MARC Record from marc_columbia

LEADER: 05374cam a2200793Ii 4500
001 14755021
005 20210607120457.0
006 m o d
007 cr cnu|||unuuu
008 190607s2019 enka ob 001 0 eng d
035 $a(OCoLC)on1103918314
035 $a(NNC)14755021
040 $aN$T$beng$erda$epn$cN$T$dN$T$dTYFRS$dOCLCF$dYDX$dUKMGB$dUKAHL
015 $aGBB9B0382$2bnb
015 $aGBC007844$2bnb
016 7 $a019440131$2Uk
016 7 $a019672463$2Uk
019 $a1104060545
020 $a9781315233703$q(electronic bk.)
020 $a1315233703$q(electronic bk.)
020 $a9781351871853$q(electronic bk. : PDF)
020 $a1351871854$q(electronic bk. : PDF)
020 $a9781351871839$q(electronic bk. : Mobipocket)
020 $a1351871838$q(electronic bk. : Mobipocket)
020 $a9781351871846$q(electronic bk. : EPUB)
020 $a1351871846$q(electronic bk. : EPUB)
020 $z9780754609537
020 $z0754609537
024 8 $a99811623482
024 8 $a10.4324/9781315233703$2doi
035 $a(OCoLC)1103918314$z(OCoLC)1104060545
037 $a9781315233703$bTaylor & Francis
050 4 $aPN2590.A36
072 7 $aPER$x011000$2bisacsh
072 7 $aLIT$x020000$2bisacsh
072 7 $aAN$2bicssc
082 04 $a792/.082/094209031$223
049 $aZCUA
245 00 $aWomen players in England, 1500-1660 :$bbeyond the all-male stage /$cedited by Pamela Allen Brown, Peter Parolin.
264 1 $aLondon :$bRoutledge,$c2019.
300 $a1 online resource :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aStudies in performance and early modern drama
504 $aIncludes bibliographical references and index.
505 00 $tWomen and performance: evidences of universal cultural suffrage in medieval and early modern Lincolnshire /$rJames Stokes --$tPayments, permits and punishments: women performers and the politics of place /$rGweno Williams, Alison Findlay, Stephanie Hodgson-Wright --$tThe case of Moll Frith: women's work and the "all-male stage" /$rNatasha Korda --$t"Quacking Delilahs": female mountebanks in early modern England and Italy /$rBella Mirabella --$tReading the actress in commedia imagery /$rM.A. Katritzky --$t"Merry, nimble, stirring spirit[s]": academic, salon and commedia dell'arte influence on the innamorate in Love's labour's lost /$rJulie D. Campbell --$tWomen performing homoerotic desire in English and Italian comedy: La calandria, Gl'Ingannati and Twelfth night /$rRachel Poulsen --$tCourtly comédiantes: Henrietta Maria and amateur women's stage plays in France and England /$rMelinda J. Gough --$tThe Venetian theater of Aletheia Talbot, Countess of Arundel /$rPeter Parolin --$t"Pleaders, atturneys, petitioners and the like": Margaret Cavendish and the dramatic petition /$rJulie Crawford --$tStaging the absent woman: the theatrical evocation of Elizabeth Tudor in Heywood's If you know not me, you know nobody, part I /$rJean E. Howard --$tFemale impersonation in early modern ballads /$rBruce R. Smith --$tJesting rights: women players in the manuscript jestbook of Sir Nicholas Le Strange /$rPamela Allen Brown.
520 1 $a"Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was 'all male' in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. English spectators saw women players in professional and amateur contexts, in elite and popular settings, at home and abroad. Women acted in scripted and improvised roles, performed in local festive drama, and took part in dancing, singing, and masquing. English travelers saw professional actresses on the continent and Italian and French actresses visited England."--Jacket.
588 0 $aVendor-supplied metadata.
545 0 $aPamela Allen Brown is an Associate Professor of English at the University of Connecticut, Stamford, USA . Peter Parolin is an Associate Professor of English at the University of Wyoming, USA.
650 0 $aTheater$zEngland$xHistory$y16th century.
650 0 $aTheater$zEngland$xHistory$y17th century.
650 0 $aActresses$zEngland.
650 0 $aEnglish drama$yEarly modern and Elizabethan, 1500-1600$xHistory and criticism.
650 7 $aPERFORMING ARTS / Theater / General.$2bisacsh
650 7 $aActresses.$2fast$0(OCoLC)fst00796328
650 7 $aEnglish drama$xEarly modern and Elizabethan.$2fast$0(OCoLC)fst01710950
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1500-1699$2fast
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aBrown, Pamela Allen,$eeditor.
700 1 $aParolin, Peter,$d1966-$eeditor.
776 08 $cOriginal$z0754609537$z9780754609537$w(DLC) 2004020756$w(OCoLC)56517622
830 0 $aStudies in performance and early modern drama.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14755021$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS