MARC Record from marc_columbia

LEADER: 05325cam a2200445 i 4500
001 14438008
005 20200101101753.0
008 190201s2020 nyua b 001 0 eng
010 $a 2019005239
024 $a40029514437
035 $a(OCoLC)on1086542185
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dYDX$dBDX$dERASA$dUKMGB$dTJC$dYDX$dOCLCQ
019 $a1126280094
020 $a9780190458027$qhardcover
020 $a019045802X$qhardcover
020 $a9780190458034$qpaperback
020 $a0190458038$qpaperback
020 $z9780190458065$qelectronic book
035 $a(OCoLC)1086542185$z(OCoLC)1126280094
042 $apcc
050 00 $aML3798$b.Q43 2020
082 00 $a780.89$223
245 00 $aQueering the field :$bsounding out ethnomusicology /$cedited by Gregory Barz and William Cheng.
264 1 $aNew York, NY :$bOxford University Press,$c[2020]
300 $axx, 442 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages [397]-428) and index.
505 00 $gPart I : Foreword.$tQueering the field : a foreword /$rKay Kaufman Shelemay --$gPart 2 : Introduction.$tQueering the field : an introduction /$rGregory Barz --$gPart 3 :$tQueer silences.$tSounding out-ethnomusicology : theoretical reflection on queer fieldnotes and performance /$rZoe C. Sherinian ;$tUncomfortable positions : expertise and vulnerability in queer postcolonial fieldwork /$rNicol Hammond ;$tQueer in the field? : what happens when neither "queer" nor "the field" is clearly defined? /$rGillian M. Rodger --$gPart 4 :$tOut/in the field.$t"I don't think we are safe around you" : queering fieldwork in ethnomusicology /$rGregory Barz ;$tQueerness, ambiguity, ethnography /$rChristi-Anne Castro ;$tOuting the methodological no-no : translating queer space to field space /$rAlexander M. Cannon ;$tQueer fieldwork in a queer field under surveillance : musical spaces in Cuba's gay Ambiente /$rMoshe Morad --$gPart 5 :$tQueerness in action.$tCon/figuring transgender-hījṛā music and dance through queer ethnomusicological filmmaking /$rJeff Roy ;$tQueer hip hop or hip-hop queerness? : toward a queer of color music studies /$rMatthew Leslie Santana ;$tGoing through the motions : transgender performance in topeng cirebon from North Java, Indonesia /$rHenry Spiller ;$tFielding the field : belonging, disciplinarity, and queer scholarly lives /$rTes Slominski --$gPart 6 :$tInstitutions and intersections.$tThe lion, the witch, and the closet : heteronormative institutional research and the queering of "traditions" /$rAileen Dillane and Nic Gareiss ;$t"I'm not gay, I'm black" : assumptions and limitations of the normative queer gaze in a Panamanian dance-drama /$rHeather J. Paudler --$gPart 7 :$tWho's queer (w)here?.$tSelf and/as subject : respectability, abjection, and the alterity of studying what you are /$rAmber R. Clifford-Napoleone ;$tStraight to the heart : heteronormativity, flirtation, and autoethnography at home and away /$rKathryn Alexander ;$tComing through loud and queer : ethnomusicological ethics of voice and violence in real and virtual battlegrounds /$rWilliam Cheng --$gPart 8 :$tClubs, bars, scenes.$tThe queer concerns of nightlife fieldwork /$rLuis-Manuel Garcia ;$tEthnographic positionality and psychoanalysis : a queer look at sex and race in fieldwork /$rSarah Hankins ;$t"Man created homophobia, God created transformistas" : saluting the oríchá in a Cuban gay bar /$rCory W. Thorne ;$tOn serendipity : or, toward a sensual ethnography /$rPeter McMurray.
520 8 $aDrawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary. 0The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology.
650 0 $aEthnomusicology.
650 0 $aHomosexuality and music.
650 0 $aGender identity in music.
650 7 $aEthnomusicology.$2fast$0(OCoLC)fst00916186
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aHomosexuality and music.$2fast$0(OCoLC)fst00959821
700 1 $aBarz, Gregory F.,$d1960-$eeditor.
700 1 $aCheng, William,$d1985-$eeditor.
852 00 $bmus$hML3798$i.Q43 2020