MARC Record from marc_columbia

LEADER: 04817cam a2200685 i 4500
001 14743985
005 20210607151028.0
006 m o d
007 cr |||||||||||
008 180731s2019 enk o 001 0 eng
010 $a 2018036681
035 $a(OCoLC)on1048045844
035 $a(NNC)14743985
040 $aDLC$beng$erda$cDLC$dOCLCF$dN$T$dDLC$dTYFRS$dYDX$dSFB
019 $a1157089502
020 $a9781315563602$q(Master e-book)
020 $a1315563606
020 $a9781317191551$q(Adobe Reader)
020 $a1317191552
020 $a9781317191544$q( ePub3)
020 $a1317191544
020 $a9781317191537$q(Mobipocket Unencrypted)
020 $a1317191536
020 $z9781138679993
035 $a(OCoLC)1048045844$z(OCoLC)1157089502
037 $aKE58742$bTaylor and Francis
042 $apcc
043 $ae-ur---$ae-ru---
050 10 $aPN2193.E86
072 7 $aPER$x011000$2bisacsh
072 7 $aPER$x011020$2bisacsh
072 7 $aAN$2bicssc
082 00 $a792.02/2$223
049 $aZCUA
100 1 $aBrown, Bryan Keith,$d1976-$eauthor.
245 12 $aA history of the theatre laboratory /$cBryan Brown.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2019.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
520 $a"The term 'theatre laboratory' has entered the regular lexicon of theatre artists, producers, scholars and critics alike. And yet, use of the term is far from unified, often operating as an catch-all for a web of intertwining practices, territories, pedagogies and ideologies. Russian theatre, however, has seen a clear emergence of laboratory practice that can be divided into two distinct organisational structures: the studio and the masterskaya (artisanal guild). By assessing these structures, Bryan Brown offers two archetypes of group organisation that can be applied across the arts and sciences, and reveals a complex history of the laboratory's characteristics and functions that support the term's use in theatre. This book's discursive, historical approach has been informed substantially by contemporary practice, through interviews with, and examinations of, practitioners including Slava Polunin, Anatoli Vassiliev, Sergei Zhenovach and Dmitry Krymov"--$cProvided by publisher.
500 $aIncludes index.
505 0 $aAn organisational history -- What's in a name -- Why Russia -- Retracing the name -- The skete -- From study to studio -- The studio in visual art: cobra, a collective vitality -- The studio in science: the Copenhagen spirit -- The studio in Russian theatre -- Creating a commune: the first studio's theatre-Obshchina -- Oases of curiosity: the holidays of Slava Polunin -- A new camaraderie in faith: the Theatre Art Studio -- For the sake of what: the studio as laboratory of communion -- From workshop to masterskaya -- The masterskaya in visual art: Rembrandt, the master as auteur -- The masterskaya in science: Thomas Edison and the contradictory positions of his -- The masterskaya in Russian theatre -- The visionary authority of Vsevolod Meyerhold -- I need them to fear me: Anatoli Vassiliev and the School of Dramatic Art -- The ecstasy of togetherness: the laboratory of Dmitry Krymov -- For the sake of what: the masterskaya as laboratory of authority -- The value of a theatre laboratory.
588 $aDescription based on print version record and CIP data provided by publisher.
545 0 $aBryan Brown is an artist-scholar, currently a Lecturer at the University of Exeter and co-director of visual theatre company ARTEL (American Russian Theatre Ensemble Laboratory). Recent writing includes "Educating the Director", a co-authored, extended chapter on Meyerhold for The Great European Stage Directors Vol. 2.
650 0 $aExperimental theater$zRussia$xHistory.
650 0 $aExperimental theater$zSoviet Union$xHistory.
650 0 $aExperimental theater$zRussia (Federation)$xHistory.
650 7 $aExperimental theater.$2fast$0(OCoLC)fst00918508
651 7 $aRussia.$2fast$0(OCoLC)fst01207312
651 7 $aRussia (Federation)$2fast$0(OCoLC)fst01262050
651 7 $aSoviet Union.$2fast$0(OCoLC)fst01210281
650 7 $aPERFORMING ARTS / Theater / General$2bisacsh
650 7 $aPERFORMING ARTS / Theater / History & Criticism$2bisacsh
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
655 4 $aElectronic books.
776 08 $iPrint version:$aBrown, Bryan Keith, 1976- author.$tHistory of the theatre laboratory.$dAbingdon, Oxon ; New York, NY : Routledge, 2019$z9781138679993$w(DLC) 2018028638
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14743985$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS