| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:101076225:4955 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:101076225:4955?format=raw |
LEADER: 04955cam a2200793 i 4500
001 14741112
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006 m o d
007 cr |||||||||||
008 180412s2018 nyu ob 001 0 eng
010 $a 2018017907
035 $a(OCoLC)on1031419629
035 $a(NNC)14741112
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020 $a9780429460326$q(ebook)
020 $a0429460325$q(ebook)
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020 $z9780815393887$q(hardback)
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035 $a(OCoLC)1031419629$z(OCoLC)1056733300$z(OCoLC)1056741325$z(OCoLC)1124458682
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043 $ae------
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245 00 $aArt and reform in the late Renaissance after Trent /$cedited by Jesse M. Locker.
264 1 $aNew York :$bRoutledge,$c2018.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
490 1 $aVisual culture in early modernity
504 $aIncludes bibliographical references and index.
588 0 $aPrint version record and CIP data provided by publisher.
505 0 $aCover; Title; Copyright; Contents; List of Figures; List of Plates; Introduction: Rethinking Art After the Council of Trent; 1 On the "Reform" of Painting: Annibale Carracci and Caravaggio; 2 Sculpture, Rupture, and the "Baroque"; 3 Spanish Painters in the Forefront of the Tridentine Reform; 4 Judgment, Resurrection, Conversion: Art in France During the Wars of Religion; 5 Reform After Trent in Florence; 6 Quella inerudita semplicità lombarda : The Lombard Origins of Counter-Reformation Affectivity; 7 The Allure of the Object in Early Modern Spanish Religious Painting.
505 8 $a8 Federico Barocci, History, and the Body of Art9 Neither for Trent nor Against: Faith and Works in Hendrick Goltzius's Allegories of the Christian Creed; 10 Francisco Ribalta's Last Supper as a Symbol of Reform in Early Modern Valencia; 11 Water in Counter-Reformation Rome; 12 A Missionary Order Without Saints: Iconography of Unbeatified and Uncanonized Jesuits in Italy and Peru, 1560-1614; 13 Bernardo Bitti: An Italian Reform Painter in Peru; 14 Painting as Relic: Giambattista Marino's Dicerie Sacre and the Shroud of Turin; 15 Resisting the Baroque in Seventeenth-Century Florence.
505 8 $aList of ContributorsPhoto Credits; Index.
520 $aDrawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."
650 0 $aArt, Late Renaissance.
650 0 $aCounter-Reformation and art.
650 0 $aArt and society$zEurope$xHistory$y16th century.
650 0 $aArt and society$zEurope$xHistory$y17th century.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aART$xEuropean.$2bisacsh
650 7 $aART$xHistory$xBaroque & Rococo.$2bisacsh
650 7 $aART$xHistory$xRenaissance.$2bisacsh
650 7 $aArt and society.$2fast$0(OCoLC)fst00815432
650 7 $aArt, Late Renaissance.$2fast$0(OCoLC)fst00816533
650 7 $aCounter-Reformation and art.$2fast$0(OCoLC)fst01938331
651 7 $aEurope.$2fast$0(OCoLC)fst01245064
648 7 $a1500-1699$2fast
655 4 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aLocker, Jesse,$eeditor.
776 08 $iPrint version:$tArt and reform in the late Renaissance after Trent.$dNew York : Routledge, 2018$z9780815393887$w(DLC) 2018017168
830 0 $aVisual culture in early modernity.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14741112$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS