MARC Record from marc_columbia

LEADER: 01925cam a2200337Ii 4500
001 14449689
005 20200206145914.0
008 200114t20192019enka 000 0 eng
035 $a(OCoLC)on1085637709
040 $aYDX$beng$erda$cYDX$dERASA$dCDX$dUAB$dOCLCF$dGSE$dOCLCO
020 $a1912339471$q(hbk.)
020 $a9781912339471$q(hbk.)
035 $a(OCoLC)1085637709
043 $an-us-ca
050 4 $aTR654$b.L68 2019
082 04 $a779.092$223
049 $aZCUA
100 1 $aLower, Seth,$ephotographer.
245 10 $aUnits /$cSeth Lower.
264 1 $a[London] :$bMACK,$c[2019]
264 4 $c©2019
300 $a1 volume (unpaged) :$bcolor illustrations ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Units contains photographs taken from 1994-2017. The images depict a variety of everyday materials and situations, many seen in sets, parts, or multiples. Within such scenes, Lower seeks out a kind of integrity (or lack thereof): standards of measurement, materiality, vague questions about the boundaries of entities and experience. A sign swallowed by tree bark, a small collection of funnels, a stove for sale in the sunshine. Where does one unit end and the other begin? It is certainly possible to be part of the whole and at the same time separate, existing with a foot in both worlds, but does this say anything about the units themselves, or only the way we define them? Graham Harman writes that such pieces are 'terminal points, closed-off neighborhoods that retain their local identity despite the broader systems into which they are partly absorbed'."--Publisher's website (viewed January 21, 2020)
650 0 $aPhotography, Artistic.
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
650 0 $aColor photography.
655 7 $aPhotobooks.$2lcgft
852 00 $boff,fax$hTR654$i.L68 2019g