MARC Record from marc_columbia

LEADER: 05301cam a2200709Ii 4500
001 14415016
005 20200110145847.0
008 191211t20192019enkach f c 001 0deng d
035 $a(OCoLC)on1084415767
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dUKMGB$dOCLCF$dYDX$dFNE$dBRL$dYDXIT$dNUI
015 $aGBB9E3324$2bnb
016 7 $a019512711$2Uk
020 $a9781912520305$qhardcover
020 $a1912520303$qhardcover
020 $a9781912520053$qhardback
020 $a1912520052$qhardback
035 $a(OCoLC)1084415767
041 0 $aeng
043 $ae-uk-en
050 4 $aNB497.G65$bA4 2019
082 04 $a730.92$223
049 $aZCUA
245 00 $aAntony Gormley.
264 1 $aLondon, England :$bRoyal Academy of Arts,$c2019.
264 2 $aNew York, New York :$bArtbook-D.A.P.
264 3 $aItaly :$bGraphicom ;$c[2019]
264 4 $c©2019
300 $a269 pages :$bchiefly color illustrations, portraits, facsimiles ;$c30 cm
336 $astill image$bsti$2rdacontent
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes index (pages 267-269).
505 00 $tTesting a World View /$rMartin Caiger-Smith --$tHuman Relations /$rMichael Newman --$tUnravelling the Invisible Universe: Colourless, Soundless, Odourless and Painless but Real /$rPriyamvada Natarajan --$tSeeing Inside the Outside /$rJeanette Winterson --$tCatalogue of Plates /$rwith introductions by Martin Caiger-Smith --$tChronlogy /$rHelen Luckett.
518 $o"Antony Gormley" :$dSeptember 21-December 3, 2019,$pRoyal Academy of Arts, London, England, United Kingdom.
520 8 $a"Committed to sculpture as 'a vital tool to create the future', Antony Gormley is best known for the 'Angel of the North', 'Another Place', and 'Field' -- the collectively generated work involving hundreds of makers and thousands of small clay figurines that have filled entire museums across the globe. The human body in relation to time and space is a key theme in his work, emerging out of his engagement with archaeology and Asian and Buddhist thought, as much as out of Western sculptural tradition. This comprehensive volume, accompanying Gormley's most significant exhibition for over a decade, explores his wide-ranging use of organic, industrial and elemental materials, including iron, steel, hand-beaten lead, seawater and clay. Experiential installations on a monumental scale that test the limits of architecture appear alongside rarely seen early works from the 1970s and 1980s, and drawings and sketches of mesmerising delicacy. Texts by leading authors explore ideas of the human condition, the individual and relatedness, and consider the mysteries of the universe in relation to Gormley's sculpture. An authoritative chronology completes the book."$c--publisher's description, lower cover.
520 8 $aSince the 1980s, when the English sculptor Antony Gormley (born 1950) first began casting figures from his own body in lead and iron, his principal concern has been opening up new artistic and social venues for the display of his work. In realizing his latest work, "Horizon Field," in Austria, the artist has installed 100 figures at an elevation of nearly 7,000 feet; the figures face every direction but never towards one another. The mountain landscape, with its beguiling mix of natural beauty, urbanity and the sociality of old valley communities, provides an ideal experimental field for Gormley's investigations into the relationship between nature and culture. Of this project, the artist said: "It asks basic questions: who are we, what are we, where do we come from and to where are we headed?" Photographs of the landscape installation are contextualized with images of the artist's previous works. Exhibition: Royal Academy of Arts, London, UK (21.09.-03.12.2019).
546 $aText in English.
600 10 $aGormley, Antony$vExhibitions.
600 10 $aGormley, Antony$xCriticism and interpretation.
600 10 $aGormley, Antony$xThemes, motives.
650 0 $aSculpture, British$y20th century$y21st century$vExhibitions.
650 0 $aSculpture, Modern$y20th century$y21st century$vExhibitions.
650 0 $aDrawing, British$y20th century$y21st century$vExhibitions.
650 0 $aArt, British$y20th century$y21st century$vExhibitions.
650 0 $aMale artists$zEngland$y20th century$y21st century$vExhibitions.
600 17 $aGormley, Antony.$2fast$0(OCoLC)fst00208781
655 7 $aExhibition catalogs.$2lcgft
655 7 $aEssays.$2lcgft
655 7 $aIllustrated works.$2lcgft
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aGormley, Antony,$eartist,$esculptor.
700 12 $aGormley, Antony,$tWorks.$kSelections.
700 1 $aCaiger-Smith, Martin,$eauthor,$ecurator.
700 1 $aNewman, Michael,$d1954-$eauthor.
700 1 $aNatarajan, Priyamvada,$eauthor.
700 1 $aWinterson, Jeanette,$d1959-$eauthor.
700 1 $aLuckett, Helen,$econtributor.
710 2 $aRoyal Academy of Arts (Great Britain),$eissuing body,$epublisher,$eorganizer,$ehost institution.
752 $aUnited Kingdom$bEngland$dLondon.
852 00 $boff,fax$hNB497.G65$iA4 2019g