MARC Record from marc_columbia

LEADER: 03122cam a2200445Ii 4500
001 14341634
005 20191025140710.0
008 191010t20192019nyua bc 000 0 eng d
035 $a(OCoLC)on1104834567
040 $aVVPCS$beng$erda$cVVPCS$dOCLCF$dYDX$dBDX$dERASA$dUAB
019 $a1096487586
020 $a9780998632698$q(hbk.)
020 $a0998632694$q(hbk.)
035 $a(OCoLC)1104834567$z(OCoLC)1096487586
050 4 $aND237.C527$bA4 2019
082 04 $a700.411
049 $aZCUA
100 1 $aChurchman, Leidy,$d1979-$eartist.
245 10 $aLeidy Churchman :$bcrocodile /$cedited by Lauren Cornell, Karen Kelly and Barbara Schroeder.
246 30 $aCrocodile
264 1 $aAnnandale-on-Hudson, NY :$bCenter for Curatorial Studies, Bard College ;$aBrooklyn, NY :$bDancing Foxes Press,$c2019.
264 4 $c©2019
300 $a142 pages :$bcolor illustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held at CCS Bard June 22-October 13, 2019, curated by Lauren Cornell.
504 $aIncludes bibliographical references.
505 00 $tForeword /$rTom Eccles --$tCrocodile as path /$rArnisa Zeqo --$tAgainst understanding /$rAlex Kitnick --$tKnowledge must be burned, hammered, and beaten like pure gold /$rRuba Katrib --$tLauren Cornell and Leidy Churchman in conversation.
520 8 $aRanging from figurative representation to gestural abstraction, monumental landscape paintings to more intimate portraits, the oeuvre of American painter Leidy Churchman (born 1979) channels his artistic and literary influences, friendships, moods, surrounding landscapes and the visual iconography of divergent religions and philosophies. Crocodile highlights the artist?s investigations into consciousness in his renderings of anthropomorphic animals and psychological states; his appropriation of existing artworks and aesthetics; and his recasting of various signs and symbols, from his depiction of the Buddhist symbol of the protector deity in Mahakala(2017) to the Mastercard logo in Mastercard (2013). Churchman, who divides his time between New York and Maine, emerges here as a dynamic protagonist of contemporary American painting. In addition to collecting 90 reproductions of works, the book features artwork made especially for it, plus texts by Ruba Katrib, Alex Kitnik and Arnisa Zeqo, in addition to a conversation between Churchman and Lauren Cornell00Exhibition: Hessel Museum, CCS Bard, Annadale-on-Hudson, USA (22.06.-13.10.2019).
600 10 $aChurchman, Leidy,$d1979-$vExhibitions.
600 10 $aChurchman, Leidy,$d1979-$xInterviews.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aCornell, Lauren,$eeditor.
700 1 $aKelly, Karen$eeditor.
700 1 $aSchröder, Barbara,$d1969-$eeditor.
710 2 $aBard College.$bCenter for Curatorial Studies,$ehost institution.
852 00 $boff,fax$hND237.C527$iA4 2019g