MARC Record from marc_columbia

LEADER: 05416cam a2200673 i 4500
001 14756281
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008 190620s2020 enkaf ob 001 0 eng
010 $a 2019025082
035 $a(OCoLC)on1107804640
035 $a(NNC)14756281
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dTYFRS$dYDX$dTYFRS$dUKMGB$dN$T$dWAU$dOCLCO
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016 7 $a019614318$2Uk
020 $a1315727994$q(electronic book)
020 $a9781317541592$q(electronic book)
020 $a1317541596$q(electronic book)
020 $a9781317541585$q(electronic book)
020 $a1317541588$q(electronic book)
020 $a9781317541578$q(electronic book ;$qMobipocket)
020 $a131754157X$q(electronic book ;$qMobipocket)
020 $a9781315727998$q(electronic bk.)
020 $z9781138845770$q(hardcover)
035 $a(OCoLC)1107804640
037 $a9781315727998$bTaylor & Francis
042 $apcc
050 04 $aTR183$b.R68 2020
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072 7 $aSOC$x052000$2bisacsh
072 7 $aAJ$2bicssc
082 00 $a770.1$223
049 $aZCUA
245 04 $aThe Routledge companion to photography theory /$cedited by Mark Durden and Jane Tormey.
246 30 $aCompanion to photography theory
246 30 $aPhotography theory
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2020.
300 $a1 online resource (xv, 441 pages, 16 unnumbered pages of plates) :$billustrations (some color)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
347 $atext file$2rdaft
347 $bPDF
504 $aIncludes bibliographical references and index.
520 $a"With newly commissioned essays by some of the leading writers on photography today, this companion tackles some of the most pressing questions about photography theory's direction, relevance and purpose. This book shows how digital technologies and global dissemination have radically advanced the pluralism of photographic meaning and fundamentally transformed photography theory. Having assimilated the histories of semiotic analysis and post-structural theory, critiques of representation continue to move away from the notion of original and copy and towards materiality, process and the interdisciplinary. The implications of what it means to 'see' an image is now understood to encompass, not only the optical, but the conceptual, ethical and haptic experience of encountering an image. The "fractal" is now used to theorize the new condition of photography as an algorithmic medium and leads us to reposition our relationship to photographs and lend nuances to what essentially underlies any photography theory - that is the relationship of the image to the real world and how we conceive what that means. Diverse in its scope and themes, The Routledge Companion to Photography Theory is an indispensable collection of essays and interviews for students, researchers and teachers. The volume also features extensive images, including beautiful colour plates of key photographs"--$cProvided by publisher.
545 0 $aMark Durden is an artist, writer and academic. He has written extensively on contemporary art and photography. Recent books include Fifty Key Writers on Photography (2012) and Photography Today (2014). With Ian Brown and David Campbell, Durden regularly exhibits as part of the artist group Common Culture. With Campbell he also recently co-curated a number of substantial exhibitions on art and comedy: Double Act (Bluecoat, Liverpool and the MAC, Belfast in 2016) and The Laughable Enigma of Ordinary Life (Arquipélago, centro de artes contemporńeas, Sô Miguel in 2017). Durden is currently Professor of Photography and Director of the European Centre for Documentary Research at the University of South Wales, UK. Jane Tormey is an Honorary Fellow of Loughborough University. Her writing focuses on the exchange of ideas between art practice and otherdisciplines, the conflict between aesthetics and political content, and the ways in which aesthetictraditions can be disturbed by and through photographic/filmic practices.Published work includes: "The Ghost in the Image" in Boelderl, Leisch-Kiesl (eds.) Die Zukunft gehr̲t den Phantomen ([transcript], 2018); Photographic Realism: Late Twentieth-Century Aesthetics (2013) and Cities and Photography(2012). She is co-editor of Art, Politics and the Pamphleteer (forthcoming 2020) and the book series Radical Aesthetics-Radical Art.
588 $aDescription based on online resource; title from PDF title page (Taylor & Francis Group, viewed on November 22, 2019).
650 0 $aPhotography$xPhilosophy.
650 6 $aPhotographie$xPhilosophie.
650 7 $aPHOTOGRAPHY / General$2bisacsh
650 7 $aSOCIAL SCIENCE / Media Studies$2bisacsh
650 7 $aPhotography$xPhilosophy.$2fast$0(OCoLC)fst01061781
655 0 $aElectronic books.
700 1 $aDurden, Mark,$eeditor.
700 1 $aTormey, Jane,$eeditor.
776 08 $iPrint version:$tRoutledge companion to photography theory.$dAbingdon, Oxon ; New York : Routledge, 2020$z9781138845770$w(DLC) 2019025081$w(OCoLC)1107845430
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14756281$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS