MARC Record from marc_columbia

LEADER: 05968cam a2200769Ii 4500
001 14330303
005 20191028123812.0
008 191002t20192019enkaco f b 001 0deng d
035 $a(OCoLC)on1054221511
040 $aYDX$beng$erda$cYDX$dOCLCQ$dBDX$dUKMGB$dOCLCO$dOCLCF$dUKOBU$dYDXIT$dERASA$dOCL$dUKTTE$dOCLCQ$dNYP$dVP@$dUSD$dFNE$dEEM$dBRL
015 $aGBB963023$2bnb
016 7 $a019347834$2Uk
020 $a1849766282$q(paperback)
020 $a9781849766289$q(paperback)
035 $a(OCoLC)1054221511
041 $aeng
043 $as-gy---
050 4 $aND497.B674$bA4 2019
080 $aBOWLIN
082 04 $a759.2$223
049 $aZCUA
245 00 $aFrank Bowling /$cedited by Elena Crippa.
264 1 $aLondon, England :$bTate Publishing,$c2019.
264 2 $aNew York, New York :$bABRAMS,$c[2019]
264 3 $aItaly :$bPrinter Trento S.r.l.,$c[2019]
264 4 $c©2019
300 $a208 pages :$billustrations (color) ;$c28 x 24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographic references (197-198) and index.
500 $aPublished on the occasion of the exhibition held at Tate Britain, London, 31 May-26 August 2019--Colophon.
520 8 $aBorn in British Guiana in 1936, Frank Bowling arrived in Britain in his late teens, going on to study paiting at the the Royal College of Art in the same cohort as David Hockney and Derek Boshier. Since he started painting in the late 1950s, Bowling has pursued a relentless exploration of the properties and possibilities of paint, experimenting with stitching, staining, pouring and dripping. Often ambitious in scale, and usually described in terms of its colourful and luminous quality, and the energetic application or accrual of paint, Bowling's work combines figuration, abstract elements, popular and autobiographical references, and demonstrates his interest in social and political imagery. Accompanying what will be the first solo exhibition internationally to address Bowling's entire oeuvre, this publication will explore an extraordinary career spanning over 60 years.00Exhibition: Tate Britain, London, UK (31.05.-26.08.2019).
520 8 $a"Since Frank Bowling (b.1934) started painting in the late 1950s, he has pursued a relentless exploration of the properties and possibilities of paint, experimenting with stitching, staining, pouring and dripping. Often abitious in scale, and known for its colourful and luminous quality and the layered application of paint, Bowling's work combines figuration and abstract elements and evokes autobiographical references and socio-political concerns. Beginning with his figurative work created in the early 1960s, this book explores and extraordinary career spanning over 60 years. It traces the development of Bowling's practice right up to his most recent work, illustrating the artist's interest in surface textures, the tension between geometry and organic forms, and between expansive fields of colour of unusual mediums, such as metallic pigments, fluorescent chack and acrylic gels. Bowling's contribution to modern and contemporary art, and his wide-reaching influence, are further illuminated by a combination of insightful texts and artistic voices. Featuring iconic artworks--such as the 'map paintings', the 'poured paintings', and the Great Thames paintings--alongside rarely seen works, this book is a feast of colour and texture that celebrates the quality and breadth of Bowling's remarkable work."$c--publisher's description, inner cover
505 0 $aFrank Bowling: the possibilities of paint are never-ending / Elena Crippa -- Image in revolt: Bowling in London 1959-66 / Chris Stephens -- Social, material, otherness: Bowling's map paintings 1966-71 / Courtney J. Martin -- Bowling takes his chances / Richard Shiff -- Plasticity, change and thingness: into the 1980s / Elena Crippa -- Witness to life: Bowling in the studio / Matthew Collings -- From substrate to the riverbed / Sonia Boyce -- Works -- Chronology / Laura Castagnini.
518 $o"Frank Bowling" :$dMay 31-August 26, 2019,$pTate Britain, London, England, United Kingdom.
546 $aText in English.
600 10 $aBowling, Frank,$d1936-$vExhibitions.
600 10 $aBowling, Frank,$d1936-$xCriticism and interpretation.
600 10 $aBowling, Frank,$d1936-$xThemes, motives.
650 0 $aPainting$zGuyana$vExhibitions.
650 0 $aPainters, Black$zEngland$zLondon$y20th century$vExhibitions.
650 0 $aPainters, Black$zEngland$zLondon$y21st century$vExhibitions.
650 0 $aPainting, Abstract$zEngland$y20th century$vExhibitions.
650 0 $aPainting, Abstract$zEngland$y21st century$vExhibitions.
650 0 $aPainting, British$zEngland$zLondon$y20th century$vExhibitions.
650 0 $aPainting, British$zEngland$zLondon$y21st century$vExhibitions.
600 17 $aBowling, Frank,$d1936-$2fast$0(OCoLC)fst00203222
650 7 $aPainting.$2fast$0(OCoLC)fst01050567
651 7 $aGuyana.$2fast$0(OCoLC)fst01208722
655 7 $aExhibition catalogs.$2lcgft
655 7 $aEssays.$2lcgft
655 7 $aIllustrated works.$2lcgft
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aBowling, Frank,$d1936-$eartist.
700 12 $aBowling, Frank,$d1936-$tWorks.$kSelections.
700 1 $aCrippa, Elena,$eeditor,$eauthor.
700 1 $aStephens, Chris$c(Art museum curator),$eauthor.
700 1 $aMartin, Courtney J.,$eauthor.
700 1 $aShiff, Richard,$eauthor.
700 1 $aCollings, Matthew,$eauthor.
700 1 $aBoyce, Sonia,$d1962-$eauthor.
710 2 $aTate Britain (Gallery),$eissuing body,$epublisher,$eorganizer,$ehost institution.
752 $aUnited Kingdom$bEngland$dLondon.
852 00 $boff,fax$hND497.B674$iA4 2019g