| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:131254673:3324 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:131254673:3324?format=raw |
LEADER: 03324cam a2200661 i 4500
001 14755821
005 20220627133714.0
006 m o d
007 cr |||||||||||
008 190630t20202020enk ob 001 0 eng
010 $a 2020691094
035 $a(OCoLC)on1105932862
035 $a(NNC)14755821
040 $aDLC$beng$erda$epn$cDLC$dN$T$dYDXIT$dTYFRS$dOCLCF$dYDX$dUKMGB$dCNO$dOCLCO$dU9X$dUKQUB$dGZM$dDLC$dGPRCL$dOCLCO
015 $aGBB9E5219$2bnb
016 7 $a019507432$2Uk
019 $a1154206763$a1233314910$a1243339122
020 $z9781472474872$qhardback
020 $a9781315546711$qebook
020 $a131554671X$qebook
020 $a9781134776184$qebook
020 $a1134776187
020 $a9781134776115$q(e-book)
020 $a113477611X
024 8 $a10.4324/9781315546711$2doi
035 $a(OCoLC)1105932862$z(OCoLC)1154206763$z(OCoLC)1233314910$z(OCoLC)1243339122
037 $a9781315546711$bTaylor & Francis
042 $apcc
050 00 $aML82
072 7 $aMUS$x000000$2bisacsh
072 7 $aMUS$x029000$2bisacsh
072 7 $aAVGP$2bicssc
082 00 $a781.49082$223
049 $aZCUA
100 1 $aWolfe, Paula$c(Musician),$eauthor.
245 10 $aWomen in the studio :$bcreativity, control and gender in popular music production /$cPaula Wolfe.
246 3 $aWomen in the studio :$bcreativity, control and gender in popular music sound production
264 1 $aLondon ;$aNew York :$bRoutledge,$c[2020].
264 4 $c©2020
300 $a1 online resource (224 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references and index.
588 $aDescription based on print version record and CIP data provided by publisher.
520 $aThe field of popular music production is overwhelmingly male dominated. Here, Paula Wolfe discusses gendered notions of creativity and examines the significant under-representation of women in studio production. Wolfe brings an invaluable perspective as both a working artist-producer and as a scholar, thereby offering a new body of research based on interviews and first-hand observation. Wolfe demonstrates that patriarchal frameworks continue to form the backbone of the music industry establishment but that women's work in the creation and control of sound presents a potent challenge to gender stereotyping, marginalisation and containment of women's achievements that is still in evidence in music marketing practices and media representation in the digital era.
650 0 $aWomen in the music trade.
650 0 $aPopular music$xProduction and direction.
650 6 $aFemmes dans l'industrie musicale.
650 7 $aMUSIC / General$2bisacsh
650 7 $aMUSIC / Genres & Styles / Pop Vocal$2bisacsh
650 7 $aWomen in the music trade.$2fast$0(OCoLC)fst01941157
655 4 $aElectronic books.
776 08 $iPrint version:$tWomen in the studio$dLondon ; New York : Routledge, 2017.$z9781315546711 (ebook)$w(DLC) 2016039173
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14755821$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS