MARC Record from marc_columbia

LEADER: 03300cam a2200493Ii 4500
001 14446806
005 20200113094527.0
008 191101s2018 bl a c 000 0 por d
035 $a(OCoLC)on1126129808
040 $aH7K$beng$erda$cH7K$dOCLCO$dOCLCF$dJPG
020 $a8554367006
020 $a9788554367008
035 $a(OCoLC)1126129808
041 0 $apor$aeng
043 $as-bl---
050 4 $aNB359.X385$bA4 2018
049 $aZCUA
245 00 $aDaisy Xavier :$bhorizonte de eventos = event horizon /$corganização e coordinação editorial, Franklin Espath Pedroso.
246 30 $aHorizonte de eventos
246 30 $aEvent horizon
264 1 $aRio de Janeiro :$bNotion Art&Design,$c2018.
300 $a175 pages :$billustrations (chiefly color) ;$c27 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition "Daisy Xavier: Pequenas Gravidades" held from December 16, 2017 to February 19, 2018 at the Paço Imperial in Rio de Janeiro, Brazil.
500 $aTitle from page [51].
505 8 $aDaisy Xavier: pequenas gravidades = Daisy Xavier: little gravities / Franklin Espath Pedroso -- Arqueologia da Perda = Archaeology of loss -- O olhar = Gaze -- O Último azul = Last blue -- Pequenas gravidades = little gravities -- Natureza em expansão = Expanding nature -- Fios da memória e do tempo = Threads of memory and time / Lidia Canongia -- Porque não somos naturais = Because we are not natural -- Cronologia = Chronology / Debora Monnerat -- Lista de obras = List of works.
520 $aCatalog of artist Daisy Xavier (Rio de Janeiro, Brazil 1952) 15-year trajectory, comprising drawings, sculptures, paintings and photographs. The exhibition curated by Franklin Espath Pedroso includes pieces exhibited previously like "Último Azul" (Museu de Arte Moderna do Rio de Janeiro, 2011); photographs of submerged bodies in Anfíbiosʺ, the series Arqueologia da Perdaʺ, the series Natureza em Expansãoʺ, among others and the series "Pequenas Gravidades", her most recent production and which gave name to the exhibition. These works show Daisy Xavierœs relationship with psychoanalysis, since the process used is similar to that of an analysis () Various issues are raised, such as limits, memory, equilibrium, lack of support, tension and the dilution of form. Water and nets are recurrent elements in the artistœs work. She uses these to question the rigidity of limitsʺ --Page 59.
546 $aTexts in Portuguese and English.
600 10 $aXavier, Daisy,$d1952-$vExhibitions.
650 0 $aInstallations (Art)$zBrazil$vExhibitions.
650 7 $aArt, Brazilian.$2fast$0(OCoLC)fst00816034
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
651 7 $aBrazil.$2fast$0(OCoLC)fst01206830
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 12 $aXavier, Daisy,$d1952-$tWorks.$kSelections.
700 1 $aPedroso, Franklin,$eorganizer,$eeditor.
710 2 $aPaço Imperial do Rio de Janeiro,$ehost institution.
730 02 $aDaisy Xavier.
730 02 $aDaisy Xavier.$lEnglish.
852 00 $boff,fax$hNB359.X385$iA4 2018g