MARC Record from marc_columbia

LEADER: 05889cam a2200409Ii 4500
001 14318248
005 20191016095459.0
008 181120t20192019enka b 001 0 eng d
024 $a60002342599
035 $a(OCoLC)on1065733575
040 $aYDX$beng$erda$cYDX$dOCLCQ$dYDXIT$dOCLCF$dILO
020 $a1783209968$qpaperback
020 $a9781783209965$qpaperback
035 $a(OCoLC)1065733575
050 4 $aN7475$b.F54 2019
082 04 $a701/.18$223
245 00 $aField notes on the visual arts :$bseventy-five short essays /$cedited by Karen Lang.
264 1 $aBristol ;$aChicago, IL :$bIntellect Ltd$c2019.
264 4 $c©2019
300 $axviii, 349 pages :$billustrations (some color) ;$c23
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction --$gAnthropomorphism.$tInhale, Exhale, Pause: Breath and the Open Mouth in Sculpture /$rElizabeth King --$tArt as Soul-Making from Chauvet to Cinema/$rJ. M. Bernstein --$tRocks Like Us /$rCarolyn Dean --$tAnthropomorphism as Hermeneutic Mode /$rCaroline van Eck --$tReflections on Anthropomorphism /$rFinbarr B. Flood --$t“Morphosis” as Cognition /$rDario Gamboni /$tThe Transformative Image /$rJane Garnett and Gervase Rosser --$tThe Bodily and the Anthropomorphic /$rJames Meyer --$tAnthropomorphic Beauty: Photography, the Empress, and Modern Japan /$rMiya Elise Mizuta Lippit --$gAppropriation.$tBack Then, In Between, and Today /$rGeorg Baselitz --$tAppropriation and Influence /$rKirk Ambrose --$tPhotographs Can Never Be Still /$rElizabeth Edwards --$tRevenants: Gestures of Repetition in Contemporary Art /$rUrsula Frohne --$tAppropriation and Epigonality: A Romantic Narrative /$rCordula Grewe --$tThe Poet and the Bandits /$rDaniel Heller-Roazen --$tAn Ethics of Appropriation /$rIan McLean --$tThe Dialectics of Appropriation: Reflections on a Changing World /$rSaloni Mathur --$tOn Appropriation /$rIain Boyd Whyte --$gContingency.$tA Shot in the Dark /$rLinda Connor --$tPhotographs Hold a Redemptive Power /$rGiovanna Borradori --$tGive Me a Kiss and Stay Connected: Reflections on Contingency in the Medical Humanities /$rMarcia Brennan --$tThe Paradox of Contingency /$rMary Ann Doane --$tEn blanc et noir /$rAngus Fletcher --$tImages and the Unforeseen /$rPeter Geimer --$tEternal Contingencies /$rMark Ledbury --$tOut of the Blue: Two African Textile Contingencies /$rChris Spring --$gDetail.$tDream Art /$rSusan Hiller --$tMaterial Details-Artists’ Pigments /$rSpike Bucklow --$tGoethe on Myron’s Cow: A Detail /$rJohannes Endres --$tOn Detail /$rCarlo Ginzburg --$tWhy Chinese Paintings Are So Large /$rJoan Kee --$tHairy Details /$rSpyros Papapetros --$tMoving In and Stepping Back /$rJoanna Roche --$tThe Detail as Fragment of a Social Past /$rNina Rowe --$tAntiquarians in the Field /$rAlain Schnapp --$tThe Feminine and Vegetable Principle of Life /$rBlake Stimson --$gMateriality.$tMateriality and Objecthood: Questions of Sedimented Labor /$rMartha Rosler --$tMedieval Materiality /$rCaroline Walker Bynum --$tMateriality of Color: South Asia /$rNatasha Eaton --$tMateriality Matters \$rMichael Ann Holly --$tMaterial and Sacred Artistic Agency /$rMichael Kelly --$tMateriality Is Somewhere Else /$rRobin Kelsey --$tA Lexicon of Meaningful Artistic Media /$rAlisa LaGamma --$tDust: Recomposing the Decomposed /$rMonika Wagner --$tAwkward Objects /$rOliver Watson --$tOn the Textility of Spatial Construction /$rTristan Weddigen --$gMimesis.$tThe Vertiginous Image /$rDexter Dalwood --$tVisual Hermeneutics: Art History and Physiognomics /$rDaniela Bohde --$tByzantine Innovative Mimesis /$rHelen C. Evans --$tEthnographic Mimesis: A Collaboration between Zhang Daqian and Tibetan Painters, 1941–43/$rSarah E. Fraser --$tClassical Mimesis as Embodied Imitation /$rThomas Habinek --$tThe Mimetic Pulse of Primal Unity /$rTom Huhn --$tBlood Heads: Index and Presence /$rJeanette Kohl --$tThe Figural Shape of Perception /$rNiklaus Largier --$tMimesis for Artists, Writers, and Audiences /$rPeter Mack --$tMimesis and the Anti-Mimetic /$rAlex Potts --$gTime.$tTime Is of the Essence /$rEric Fischl --$tTime in Ancient Egypt /$rJan Assmann --$tStop–Start /$rMalcolm Bull --$tNotes from a Field /$rDarby English --$tTime, Death, and History /$rLudmilla Jordanova --$tPainting Time /$rAjay Sinha --$tThe Texture of Time: Durational Conditions of Contemporary Art /$rGloria Sutton --$tWhat Father Time Has Left Behind /$rGerrit Walczak --$tThe Origin of Time /$rDavid E. Wellbery --$gTradition.$tArt, Tradition, and the Dancing Masquerade(r) /$rObiora Udechukwu --$tTradition: History and Reification /$rJohn Brewer --$tEtching, Tradition, and the German Imagination /$rJay A. Clarke --$tField Notes on the Contemporaneity of Tradition /$rTapati Guha-Thakurta --$tTradition and Critical Historiography /$rHans Hayden --$tTradition as Treason /$rGregg M. Horowitz --$tMaterial Translation and Its Challenges /$rSusanne Küchler --$tTradition Is an Exquisite Corpse /$rMaria Loh --$tRecovering (from) Tradition: Jeffrey Thomas, Kent Monkman, and the Modern “Indian” Imaginary /$rRuth B. Phillips --$tThe Tradition of the New: Alois Riegl’s Late Antiquity /$rRegine Prange
650 0 $aArt.
650 0 $aArt criticism.
650 0 $aArt$xPhilosophy.
650 0 $aAesthetics.
650 7 $aAesthetics.$2fast$0(OCoLC)fst00798702
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt criticism.$2fast$0(OCoLC)fst00815492
650 7 $aArt$xPhilosophy.$2fast$0(OCoLC)fst00815307
700 1 $aLang, Karen,$eeditor.
776 08 $iElectronic version:$tField notes on the visual arts.$dBristol : Intellect Ltd 2019$z9781789380187$w(OCoLC)1104346732
852 00 $boff,fax$hN7475$i.F54 2019g