MARC Record from marc_columbia

LEADER: 04263cam a2200553 i 4500
001 14244503
005 20190802100011.0
008 181030t20192019ohua b s001 0 eng c
010 $a 2018051006
024 $a40029271011
035 $a(OCoLC)on1076422980
040 $aLBSOR/DLC$beng$erda$cDLC$dOCLCQ$dOCLCF$dOCLCO$dYDX
020 $a9781947602137$qhardcover
020 $a1947602136$qhardcover
020 $z9781947602151$qelectronic book electronic book
020 $z9781947602144$qelectronic book electronic publication
035 $a(OCoLC)1076422980
042 $apcc
043 $an-us---
050 00 $aN6538.N5$bR48 2019
082 00 $a700.89/96073$223
245 00 $aRethinking America's past :$bvoices from the Kinsey African American Art and History Collection /$cedited by Tim Gruenewald.
264 1 $aCincinnati, Ohio :$bUniversity of Cincinnati Press,$c2019.
264 4 $c©2019
300 $axxii, 246 pages :$billustrations (some color) ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"The Kinsey Collection is one of the preeminent private collections of African American art and history in the world today. The collection spans five-hundred years of African American intellectual and artistic impacts, and shifts the memory of African American history from victimhood to an emphasis of social and cultural achievement. Through selected pieces in The Kinsey Collection, Rethinking America's Past: Voices from the Kinsey African American Art and History Collection explains how African Americans have influenced the course of history and art through aesthetic, intellectual, and political innovation. Together, the contributors exemplify the role of memory and bring to light prominent figures of African American history, not yet fully appreciated for their contributions. These essays encourage a deeper understanding of creative ways of resisting and contributing, which African Americans have shown consistently throughout U.S. history. To date, the collection has exhibited in twenty-four major art and history museums around the country including the Norton Museum of Art, The Smithsonian, The DuSable Museum and the Underground Railroad Museum"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aCollection/collective identity: collection and remembering African American art and history / Tim Gruenewald -- "No man can be prevented from visiting his wife": Henry Butler and enslaved manliness in family and intimacy / Tom Foster -- Revising escape: the promise of free trade in Frederick Douglass's autobiographies and Amitav Ghosh's Global geography of commercial imperialism / Kendall Johnson -- "Damn that Jim Crow": blues songs travel the American apartheid / Steven Tracy -- Alain Locke's New negro: of words and images / Selina Lai-Henderson -- Set adrift: Lois Mailou Jones and the fluidity of blackness / Ivy Wilson -- Quantum aesthetics: the color of light in Beauford Delaney's "untitled" / Russ Castronovo and Dorothy Draheim -- Beyond civil rights: remembering and continuing the black freedom movement in the United States / Greta De Jong.
600 10 $aKinsey, Bernard,$d1943-$xArt collections.
600 10 $aKinsey, Shirley$xArt collections.
600 17 $aKinsey, Bernard,$d1943-$2fast$0(OCoLC)fst01665302
600 17 $aKinsey, Shirley.$2fast$0(OCoLC)fst01665305
650 0 $aAfrican American art$xSocial aspects.
650 0 $aAfrican Americans$xHistory.
650 0 $aAfrican Americans$xRace identity.
650 0 $aCollective memory$zUnited States.
650 0 $aAfrican American art$xPrivate collections$zUnited States.
650 0 $aAfrican Americans$xHistory$xPrivate collections$zUnited States.
650 7 $aAfrican Americans.$2fast$0(OCoLC)fst00799558
650 7 $aAfrican Americans$xRace identity.$2fast$0(OCoLC)fst00799666
650 7 $aArt$xPrivate collections.$2fast$0(OCoLC)fst00815314
650 7 $aCollective memory.$2fast$0(OCoLC)fst01739814
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aGruenewald, Tim,$eeditor.
852 00 $bfaxlc$hN6538.N5$iR48 2019