MARC Record from marc_columbia

LEADER: 03238cam a2200493 i 4500
001 14293011
005 20190903101027.0
008 190411t20192019enka b 001 0 eng c
010 $a 2019008016
024 $a40029334080
035 $a(OCoLC)on1098220099
040 $aLBSOR/DLC$beng$erda$cDLC$dERASA$dOCLCF$dUKMGB$dYDX
020 $a9781108476133$qhardcover$qalkaline paper
020 $a1108476139$qhardcover$qalkaline paper
020 $z9781108759717$qelectronic book
035 $a(OCoLC)1098220099
042 $apcc
050 00 $aPR448.E46$bM37 2019
082 00 $a820.9/353$223
100 1 $aMarsden, Jean I.,$eauthor.
245 10 $aTheatres of feeling :$baffect, performance, and the eighteenth-century stage /$cJean I. Marsden.
264 1 $aCambridge, United Kingdom ;$aNew York, NY :$bCambridge University Press,$c2019.
264 4 $c©2019
300 $axii, 223 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Historicizing affect provides an important register of cultural developments, and because of this link between theatre and culture, explorations of performance as well as affect have turned to the work of Raymond Williams, in particular to his discussion of 'structures of feelings,' as a means of approaching the complex operation of emotion and theatre. Williams's work has a strong affinity for eighteenth-century studies, and his discussion of what he famously termed 'structures of feeling' is admirably suited to a consideration of the overtly emotional world of eighteenth-century theatre. It is a slippery term, as Williams himself admits, and he suggests as an alternative structures of experience before rejecting that term because of its potential to imply past rather than present experience. These structures are, as Williams emphasizes, a process rather than an ideological system, growing out of lived experience, so that one of the crucial components of these structures of feeling is that they are immediate, situated in a specific moment"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aDivine sympathy : theatre, connection, and virtue -- Dangerous pleasures : theatregoing in the eighteenth century -- Roman fathers and Grecian daughters : tragedy and the nation -- Performing the West Indies : comedy, feeling, and British identity -- The moral muse : comedy as social engineering.
650 0 $aEnglish drama$y18th century$xHistory and criticism.
650 0 $aEmotions in literature.
650 0 $aTheater$xPsychological aspects.
650 0 $aTheater audiences$xPsychology.
650 0 $aEmotions.
650 7 $aEmotions.$2fast$0(OCoLC)fst00908819
650 7 $aEmotions in literature.$2fast$0(OCoLC)fst00908874
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aTheater audiences$xPsychology.$2fast$0(OCoLC)fst01149333
650 7 $aTheater$xPsychological aspects.$2fast$0(OCoLC)fst01149284
648 7 $a1700-1799$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iebook version :$z9781108759717
852 00 $bglx$hPR448.E46$iM37 2019