MARC Record from marc_columbia

LEADER: 02239cam a2200337Ii 4500
001 14436520
005 20200130091544.0
008 191221t20192019gw ah 000 0 eng d
035 $a(OCoLC)on1129256532
040 $aOHX$beng$erda$cOHX$dJPG
020 $a9783956794636$q(paperback)
020 $a395679463X
024 3 $a9783956794636
035 $a(OCoLC)1129256532
050 4 $aN6497$b.L56 2019
072 7 $aN$2lcco
072 7 $aAM$2lcco
049 $aZCUA
100 1 $aLind, Maria,$d1966-$eauthor.
245 10 $aSeven years :$bthe rematerialisation of art from 2011 to 2017 /$cMaria Lind.
246 30 $aRematerialisation of art from 2011 to 2017
264 1 $aBerlin :$bSternberg Press,$c[2019]
264 4 $c©2019
300 $a224 pages :$billustrations, facsimile ;$c23 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aSeven Years' offers a subjective chronicle of contemporary art during the second decade of the twenty-first century, seen through a series of columns by curator, writer, and educator Maria Lind. Writing for the print edition of ArtReview, Lind considers individual artworks and exhibitions and contributes to conversations and debates developing in the art world and beyond. She explores work by Haegue Yang, Hassan Khan, Uglycute, Tania Perez-Cordova, and Walid Raad, among others, and discusses such exhibitions as dOCUMENTA (13), the Sharjah Biennial 12, the 3rd Ural Industrial Biennial, and several editions of the Venice Biennale.00Lind's writings are accompanied by other texts: artists Goldin+Senneby discuss Lind's materialist approach through the use of the word ?hand? in the introduction to the volume; Sofía Hernández Chong Cuy reflects on how writing can affect curatorial work, and vice versa; artist Ahmet Ö?üt conducts an imagined interview with Lind; and Philippe Parreno weaves a summary of the years between 2010 and 2018, highlighting the notion of potentiality. A postscript by Lind's fellow curator Joanna Warsza compiles a glossary of the book's key ideas and terms.
650 0 $aArt, Modern$y21st century.
852 00 $boff,fax$hN6497$i.L56 2019g