| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:121690572:3868 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:121690572:3868?format=raw |
LEADER: 03868cam a2200685 i 4500
001 14752849
005 20220528233630.0
006 m o d
007 cr |||||||||||
008 190415s2019 enkg ob 001 0deng
010 $a 2021701927
035 $a(OCoLC)on1097184037
035 $a(NNC)14752849
040 $aDLC$beng$erda$epn$cDLC$dTYFRS$dYDX$dUKAHL$dN$T
020 $a9780429683992$qebook
020 $a0429683995
020 $z9780367001889$qhardcover
020 $a9780429400872$q(electronic bk.)
020 $a042940087X$q(electronic bk.)
020 $a9780429684005$q(electronic bk. ;$qPDF)
020 $a0429684002$q(electronic bk. ;$qPDF)
020 $a9780429683985$q(electronic bk. ;$qMobipocket)
020 $a0429683987$q(electronic bk. ;$qMobipocket)
020 $z0367001888
035 $a(OCoLC)1097184037
037 $a9780429400872$bTaylor & Francis
050 00 $aML418.W52
072 7 $aMUS$x023040$2bisacsh
072 7 $aMUS$x000000$2bisacsh
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072 7 $aAVH$2bicssc
082 00 $a787.87092$223
049 $aZCUA
100 1 $aO'Toole, Michael,$d1972-$eauthor.
245 10 $aJohn Williams :$bchanging the culture of the classical guitar : performance, perception, education and construction /$cMichael O'Toole.
264 1 $aAbingdon, Oxon :$bNew York, NY : Routledge,$c2019.
264 4 $c©2019
300 $a1 online resource (vi, 214 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge research in music series
504 $aIncludes bibliographical references and index.
520 $aThis book assesses the influence and reception of many different forms of guitar playing upon the classical guitar and more specifically through the prism of John Williams. Beginning with an examination of Andres Segovia and his influence upon Williams' life's work, a further three incisive chapters cover key areas such as performance, perception, education and construction, considering social and cultural contexts of the guitar over the past century. A final chapter on new directions in classical guitar examines the change in reception of the instrument from the mid-1970s to the present day, and Williams' impact upon what might be termed 'standard classical guitar repertoire'. With in-depth discussion of the cultural and perceptual impact of Williams' more daring crossover projects and numerous musical examples, this is an informative reference for all classical guitar practitioners, as well as scholars and researchers of guitar studies, reception studies, cultural musicology and performance studies. An online lecture by the author and a transcript of the author's interview with John Williams are also available as e-resources.
588 $aDescription based on print version record and CIP data provided by publisher; resource not viewed.
600 10 $aWilliams, John,$d1941-$xCriticism and interpretation.
600 17 $aWilliams, John,$d1941-$2fast$0(OCoLC)fst00089191
650 0 $aGuitar music$xHistory and criticism.
650 6 $aGuitare, Musique de$xHistoire et critique.
650 7 $aMUSIC$xMusical Instruments$xStrings.$2bisacsh
650 7 $aMUSIC$xGeneral.$2bisacsh
650 7 $aMUSIC$xMusical Instruments$xGuitar.$2bisacsh
650 7 $aGuitar music.$2fast$0(OCoLC)fst00949191
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$tJohn Williams$dAbingdon, Oxon : New York, NY : Routledge, 2019.$z9780367001889$w(DLC) 2018056863
830 0 $aRoutledge research in music.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14752849$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS