MARC Record from marc_columbia

LEADER: 03751cam a2200697 i 4500
001 14754239
005 20220326233930.0
006 m o d
007 cr |||||||||||
008 190526r20182006enk ob 001 0 eng d
035 $a(OCoLC)on1102470927
035 $a(NNC)14754239
040 $aYDX$beng$erda$epn$cYDX$dN$T$dTYFRS$dOCLCF$dOCLCQ$dYDXIT$dK6U$dOCLCO$dOCLCQ$dOCLCO
020 $a0429401361$q(electronic book)
020 $a9780429401367$q(electronic book)
020 $a9780429685590$q(electronic book ;$qEPUB)
020 $a0429685599$q(electronic book ;$qEPUB)
020 $a9780429685606$q(electronic book ;$qelectronic book)
020 $a0429685602$q(electronic book ;$qelectronic book)
020 $a9780429685583$q(electronic book ;$qMobipocket)
020 $a0429685580$q(electronic book ;$qMobipocket)
035 $a(OCoLC)1102470927
037 $a9780429401367$bTaylor & Francis
043 $ae-uk---
050 4 $aNX180.S6$bV57 2018
072 7 $aART$x000000$2bisacsh
072 7 $aART$x015030$2bisacsh
072 7 $aAC$2bicssc
082 04 $a701.030941$223
049 $aZCUA
245 00 $aVisual culture and decolonisation in Britain /$cedited by Simon Faulkner and Anandi Ramamurthy.
264 1 $aLondon :$bRoutledge,$c2018.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aBritish art and visual culture since 1750, new readings
500 $aOriginally published 2006 by Ashgate Publishing.
504 $aIncludes bibliographical references and index.
520 $aFirst published in 2006, this volume provides the first in-depth analysis of the place of visual representations within the process of decolonisation during the period 1945 to 1970. The chapters trace the way in which different visual genres - art, film, advertising, photography, news reports and ephemera - represented and contributed to the political and social struggles over Empire and decolonisation during the mid-Twentieth century. The book examines both the direct visual representation of imperial retreat after 1945 as well as the reworkings of imperial and racial' ideologies within the context of a transformed imperialism. While the book engages with the dominant archive of artists, exhibitions, newsreels and films, it also explores the private images of the family album as well as examining the visual culture of anti-colonial resistance.
545 0 $aSimon Faulkner is Lecturer in the History of Art and Design at Manchester Metropolitan University, UK. Anandi Ramamurthy is Senior Lecturer in Media and Cultural History at the University of Central Lancashire, UK.
588 0 $aOnline resource; title from PDF title page (viewed August 31, 2020).
650 0 $aArts and society$zGreat Britain.
650 0 $aDecolonization in art.
650 0 $aArts, British$y20th century.
650 6 $aArts et société$zGrande-Bretagne.
650 6 $aDécolonisation dans l'art.
650 6 $aArts britanniques$y20e siècle.
650 7 $aART$xGeneral.$2bisacsh
650 7 $aART$xEuropean.$2bisacsh
650 7 $aArts and society.$2fast$0(OCoLC)fst00817856
650 7 $aArts, British.$2fast$0(OCoLC)fst00817941
650 7 $aDecolonization in art.$2fast$0(OCoLC)fst01902986
651 7 $aGreat Britain.$2fast$0(OCoLC)fst01204623
648 7 $a1900-1999$2fast
655 4 $aElectronic books.
700 1 $aFaulkner, Simon,$d1967-
700 1 $aRamamurthy, Anandi.
830 0 $aBritish art and visual culture since 1750, new readings.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14754239$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS