MARC Record from marc_columbia

LEADER: 03571cam a2200553Ii 4500
001 14434261
005 20200220221807.0
008 191214t20182018sz ac bc 000 0 eng d
035 $a(OCoLC)1140432915
035 $a(OCoLC)on1140432915
035 $a(NNC)14434261
040 $aIQU$beng$erda$cIQU$dIQU$dYDX$dOCLCF$dCOD$dCNCCA$dOHX$dJPG
019 $a1110503446
020 $a9783037785751$q(paperback)
020 $a3037785756$q(paperback)
050 4 $aTR647$b.L56 2018
082 04 $a770.019$223
049 $aZCUA
245 00 $aPhenotypes/limited forms /$ceditors, Armin Linke, Peter Hanappe ; texts, Estelle Blaschke [and five others].
264 1 $aZurich, Switzerland :$bLars Müller Publishers,$c[2018]
264 4 $c©2018
300 $a361 pages :$billustrations (chiefly color), portraits ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalog of an exhibition held at ZKM, Karlsruhe, October 20, 2017-January 6, 2019 [and five others].
504 $aIncludes bibliographical references.
505 0 $aForeword / Vittorio Loreto -- The reversibility of data as a new cultural technique / Peter Weibel -- Seeking visual autonomy / Estelle Blaschke -- No display / Wilfried Kuehn -- The principle of undecidable questions, or, After finitude / Doreen Mende -- Discussion between Armin Linke and Peter Hanappe.
520 $aThis publication functions as an extension of the interactive installation Phenotypes/Limited Forms, which encouraged visitors to make a personal selection out of a total of several hundred images by the photographer Armin Linke. In a form of poetic transfer, the visitors arranged the images and named their sequences. Yet, while myriad combinations are possible, the created sequence reveal limited and specific permutations. Virtually every form is possible, but the forces at play limit them to a set of possibilities, to a particular choice of formal expression. The book takes up this aspect and analyzes the nearly 30,000 sequences selected by the public using algorithmic technologies. It offers insights into mechanisms that occur at every instance while moving in our digital present and asks how algorithms are constructed and influence our way of interacting with images.
600 10 $aLinke, Armin$vExhibitions.
650 0 $aPhotographs$xPsychological aspects$vExhibitions.
650 0 $aInteractive art$vExhibitions.
650 0 $aImage analysis$vExhibitions.
600 17 $aLinke, Armin.$2fast$0(OCoLC)fst00397474
650 7 $aImage analysis.$2fast$0(OCoLC)fst00967482
650 7 $aInteractive art.$2fast$0(OCoLC)fst00975979
650 7 $aPhotographs$xPsychological aspects.$2fast$0(OCoLC)fst01061702
655 07 $ck$bExhibition$cv$apublications.$2aat
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028.
700 12 $aLinke, Armin.$tPhotographs.$kSelections.
700 1 $aHanappe, Peter,$eeditor,$ewriter of supplementary textual content.
700 1 $aBlaschke, Estelle,$d1976-$ewriter of supplementary textual content.
700 1 $aKuehn, Wilfried,$ewriter of supplementary textual content.
700 1 $aLoreto, Vittorio,$ewriter of supplementary textual content.
700 1 $aMende, Doreen,$ewriter of supplementary textual content.
700 1 $aWeibel, Peter,$ewriter of supplementary textual content.
710 2 $aZentrum für Kunst und Medientechnologie Karlsruhe,$ehost institution.
852 00 $boff,fax$hTR647$i.L548 2018g