MARC Record from marc_columbia

LEADER: 03865cam a2200865Ma 4500
001 14743520
005 20200430222703.0
006 m d
007 cr cn|||||||||
008 970127s1997 enka obk 001 0 eng d
010 $z 97005416
035 $a(OCoLC)1151716473
035 $a(OCoLC)on1151716473
035 $a(NNC)14743520
040 $aAU@$beng$cAU@$dOCLCO$dOCLCF$dOCLCQ$dYDX$dYOU$dTYFRS$dINARC$dLEAUB$dUKAHL
019 $a1057747303$a1082242491$a1086065272$a1086524000$a1100436790$a1140430011
020 $a0415146704
020 $a9780415146708
020 $a0415146712$q(pbk.)
020 $a9780415146715
020 $a9780203351338$q(electronic bk.)
020 $a0203351339$q(electronic bk.)
020 $a9781135105129$q(e-book: PDF)
020 $a113510512X
020 $a9781135105198$q(e-book: ePub)
020 $a1135105197
020 $a9781135105266$q(e-book: Mobi)
020 $a113510526X
024 7 $a10.4324/9780203351338$2doi
050 14 $aML3470$b.S46 1997
082 04 $a306.4/84$221
084 $a306.4842$223
084 $a24.65$2bcl
084 $aLR 56617$2rvk
084 $aLR 56600$2rvk
084 $aLS 48000$2rvk
084 $a9,2$2ssgn
049 $aZCUA
245 00 $aSexing the groove :$bpopular music and gender /$cedited by Sheila Whitely.
260 $aLondon ;$aNew York :$bRoutledge,$c1997.
300 $axxxvi, 353 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
504 $aDiscography: pages 351-353.
504 $aIncludes bibliographical references (pages 319-335) and index.
505 0 $apt. 1. Rock music culture -- pt. 2. Masculinities and popular music -- pt. 3. A time of growth and change : Femininities and popular music -- pt. 4. Music, image and identity -- pt. 5. Annotated bibliography.
530 $aAlso available in print edition.
533 $aElectronic reproduction.$b[London, Eng.$bTaylor and Francis,$d2014].$nPDF file created from digital scan of print book.
520 8 $aSexing the Groove discusses these issues and many more, bringing together leading music and cultural theorists to explore the relationships between popular music, gender and sexuality. The contributors, who include Mavis Beayton, Stella Bruzzi, Sara Cohen, Sean Cubitt, Keith Negus and Will Straw, debate how popular music performers, subcultures, fans and texts construct and deconstruct 'masculine' and 'feminine' identities. Using a wide range of case studies, from Mick Jagger to Riot Grrrls, they demonstrate that there is nothing 'natural', permanent or immovable about the regime of sexual difference which governs society and culture.
650 0 $aPopular music$xSocial aspects.
650 0 $aSex in music.
650 0 $aGender identity in music.
650 1 $aSex in music.
650 6 $aMusique populaire$xAspect social.
650 6 $aRock (Musique)$xAspect social.
650 6 $aSexualité dans la musique.
650 6 $aMasculinité
650 6 $aFéminité
650 6 $aFéminisme et musique.
650 7 $aGender identity in music.$2fast$0(OCoLC)fst00939609
650 7 $aPopular music$xSocial aspects.$2fast$0(OCoLC)fst01071460
650 7 $aSex in music.$2fast$0(OCoLC)fst01114481
650 7 $aPopmusik$2gnd
650 7 $aSexualität$2gnd
650 17 $aPopmuziek.$2gtt
650 17 $aSekseverschillen.$2gtt
650 17 $aSociale aspecten.$2gtt
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aWhiteley, Sheila,$d1941-
730 0 $aTaylor & Francis EBS Perpetual 2017.
776 1 $z9780415146708$z9780415146715$z0415146704$z0415146712
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14743520$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS