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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-029.mrc:45296378:2613
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-029.mrc:45296378:2613?format=raw

LEADER: 02613cam a2200337 i 4500
001 14240896
005 20190729100244.0
008 190404s2019 enka b 001 0 eng d
024 $a40029240071
035 $a(OCoLC)on1099312099
040 $aUKMGB$beng$erda$cUKMGB$dOCLCO$dBDX$dERASA
020 $a9781788315364$qhardcover
020 $a1788315367$qhardcover
035 $a(OCoLC)1099312099
050 4 $aN7280$b.D34 2019
082 04 $a709.55$223
100 1 $aDaftari, Fereshteh,$eauthor.
245 10 $aPersia reframed :$bIranian visions of modern and contemporary art /$cFereshteh Daftari.
264 1 $aLondon ;$aNew York :$bI.B. Tauris & Co. Ltd,$c2019.
300 $axix, 267 pages :$billustrations (black and white, and color) ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aThe modern and contemporary art of Iran has often been understood, and positioned by commercial institutions, as decorative or ethnic - hence the focus on calligraphy and veiled women. While at a scholarly level it has been characterised as a comment on the socio-political context of the country: repressed inside Iran and, among artists in diaspora, as a focus for a complex identity discourse. Viewing Iranian art as neither a commodity, nor an illustration of theory, Fereshteh Daftari approaches the modern art of Iran as a democratic space where pluralism - a range of different styles and ideas - can thrive.0This art historical exploration offers new insights into Iranian art, from the late 19th century Qajar period, via the Saqqakhaneh movement of the 1960s and into the contemporary world. In the process the author comments on the concept of modernism in a non-Western environment. She takes both a specific and a panoramic view of Iranian art to expose new themes like the subversive appropriation of traditional art, whilst also tackling more perennial issues like gender.0With experience as an international curator, Daftari analyses the way Iranian artists have been represented outside the country and discusses the different routes by which modern Iranian art has been introduced to a Western audience, explaining the process by which Iranian art has developed and how it navigates between the individual and the political.
650 0 $aArt, Iranian.
650 0 $aArt, Iranian$y19th century.
650 0 $aArt, Iranian$y20th century.
650 0 $aArt, Iranian$y21st century.
852 00 $bfaxlc$hN7280$i.D34 2019