Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:111813278:6112 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:111813278:6112?format=raw |
LEADER: 06112cam a2200817 i 4500
001 14749129
005 20220528233543.0
006 m o d
007 cr |||||||||||
008 181211t20192019nyu ob 001 0 eng
010 $a 2018059188
035 $a(OCoLC)on1079399722
035 $a(NNC)14749129
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dN$T$dYDX$dEBLCP$dTYFRS$dYDX$dUKMGB$dOCLCQ$dDLC$dOCLCQ$dOCLCO
015 $aGBB933994$2bnb
016 7 $a019260408$2Uk
020 $a9780203730683$q(electronic book)
020 $a0203730682$q(electronic book)
020 $a9781351398176$q(electronic book)
020 $a1351398172$q(electronic book)
020 $a9781351398190$q(electronic book)
020 $a1351398199$q(electronic book)
020 $a9781351398183$q(electronic book)
020 $a1351398180$q(electronic book)
020 $z9781138303836$q(hardcover$qalkaline paper)
024 8 $a10.4324/9780203730683$2doi
035 $a(OCoLC)1079399722
037 $a9781351398183$bIngram Content Group
042 $apcc
043 $ae-sp---
050 10 $aPQ6147.G68$bS593 2019
072 7 $aLIT$x000000$2bisacsh
072 7 $aLIT$x004280$2bisacsh
072 7 $aLIT$x024050$2bisacsh
072 7 $aLIT$x024000$2bisacsh
072 7 $aDSB$2bicssc
082 00 $a863/.609375$223
049 $aZCUA
100 1 $aSix, Abigail Lee,$eauthor.
245 10 $aSpanish vampire fiction since 1900 :$bblood relations /$cAbigail Lee Six.
264 1 $aNew York, NY :$bRoutledge,$c2019.
264 4 $c©2019
300 $a1 online resource (vi, 229 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
490 1 $aRoutledge studies in comparative literature
520 $a"Spanish Vampire Fiction since 1900: Blood Relations, as that subtitle suggests, makes the case for considering Spanish vampire fiction an index of the complex relationship between intercultural phenomena and the specifics of a time, place, and author. Supernatural beings that drink blood are found in folklore worldwide, Spain included, and writers ranging from the most canonical to the most marginal have written vampire stories, Spanish ones included too. When they do, they choose between various strategies of characterization or blend different ones together. How much will they draw on conventions of the transnational corpus? Are their vampires to be local or foreign; alluring or repulsive; pitiable or pure evil, for instance? Decisions like these determine the messages texts carry and, when made by Spanish authors, may reveal aspects of their culture with striking candidness, perhaps because the fantasy premise seems to give the false sense of security that this is harmless escapism and, since metaphorical meaning is implicit, it is open to argument and, if necessary, denial"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aPart I. Text-by-text analysis. Ramón del Valle-Inclán, "Beatriz/Satanás" -- Emilia Pardo Bazán, "Vampiro" -- Antonio de Hoyos y Vinent, "Una hora de amor" and "El señor cadáver y le señorita vampiro" -- Carmen de Burgos, La mujer fría -- Wenceslao Fernández Flórez, "El claro del bosque" -- Alfonso Sastre, "Las noches del Espíritu Santo" -- Juan G. Atienza, "Sangre fresca para el muerto" -- Alfons Cervera, "Historia de amor" -- Adelaida García Morales, La lógica del vampiro -- Mercedes Abad, Sangre -- Javier García Sánchez, Ella, Drácula: Erzsébet Báthory -- Clara Tahoces, Gothika -- Santiago Exímeno, "Al caer la noche" -- David Jasso, "Víctimas inocentes" -- Alfredo Álamo, "El hombre de la pala" -- Elia Barceló, "La belle dame sans merci" -- Nuria C. Botey, "Viviendo con el tío roy" -- Miguel Puente Molins, "Caries" -- Juan Ignacio Carrasco, Entre nosotros -- José de la Rosa, Vampiro -- Marc R. Soto, "Siempre en mi recuerdo" -- José María Tamparillas, "El sabor de la buena tierra", "Sangre de mi sangre, carne de mi carne" and "La vieja, la muy vieja Betty" -- Lorenzo Fernández Bueno, el vampiro de Silesia -- Carlos Molinero, Verano de miedo -- Gema del Prado Marugán, "Comer con los ojos" -- Edgar Sega, "Los dos mundos de Lord Barrymore" -- Part II. Comparative analysis. Folklore and religion -- Contagion and transmission.
545 0 $aAbigail Lee Six is Professor of Spanish at Royal Holloway, University of London, UK. Among the first Hispanists to argue for taking the Gothic beyond a narrow chronological definition, The Gothic Fiction of Adelaida Garcâia Morales: Haunting Words and Gothic Terrors: Incarceration, Duplication, and Bloodlust in Spanish Narrative showcase her research.
588 0 $aOnline resource; title from digital title page (viewed on March 15, 2019).
650 0 $aGothic fiction (Literary genre), Spanish$xHistory and criticism.
650 0 $aSpanish fiction$y20th century$xHistory and criticism.
650 0 $aHorror tales, Spanish$xHistory and criticism.
650 0 $aVampires in literature.
650 6 $aRoman espagnol$y20e siècle$xHistoire et critique.
650 6 $aVampires dans la littérature.
650 7 $aLITERARY CRITICISM$xGeneral.$2bisacsh
650 7 $aLITERARY CRITICISM$xEuropean$xSpanish & Portuguese.$2bisacsh
650 7 $aGothic fiction (Literary genre), Spanish.$2fast$0(OCoLC)fst01745570
650 7 $aHorror tales, Spanish.$2fast$0(OCoLC)fst00960446
650 7 $aSpanish fiction.$2fast$0(OCoLC)fst01128273
650 7 $aVampires in literature.$2fast$0(OCoLC)fst01163974
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$aSix, Abigail Lee.$tSpanish vampire fiction since 1900.$dNew York, NY : Routledge, 2019$z9781138303836$w(DLC) 2018054363
830 0 $aRoutledge studies in comparative literature.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14749129$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS