Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:100218887:6281 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:100218887:6281?format=raw |
LEADER: 06281cam a2200793 i 4500
001 14739338
005 20220817092116.0
006 m o d
007 cr cnu|||unuuu
008 180315s2018 nyua ob 001 0 eng d
035 $a(OCoLC)on1028731668
035 $a(NNC)14739338
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019 $a1028808489$a1092378134
020 $a9780429492839$q(electronic bk.)
020 $a0429492839$q(electronic bk.)
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020 $a0429961383
020 $z9780064302074
020 $z0064303918
020 $z9780064303910
020 $z0064302075
035 $a(OCoLC)1028731668$z(OCoLC)1028808489$z(OCoLC)1092378134
037 $a9780429972461$bIngram Content Group
050 4 $aN72.F45
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072 7 $as1ba$2rero
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084 $a20.03$2bcl
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049 $aZCUA
245 04 $aThe expanding discourse :$bfeminism and art history /$cedited by Norma Broude and Mary D. Garrard.
264 1 $aNew York :$bRoutledge, Taylor & Francis Group,$c2018.
300 $a1 online resource :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed March 20, 2018).
500 $a"First published 1992 by Westview Press"--Copyright page
504 $aIncludes bibliographical references and index.
505 00 $tChapter Introduction: The Expanding Discourse /$rNorma Broude --$tchapter 1 The Virgin's One Bare Breast --$tNudity, Gender, and Religious Meaning in Tuscan Early Renaissance Culture /$rMargaret R. Miles --$tchapter 2 Women in Frames --$tThe Gaze, the Eye, the Profile in Renaissance Portraiture /$rPatricia Simons --$tchapter 3 Leonardo Da Vinci --$tFemale Portraits, Female Nature /$rMary D. Garrard --$tchapter 4 The Taming of the Blue --$tWriting Out Color in Italian Renaissance Theory /$rPatricia L. Reilly --$tchapter 5 Botticelli's Primavera --$tA Lesson for the Bride /$rLilian Zirpolo --$tchapter 6 Titian's Sacred and Profane Love and Marriage /$rRona Goffen --$tchapter 7 The Loggia Dei Lanzi --$tA Showcase of Female Subjugation /$rYael Even --$tchapter 8 The Erotics of Absolutism --$tRubens and the Mystification of Sexual Violence /$rMargaret D. Carroll --$tchapter 9 The Muted Other --$tGender and Morality in Augustan Rome and Eighteenth-Century Europe /$rNatalie Boymel Kampen --$tchapter 10 Secluded Vision --$tImages of Feminine Experience in Nineteenth-Century Europe /$rAnne Higonnet --$tchapter 11 "Disagreeably Hidden" --$tConstruction and Constriction of the Lesbian Body in Rosa Bonheur's Horse Fair /$rJames M. Saslow --$tchapter 12 "L'art Feḿinin" --$tThe Formation of a Critical Category in Late Nineteenth-Century France /$rTamar Garb --$tchapter 13 Morisot's Wet Nurse --$tThe Construction of Work and Leisure in Impressionist Painting /$rLinda Nochlin --$tchapter 14 Modernity and the Spaces of Femininity /$rGriselda Pollock --$tchapter 15 Edgar Degas and French Feminism, ca. 1880 --$t"The Young Spartans," the Brothel Monotypes, and the Bathers Revisited /$rNorma Broude --$tchapter 16 Renoir and the Natural Woman /$rTamar Garb --$tchapter 17 Going Native --$tPaul Gauguin and the Invention of Primitivist Modernism /$rAbigail Solomon-Godeau --$tchapter 18 Gauguin's Tahitian Body /$rPeter Brooks --$tchapter 19 The MoMA's Hot Mamas /$rCarol Duncan --$tchapter 20 Constructing Myths and Ideologies in Matisse's Odalisques /$rMarilynn Lincoln Board --$tchapter 21 Ladies Shot and Painted --$tFemale Embodiment in Surrealist Art /$rMary Ann Caws --$tchapter 22 Culture, Politics, and Identity in the Paintings of Frida Kahlo /$rJanice Helland --$tchapter 23 Egalitarian Vision, Gendered Experience --$tWomen Printmakers and the WPA/FAP Graphic Arts Project /$rHelen Langa --$tchapter 24 Lee Krasner as L.K. /$rAnne M. Wagner --$tchapter 25 Georgia O'Keeffe and Feminism --$tA Problem of Position /$rBarbara Buhler Lynes --$tchapter 26 Judy Chicago's Dinner Party --$tA Personal Vision of Women's History /$rJosephine Withers --$tchapter 27 Race Riots. Cocktail Parties. Black Panthers. Moon Shots and Feminists --$tFaith Ringgold's Observations on the 1960s in America /$rLowery S. Sims --$tchapter 28 Afrofemcentrism and its Fruition in the Art of Elizabeth Catlett and Faith Ringgold /$rFreida High W. Tesfagiorgis --$tchapter 29 The Discourse of Others --$tFeminists and Postmodernism /$rCraig Owens.
520 3 $aA sequel to the pioneering volume, Feminism and Art History: Questioning the Litany, published in 1982, The Expanding Discourse contains 29 essays on artists and issues from the Renaissance to the present, representing some of the best feminist art-historical writing of the past decade. Chronologically arranged, the essays demonstrate the abundance, diversity, and main conceptual trends in recent feminist scholarship.
650 0 $aFeminism and art.
650 0 $aWomen in art.
650 6 $aFéminisme et art.
650 6 $aFemmes dans l'art.
650 7 $aART$xSubjects & Themes$xGeneral.$2bisacsh
650 7 $aWomen in art.$2fast$0(OCoLC)fst01177826
650 7 $aFeminism and art.$2fast$0(OCoLC)fst00922727
650 7 $aKunst$2gnd
650 7 $aKunstwissenschaft$2gnd
650 7 $aFeminismus$2gnd
650 7 $aFrau$2gnd
650 17 $aBeeldende kunsten.$2gtt
650 17 $aVrouwen.$2gtt
650 7 $aart occidental$xfemme$yAntiquité$x20e s.$vétudes diverses.$2rero
650 7 $aart occidental$xartiste (femme)$y19e s.$x20e s.$vétudes diverses.$2rero
650 7 $aféminisme$xhistoire de l'art (discipline)$y1980$x1992$vétudes diverses.$2rero
655 4 $aElectronic books.
700 1 $aBroude, Norma,$eeditor.
700 1 $aGarrard, Mary D.,$eeditor.
776 08 $iPrint version:$z9780064302074
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14739338$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS