[Paris] :$bDis Voir,$c[2019]
300 $a127 pages :$billustrations (some color) ;$c28 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aSeries 'Cinema' / edited by Danièle Rivière
504 $aIncludes biography and filmography.
505 00 $tThe secret body of cinema /$rJean-Philippe Cazier --$tAesthetics of disappearance /$rVéronique Bergen --$tArt and the people : a dialogue with Lee Chang Dong /$rAntoine Coppola.
520 $a"Lee Chang Dong's films question the status of the visible and the invisible, in a world saturated with images and information that oscillates between reality and fantasy, history and fiction. Against a backdrop of social and political critique, his films explore the aesthetics of disappearance through the off-screen, and capture the loss of our memory of history and nature. His 'perceptive' images create empathy with young adults as they grapple with existential despair, trapped in a hopeless world despite their rage. Lee Chang-dong's films plays with cinematographic categories, concealing stories in nested narratives and chronological ellipses, or layering them into the soundtrack. Halfway between fiction and a documentary testimony of our times, Lee Chang-dong invents a universe of images that appeal to perception and imagination by conjuring up the viewer's (invisible) mental images. Memory resurges to perceive a 'little something' that blurs the contour of reality, while the world evaporates and disappears into the virtual."--Page 4 of cover.
600 10 $aYi, Ch'ang-dong$xCriticism and interpretation.
600 17 $aYi, Ch'ang-dong.$2fast$0(OCoLC)fst01486890
650 0 $aMotion picture producers and directors$zKorea (South)$vInterviews.
650 0 $aMotion picture producers and directors$zKorea (South)$vBiography.
650 0 $aMotion pictures$zKorea (South)$xHistory.
650 7 $aMotion picture producers and directors.$2fast$0(OCoLC)fst01027225
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aKorea (South)$2fast$0(OCoLC)fst01206791
655 7 $aBiographies.$2fast$0(OCoLC)fst01919896
655 7 $aBiography.$2fast$0(OCoLC)fst01423686
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
655 7 $aBiographies.$2lcgft
655 7 $aInterviews.$2lcgft
700 1 $aBergen, Véronique,$d1964-$eauthor.
700 1 $aCoppola, Antoine,$eauthor,$einterviewer.
700 1 $aYi, Ch'ang-dong,$einterviewee.
700 1 $aLeÿs, Valentine,$etranslator.
700 1 $aRivière, Danièle,$eeditor.
830 0 $aDis Voir cinema.
852 0 $beal$hPN1998.3.Y53$iC395 2019