| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:136320814:3848 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:136320814:3848?format=raw |
LEADER: 03848cam a2200709 i 4500
001 14758612
005 20220403001446.0
006 m o d
007 cr |||||||||||
008 190721s2020 enk ob 001 0 eng
010 $a 2019031533
035 $a(OCoLC)on1108871693
035 $a(NNC)14758612
040 $aDLC$beng$erda$epn$cDLC$dN$T$dTYFRS$dOCLCF$dYDX$dDLC$dOCLCO$dOCLCQ$dOCLCO
020 $a9780429647314$q(epub)
020 $a042964731X
020 $a9780429029097$q(ebook)
020 $a0429029098
020 $a9780429644672$q(electronic bk. ;$qMobipocket)
020 $a0429644671$q(electronic bk. ;$qMobipocket)
020 $a9780429649950$q(electronic bk. ;$qPDF)
020 $a0429649959$q(electronic bk. ;$qPDF)
020 $z9780367138967$q(hardback)
035 $a(OCoLC)1108871693
037 $a9780429029097$bTaylor & Francis
042 $apcc
050 00 $aPN1995.9.F848
072 7 $aPER$x004000$2bisacsh
072 7 $aREL$x062000$2bisacsh
072 7 $aSOC$x036000$2bisacsh
072 7 $aHRA$2bicssc
082 00 $a791.43/6548$223
049 $aZCUA
100 1 $aRankin, David$q(David Ivan),$d1952-$eauthor.
245 10 $aFilm and the afterlife /$cDavid Rankin.
264 1 $aAbingdon, Oxon ;$aNew York :$bRoutledge,$c2020.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge studies in religion and film
504 $aIncludes bibliographical references and index.
505 0 $aThe stages of the afterlife -- Continuity and identity in the afterlife -- The form and nature of existence in the afterlife -- Contact between worlds?
520 $a"This book explores how post-death existence is represented in popular film, looking at issues such as continuity, personal identity, and the nature of existence beyond the grave. Film often returns to the theme of dying, death and the afterlife, both directly and indirectly, because there are very few subjects as compelling and universal. The book compares the representation of death, dying and the afterlife in films to scholarly surveys of attitudes towards life-after-death through the analysis of twenty films made between the end of World War II and now. It looks at the portrayals of stages between death and a final destination; spatio-temporal and personal continuity; the nature of afterlife existence in terms of embodiment, or not; and the contact between the worlds of the living and the dead. This book offers a wide-ranging view on a compelling subject in film. As such, it will be of great interest to scholars of Religion and Film, Religion and Media, the Philosophy of Religion, and the Sociology of Religion, as well as Religion, Media and Film Studies more generally"--$cProvided by publisher
588 0 $aPrint version record and CIP data provided by publisher.
650 0 $aFuture life in motion pictures.
650 0 $aDeath in motion pictures.
650 0 $aMotion pictures$xReligious aspects.
650 6 $aVie future au cinéma.
650 6 $aMort au cinéma.
650 6 $aCinéma$xAspect religieux.
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aRELIGION$xSpirituality.$2bisacsh
650 7 $aSOCIAL SCIENCE$xDeath & Dying.$2bisacsh
650 7 $aMotion pictures$xReligious aspects.$2fast$0(OCoLC)fst01027371
650 7 $aFuture life in motion pictures.$2fast$0(OCoLC)fst02010774
650 7 $aDeath in motion pictures.$2fast$0(OCoLC)fst00888701
650 7 $aFuture life.$2fast$0(OCoLC)fst00936730
655 4 $aElectronic books.
830 0 $aRoutledge studies in religion and film.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14758612$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS