Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:123348160:5545 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:123348160:5545?format=raw |
LEADER: 05545cam a2200781 i 4500
001 14753227
005 20220501002304.0
006 m o d
007 cr |||||||||||
008 190506s2019 enk ob 001 0 eng
010 $a 2020693846
035 $a(OCoLC)on1100071488
035 $a(NNC)14753227
040 $aDLC$beng$erda$cDLC$dYDX$dEBLCP$dTYFRS$dUKMGB$dOCLCF$dOSU$dUKAHL$dSFB$dZCU$dN$T$dOCLCO
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020 $a9780429198274$q(eBook)
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020 $z9780367187965$q(hardback)
020 $a9780429584213$q(electronic bk. ;$qpdf)
020 $a0429584210$q(electronic bk. ;$qpdf)
020 $a9780429580093$q(electronic bk. ;$qmobi)
020 $a0429580096$q(electronic bk. ;$qmobi)
020 $z0367187965$q(hardcover)
024 8 $a10.4324/9780429198274$2doi
035 $a(OCoLC)1100071488$z(OCoLC)1111761844
037 $a9780429198274$bTaylor & Francis
042 $apcc
050 00 $aPN2049
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072 7 $aSOC$x026000$2bisacsh
072 7 $aAN$2bicssc
082 00 $a792$223
049 $aZCUA
245 00 $aStaging spectators in immersive performances :$bcommit yourself! /$cDoris Kolesch, Theresa Schütz, Sophie Nikoleit.
264 1 $aLondon ;$aNew York :$bRoutledge, Taylor & Francis Group,$c2019.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aRoutledge studies in affective societies ;$v5
520 $a"At present, we are witnessing a significant transformation of established forms of spectatorship in theatre, performance art and beyond. In particular, immersive and participatory forms of theatre allow audiences and performers to interact in a shared performance space. Staging Spectators in Immersive Performances discusses forms and concepts of contemporary spectatorship and explores various modes of audience participation in theory as well as in practice. The volume also reflects on what new terms and methods must be developed in order to address the theoretical challenges of contemporary immersive performances. Split into three parts, Staging Spectators in Immersive Performances respectively focuses on various strategies for mobilising the audience; methodological questions for research on being a spectator in immersive and participatory forms of theatre; and thematising new modes of partaking and ways of spectating in contemporary art. Poignantly capturing experiences that can be viewed as manifestations of affective relationality in the strongest possible sense, this volume will appeal to students and researchers interested in fields such as Theatre and Performance Studies, Media Studies and Philosophy"--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 0 $aImmersion and spectatorship at the interface of theatre, media tech, and daily life : an introduction / Doris Kolesch -- Unexpected encounter : on installation art as immersive space / Barbara Gronau -- Doggies, masters and the end of the European Union : on immersive theatre installations by SIGNA and Thomas Bellinck / Benjamin Wihstutz -- On the impossibility of being together : a conversation between performance artist Signa Köstler and Theresa Schütz -- Bordering and shattering the stage : mobile audiences as compositional forces / Liesbeth Groot Nibbelink -- Structures of spectatorship / Kerstin Schankweiler -- Keep it real : a conversation between performance artist Julian Hetzel and Theresa Schütz -- Participatory audiencing and the committed return / Matthew Reason -- Immersive art = immersive research? / Stefanie Husel -- Parsing "commitment" : the multiple valences of spectatorship / Janelle Reinelt -- The case for empirical audience research / Antje Kahl -- Feminism, audience interaction, and performer authority / Jen Harvie -- The promise of participation revisited : affective strategies of participation / Gareth White -- Capturing complexity while being pressed for time : a conversation between scenographer Mona El Gammal and Theresa Schütz -- Immersive guilt factories / Theresa Schütz -- Dark immersion : some thoughts on SIGNA's Wir hunde/Us dogs / Rainer Mühlhoff.
588 $aDescription based on print version record.
650 0 $aParticipatory theater.
650 0 $aPerformance art.
650 0 $aSpectators.
650 6 $aThéâtre$xParticipation du public.
650 6 $aSpectateurs.
650 7 $aPERFORMING ARTS$xTheater$xGeneral.$2bisacsh
650 7 $aSOCIAL SCIENCE$xGeneral.$2bisacsh
650 7 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aParticipatory theater.$2fast$0(OCoLC)fst01054039
650 7 $aPerformance art.$2fast$0(OCoLC)fst01057852
650 7 $aSpectators.$2fast$0(OCoLC)fst01129051
655 0 $aElectronic books.
655 4 $aElectronic books.
700 1 $aKolesch, Doris,$eeditor.
700 1 $aSchütz, Theresa,$eeditor.
700 1 $aNikoleit, Sophie,$eeditor.
776 08 $iPrint version:$tStaging spectators in immersive performances$dAbingdon, Oxon ; New York, NY : Routledge, 2019.$z9780367187965$w(DLC) 2019001319
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14753227$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS