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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:102945617:5054
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:102945617:5054?format=raw

LEADER: 05054cam a2200793Ii 4500
001 14743352
005 20200410084950.0
006 m o d
007 cr cnu---unuuu
008 180630s2018 nyua obq 001 0 eng d
035 $a(OCoLC)on1042324878
035 $a(NNC)14743352
040 $aEBLCP$beng$erda$epn$cEBLCP$dN$T$dYDX$dEBLCP$dOCLCF$dNLE$dU3W$dUKMGB$dOTZ$dTYFRS$dCUY$dAU@$dUKAHL$dOCLCQ
015 $aGBB8B3434$2bnb
016 7 $a018916036$2Uk
019 $a1034576689$a1042351763$a1043397275
020 $a9781351056564$q(electronic bk.)
020 $a1351056565$q(electronic bk.)
020 $a9781351056571
020 $a1351056573
020 $a9781351056557
020 $a1351056557
020 $a9781351056588
020 $a1351056581
020 $z9781138482753
020 $z1138482757
024 7 $a10.4324/9781351056588$2doi
035 $a(OCoLC)1042324878$z(OCoLC)1034576689$z(OCoLC)1042351763$z(OCoLC)1043397275
037 $a9781351056564$bIngram Content Group
043 $ae-uk---
050 4 $aPN1993.5.G7
072 7 $aPER$x009000$2bisacsh
072 7 $aJFD$2bicssc
082 04 $a791.430941$223
049 $aZCUA
100 1 $aLaitila, Johanna,$eauthor.
245 10 $aMelodrama, self, and nation in post-war British popular film /$cJohanna Laitila.
264 1 $aNew York :$bRoutledge,$c2018.
300 $a1 online resource (viii, 196 pages)
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in film studies ;$v59
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed July 5, 2018)
505 0 $aCover; Half Title; Title Page; Copyright Page; Dedication; Contents; Acknowledgements; 1 Introduction; History and Myth; 'Bloody Uncomfortable': From War to Post-War; Inside, Outside, and Somewhere In-Between: Race and Sexuality; Melodramas in the Post-War; Identities and Their Theories; 2 Amnesia and Awakening in Four Melodramas; 'Lest We Forget': National Memories and Collective Oblivions; Male Amnesiacs in Caravan and The October Man; Displaced Trauma in Madonna of the Seven Moons and The Seventh Veil; 3 Post-War Imaginings of Time and Space; We'll Need Good Citizens When This Is Over
505 8 $aMasculine Horror and Feminine Melancholy in Post-War Ealing: Dead of Night and It Always Rains on Sunday; Rebelling against Normative Temporality in The Wicked Lady and A Matter of Life and Death; 4 Subjects, Signors, and Signoras: Naming and Interpellation; Language and Identity; Pathological Families and Nationalisms in The Blue Lamp and Odd Man Out; Making Names in The Long Memory and The Magic Bow; 5 Conclusions; Bibliography; Filmography; Index
520 3 $aThis book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for the analysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to 'normalcy' after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.
504 $aIncludes bibliographical references, filmography, and index.
650 0 $aMotion pictures$zGreat Britain$xHistory$y20th century.
650 0 $aMelodrama in motion pictures.
650 0 $aCrime films$zGreat Britain$xHistory and criticism.
650 0 $aNationalism in motion pictures.
650 0 $aSex in motion pictures.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aCrime films.$2fast$0(OCoLC)fst01750246
650 7 $aMelodrama in motion pictures.$2fast$0(OCoLC)fst01015774
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aNationalism in motion pictures.$2fast$0(OCoLC)fst01033901
650 7 $aSex in motion pictures.$2fast$0(OCoLC)fst01114479
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aLaitila, Johanna.$tMelodrama, self and nation in post-war British popular film.$dNew York, NY : Routledge, 2018$z9781138482753$w(DLC) 2018011423$w(OCoLC)1028610749
830 0 $aRoutledge advances in film studies ;$v59.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14743352$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS