MARC Record from marc_columbia

LEADER: 03900cam a2200745 i 4500
001 14756123
005 20220326234026.0
006 m o d
007 cr |||||||||||
008 190624t20202020enka ob 001 0 eng
010 $a 2019026373
035 $a(OCoLC)on1107160384
035 $a(NNC)14756123
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dEBLCP$dYDX$dOCLCA$dTYFRS$dYDX$dN$T$dOCLCQ$dGZM$dVHC$dOCLCO
019 $a1303427895
020 $a0429458444$q(electronic book)
020 $a9780429857737$q(electronic book$qMobipocket)
020 $a042985773X$q(electronic book$qMobipocket)
020 $a9780429857744$q(electronic book$qEPUB)
020 $a0429857748$q(electronic book$qEPUB)
020 $a9780429857751$q(electronic book)
020 $a0429857756$q(electronic book)
020 $a9780429458446$q(electronic bk.)
020 $z9781138312128$q(hardcover)
035 $a(OCoLC)1107160384$z(OCoLC)1303427895
037 $a9780429458446$bTaylor & Francis
042 $apcc
050 04 $aHQ77$b.S86 2020
072 7 $aSOC$x000000$2bisacsh
072 7 $aSOC$x026000$2bisacsh
072 7 $aJHB$2bicssc
082 00 $a306.77/8$223
049 $aZCUA
100 1 $aStokoe, Kayte,$eauthor.
245 10 $aReframing drag :$bbeyond subversion and the status quo /$cKayte Stokoe.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c[2020].
264 4 $c©2020
300 $a1 online resource (xii, 180 pages) :$billustrations.
336 $atext$btxt$2rdacontent
337 $acomputer$bn$2rdamedia
338 $aonline resource$bnc$2rdacarrier
490 1 $aRoutledge research in gender and society
504 $aIncludes bibliographical references and index.
520 $a"Reframing Drag provides a critical survey of French and Anglo-American, queer and feminist theorizations of drag performance, placing these approaches in a dialogue with contemporary drag practice and the representation of drag in three literary texts. Challenging pervasive assumptions circulating in existing queer and feminist analyses of drag performance, the author identifies and questions three recurring ideas, which have shaped the landscape of drag research: the argument that drag performances either uphold or subvert oppressive gender norms, the assumption that drag involves performing as the 'opposite sex', and the belief that drag can shed light on gender performativity. Informed by a range of gender and queer theory, this work contends that an intersectional, transfeminist approach to drag performance can provide richer, more nuanced, understandings of drag, and, unlike the 'opposite sex' narrative, acknowledges the gender diversity at work in current drag scenes"--$cProvided by publisher.
545 0 $aKayte Stokoe is Teaching Assistant in French Studies at the University of Warwick, UK.
588 0 $aOnline resource; title from digital title page (viewed on January 02, 2020).
650 0 $aCross-dressing.
650 0 $aCross-dressers.
650 0 $aFemale impersonators.
650 0 $aDrag shows.
650 2 $aTransvestism
650 6 $aTravestisme.
650 6 $aTravestis.
650 6 $aActeurs travestis.
650 7 $aSOCIAL SCIENCE$xGeneral.$2bisacsh
650 7 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aCross-dressers.$2fast$0(OCoLC)fst01155473
650 7 $aCross-dressing.$2fast$0(OCoLC)fst01155465
650 7 $aDrag shows.$2fast$0(OCoLC)fst01740528
650 7 $aFemale impersonators.$2fast$0(OCoLC)fst00922621
655 4 $aElectronic books.
776 08 $iPrint version:$aStokoe, Kayte.$tReframing drag.$b1. Edition.$dNew York : Routledge, 2019$z9781138312128$w(DLC) 2019026372
830 0 $aRoutledge research in gender and society.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14756123$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS