MARC Record from marc_columbia

LEADER: 04279cam a2200421Ii 4500
001 14327433
005 20191002121019.0
008 180921s2019 enka b 001 0 eng d
035 $a(OCoLC)on1053581032
040 $aYDX$beng$erda$cYDX$dBDX$dUKMGB$dOCLCO$dOCLCQ$dOCLCF$dYDX$dGRU$dPAU$dIUL$dSTF$dUAB$dTFW$dOCL$dWAU$dCOD
020 $a9780197266502$q(hbk.)
020 $a0197266509$q(hbk.)
035 $a(OCoLC)1053581032
050 4 $aAS122$b.L5 v.221
050 4 $aPQ4570$b.A75 2019
082 04 $a851.3$223
049 $aZCUA
245 00 $aAriosto, the Orlando furioso and English culture /$cedited by Jane E. Everson, Andrew Hiscock and Stefano Jossa.
250 $aFirst edition.
264 1 $aOxford :$bOxford University Press,$c2019.
300 $axiv, 355 pages :$billustrations ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aProceedings of the British Academy,$x0068-1202 ;$v221
520 8 $aMarking the fifth centenary of the publication of the first edition of the Italian masterpiece, Ariosto, the Orlando Furioso and English Culture, 1516-2016 brings together an international team of Renaissance scholars from a wide variety of disciplines to analyse in detail the diffuse impact which the epic poem had upon English culture from the Tudor century to the present day. Translated into English in the 1590s by Sir John Harington, godson of Elizabeth I, the influence of Ariosto's poem can be traced in literature, music and the visual arts, from Spenser and Milton to modern media adaptations. In addition, the collection reflects upon the ways in which successive editions and translations, examples of critical reception, rewritings and adaptations in different media (in particular opera) all shaped the rich and evolving understanding of the adventures of Orlando, Angelica, Medoro, Olympia, and Sacripante in the cultural and artistic production of England across the centuries.
504 $aIncludes bibliographical references (pages 308-338) and index.
505 00 $g1.$tIntroduction /$rJane E. Everson, Andrew Hiscock and Stefano Jossa --$gPart I Before reading : the image.$g2.$tThe visualization of the Orlando furioso : from the original editions to modern video art /$rLina Bolzoni --$g3.$tReading the poem 'in the very picture' : new evidence on Harington's original sin /$rLuca Degl'Innocenti --$g4.$tLandscape and seascape : the British Isles and the Orlando furioso /$rEleonora Stoppino --$gPart II From the Elizabethans to the Enlightenment.$g5.$t'englishing th'Italian Ariost' : the Orlando furioso among the Elizabethans : adaptation and audience /$rAndrew Hiscock --$g6.$tMilton and Ariosto /$rTobias Gregory --$g7. Fiordispina's English afterlives : from Harington to Ali Smith /$rIta MacCarthy --$gPart III Gothic and Romantic Ariosto.$g8.$tAriosto in England in the eighteenth century : from antipathy and ambivalence to enthusiasm /$rJane E. Everson --$g9.$tLessons in madness : the Orlando furioso on the eighteenth-century operatic stage (with special reference to Handel) /$rTim Carter --$g10.$tWalter Scott and Ariosto's Orlando furioso /$rSusan Oliver --$g11.$tAuthorizing Ariosto : the construction of Ariosto in early nineteenth-century British periodicals /$rMaureen McCue --$gPart IV Text and translation in the modern era.$g12.$tAntonio Panizzi, textual editor of Ariosto /$rMarco Dorigatti --$g13.$tThe Furioso in translation : 'lascivious' Ariosto in two modern English versions /$rMartin McLaughlin --$g14.$tThe Orlando furioso, writing and the construction of meaning /$rNicola Gardini --$g15$tEntertainment and irony : the Orlando furioso from modern to postmodern /$rStefano Jossa.
600 10 $aAriosto, Lodovico,$d1474-1533.$tOrlando furioso.
650 0 $aRoland (Legendary character)
630 07 $aOrlando furioso (Ariosto, Lodovico)$2fast$0(OCoLC)fst01357903
650 7 $aRoland (Legendary character)$2fast$0(OCoLC)fst01099609
655 7 $aLiterary criticism.$2lcgft
700 1 $aEverson, J. E.$q(Jane E.),$eeditor.
700 1 $aHiscock, Andrew,$d1962-$eeditor.
700 1 $aJossa, Stefano,$d1966-$eeditor.
830 0 $aProceedings of the British Academy ;$v221,$x0068-1202
852 00 $bglx$hQ41$i.B86 v.221