MARC Record from marc_columbia

LEADER: 05659cam a2200709 i 4500
001 14749861
005 20220514233822.0
006 m o d
007 cr |||||||||||
008 190107s2019 enk ob 001 0 eng
010 $a 2019000675
035 $a(OCoLC)on1081373133
035 $a(NNC)14749861
040 $aDLC$beng$erda$epn$cDLC$dOCLCF$dN$T$dYDX$dEBLCP$dUKMGB$dTYFRS$dDLC$dUKAHL$dOCLCQ$dOCLCO
015 $aGBB930581$2bnb
016 7 $a019252710$2Uk
020 $a9780429767395$q(epub)
020 $a0429767390
020 $a9780429428579$q(ebook)
020 $a042942857X
020 $a9780429767401$q(PDF ebook)
020 $a0429767404
020 $a9780429767388$q(Mobipocket ebook)
020 $a0429767382
020 $z9781138369573
020 $z9781138369597$q(pbk.)
024 7 $a10.4324/9780429428579$2doi
035 $a(OCoLC)1081373133
037 $a9780429767395$bIngram Content Group
042 $apcc
050 00 $aPN56.T685
072 7 $aBIO$x007000$2bisacsh
072 7 $aSOC$x052000$2bisacsh
072 7 $aAPF$2bicssc
082 00 $a809$223
049 $aZCUA
100 1 $aStam, Robert,$d1941-$eauthor.
245 10 $aWorld literature, transnational cinema, and global media :$btowards a transartistic commons /$cRobert Stam.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2019.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
520 $a"With extraordinary transnational and transdisciplinary range, World Literature, Transnational Cinema, and Global Media comprehensively explores the genealogies, vocabularies, and concepts orienting the fields within literature, cinema and media studies. Orchestrating a layered conversation between arts, disciplines, and media, Stam argues for their "mutual embeddedness" and their shared "in-between" territories. Rather than merely add to the existing scholarship, the book builds a relational framework through the connectivities within literature, cinema and media that opens up analysis to new categories and concepts, whilst crossing spatial, temporal, theoretical, disciplinary, and mediatic borders. The book also questions an array of hierarchies: literature over cinema; source novel over adaptation; feature film over documentary; erudite over vernacular culture; western modernisms over "peripheral" modernisms; classical over popular music; written poetry over sung poetry, and so forth. The book is structured around the concept of the "Commons," forming a strong thread which links various struggles against "enclosures" of all kinds, with emphasis on natural, indigenous, cultural, creative, digital, and the transdisciplinary commons. World Literature, Transnational Cinema, and Global Media is ideal to further the theoretical discussion for those undergraduate and graduate departments in cinema studies, media studies, arts and art history, communications, journalism, and new digital media programs at all levels"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : the terms of debate -- Goethe and Weltliteratur -- The theory of world literature -- From world literature to alternative modernisms -- The cosmopolitanism of the periphery -- Columbus, el nuevo mundo, and postcolonial studies -- French postcoloniality and literature-monde -- Sibling disciplines : literary studies and cinema studies -- From literature to film : a study in ambivalence -- The cinema and the canon -- The gains of (film) translation -- Adaptation and cultural estrangement -- Adaptation, remix, and the cultural commons -- The international pre-history of world cinema -- The emergence of world cinema -- Transartistic convergences in the musical commons -- Musical transmediality in the global south -- The transnational turn -- Transnational cinema -- The coefficient of transnationality -- Transnational reception, gender, and aesthetics -- Transnational film schools and pedagogy -- Minor cinema, the indigene, and the state -- The rise of the "woods" : from Hollywood to Nollywood via Bollywood -- Globalization, political economy, and the media -- Acquatic tropologies -- Technologies of intermedial flow -- Globalization : mediatic resistance -- Transoceanic currents : the red, black, and white Atlantic -- Global indigeneity and the transnational gaze -- The media"s "deep time" and the planetary commons -- The commons and the globalized citizen -- Terminological reflections -- Toward a "trans" methodology.
588 0 $aPrint version record and CIP data provided by publishe.
650 0 $aLiterature and transnationalism.
650 0 $aMotion pictures and transnationalism.
650 0 $aMass media and globalization.
650 6 $aLittérature et transnationalisme.
650 6 $aCinéma et transnationalisme.
650 6 $aMédias et mondialisation.
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xLiterary.$2bisacsh
650 7 $aSOCIAL SCIENCE$xMedia Studies.$2bisacsh
650 7 $aLiterature and transnationalism.$2fast$0(OCoLC)fst01762400
650 7 $aMass media and globalization.$2fast$0(OCoLC)fst01748085
650 7 $aMotion pictures and transnationalism.$2fast$0(OCoLC)fst01747307
655 4 $aElectronic books.
776 08 $iPrint version:$aStam, Robert, 1941-$tWorld literature, transnational cinema, and global media.$dLondon ; New York : Routledge, 2019$z9781138369573$w(DLC) 2018039396
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14749861$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS