| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:101534822:4356 |
| Source | marc_columbia |
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LEADER: 04356cam a2200697 i 4500
001 14741948
005 20210302142157.0
006 m o d
007 cr cnu---unuuu
008 180505t20182018nyua ob 001 0 eng d
035 $a(OCoLC)on1034633173
035 $a(NNC)14741948
040 $aEBLCP$beng$erda$epn$cEBLCP$dN$T$dYDX$dOCLCF$dTYFRS$dU3W$dNLE$dUKMGB$dLOA$dOSU$dUKAHL$dOCLCQ$dWAU
015 $aGBB882006$2bnb
016 7 $a018853695$2Uk
019 $a1031317207
020 $a9781315229409$q(electronic bk.)
020 $a1315229404$q(electronic bk.)
020 $a1351858971$q(electronic bk.)
020 $a1351858963$q(electronic bk.)
020 $a9781351858984$q(PDF ebook)
020 $a135185898X$q(PDF ebook)
020 $a9781351858977$q(ePub ebook)
020 $a9781351858960$q(Mobipocket ebook)
020 $z9780415347440$q(hardcover)
020 $z0415347440$q(hardcover)
024 7 $a10.4324/9781315229409$2doi
035 $a(OCoLC)1034633173$z(OCoLC)1031317207
037 $a9781351858977$bIngram Content Group
050 4 $aN5303
072 7 $aART$x015000$2bisacsh
082 04 $a709$223
049 $aZCUA
245 00 $aTime in the history of art :$btemporality, chronology, and anachrony /$cedited by Dan Karlholm and Keith Moxey.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2018.
264 4 $c©2018
300 $a1 online resource (ix, 253 pages) :$billustrations
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in Art Historiography Ser.
504 $aIncludes bibliographical references and index.
520 $a"Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation."--$cProvided by publisher.
505 0 $aIntroduction: Telling Art's Time; PART I. Historical Time; 1. Is History to Be Closed, Saved, or Restarted? Considering Efficient Art History; 2. What Time is it in the History of Art?; PART II. Post-colonial Time; 3. Time Processes in the History of the Asian Modern; 4. Colonial Modern: A Clash of Colonial and Indigenous Chronologies: The Case of India; 5. Artists, Amateurs, and the Pleated Time of Ottoman Modernity; 6. The Time of Translation: Victor Burgin and Sedad Eldem in Virtual Conversation; PART III. Artist's Time; 7. Arresting What Would Otherwise Slip Away: The Waiting Images of Jacob Vrel
505 8 $a8. Twisted Time: Fernando Bryce's Art of History; PART IV. Narrative Time; 9. Heterochronies: The Gospel According to Caravaggio; PART V. Ontological Time; 10. The Phenomenal Sublime: Time, Matter, Image in Mesopotamian Antiquity; 11. Resisting Time: On How Temporality Shaped Medieval Choice of Materials; 12. Sarah Sze's The Last Garden and the Temporality of Wonder; PART VI. Photographic Time; 13. Showtime and Exposure Time: The Contradictions of Social Photography and the Critical Role of Sensitive Plates for Rethinking the Temporality of Artworks; 14. "Objects Moving are Not Impressed": Reading into the Blur; Index.
588 0 $aPrint version record.
650 0 $aArt$xHistory.
650 0 $aTime and art.
650 0 $aTime in art.
650 7 $aART$xHistory$xGeneral.$2bisacsh
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aTime and art.$2fast$0(OCoLC)fst01739528
650 7 $aTime in art.$2fast$0(OCoLC)fst01151107
655 0 $aElectronic books.
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aKarlholm, Dan,$eeditor.
700 1 $aMoxey, Keith P. F.,$d1943-$eeditor.
776 08 $iPrint version:$tTime in the history of art.$dNew York, NY : Routledge, 2018$z9780415347440$w(DLC) 2018285988$w(OCoLC)1023393900
830 0 $aStudies in art historiography.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14741948$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS