MARC Record from marc_columbia

LEADER: 03412cam a2200445Ii 4500
001 14419441
005 20200117095229.0
008 180921t20192019ctua b 001 0 eng d
024 $a99982913790
035 $a(OCoLC)on1053611333
040 $aYDX$beng$erda$cYDX$dBDX$dOCLCQ$dERASA$dYUS$dOCLCO$dCHVBK$dOCLCO$dSVP$dNZAUC$dYDXIT$dL2U$dOCLCF$dUKMGB$dNDD$dOCLCA$dRIOSL
019 $a1107128412
020 $a9780300237191$qhardcover
020 $a0300237197$qhardcover
035 $a(OCoLC)1053611333$z(OCoLC)1107128412
050 4 $aND1488$b.H35 2019
082 04 $a752$223
082 04 $a750
100 1 $aHall, Marcia B.,$eauthor.
245 14 $aThe power of color :$bfive centuries of European painting /$cMarcia B. Hall.
264 1 $aNew Haven :$bYale University Press,$c[2019]
264 4 $c©2019
300 $a293 pages :$bcolor illustrations ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 277-285) and index.
520 8 $a"This expansive study of color illuminates the substance, context, and meaning of five centuries of European painting. Between the mid-15th and the mid-19th centuries, the materials of painting remained remarkably unchanged, but innovations in their use flourished. Technical discoveries facilitated new visual effects, political conditions prompted innovations, and economic changes shaped artists' strategies, especially as trade became global. Marcia Hall explores how Michelangelo radically broke with his contemporaries' harmonizing use of color in favor of a highly saturated approach; how the robust art market and demand for affordable pictures in 17th-century Netherlands helped popularize subtly colored landscape paintings; how politics and color became entangled during the French Revolution; and how modern artists liberated color from representation as their own role transformed from manipulators of pigments to visionaries celebrated for their individual expression. Using insights from recent conservation studies, Hall captivates readers with fascinating details and developments in magnificent examples-from Botticelli and Titian to Van Gogh and Kandinsky-to weave an engaging analysis. Her insistence on the importance of examining technique and material to understand artistic meaning gives readers the tools to look at these paintings with fresh eyes." --$c(Source of summary not specified)
505 0 $aIntroduction: making, materials, marketing, meaning -- The fifteenth century : from egg to oil, from gothic to humanist values -- The sixteenth century : new techniques for new levels of expression -- The seventeeth century : the economics of art -- The eighteenth century : the politics of art -- The nineteenth century : industrialization and globalization of art -- Color as the expression of the immaterial.
650 0 $aColor in art$xHistory.
650 0 $aColor$xHistory.
650 0 $aPainting, European$xHistory.
650 7 $aColor.$2fast$0(OCoLC)fst00868499
650 7 $aColor in art.$2fast$0(OCoLC)fst00868563
650 7 $aPainting, European.$2fast$0(OCoLC)fst01050808
650 7 $aMalerei$2gnd$0(DE-588)4037220-0
651 7 $aEuropa$2gnd$0(DE-588)4015701-5
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bfaxlc$hND1488$i.H35 2019g