| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:139418402:3361 |
| Source | marc_columbia |
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LEADER: 03361cam a2200673M 4500
001 14759511
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006 m o d
007 cr |n|||||||||
008 190804s2017 xx o 000 0 eng d
035 $a(OCoLC)on1111136418
035 $a(NNC)14759511
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019 $a1111610231$a1111774788$a1112904284
020 $a9781315185767$q(electronic bk.)
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035 $a(OCoLC)1111136418$z(OCoLC)1111610231$z(OCoLC)1111774788$z(OCoLC)1112904284
037 $a9781315185767$bTaylor & Francis
050 4 $aML3845
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072 7 $aSOC$x026000$2bisacsh
072 7 $aJHB$2bicssc
082 04 $a780.904$223
049 $aZCUA
100 1 $aEtter, Brian K.
245 10 $aFROM CLASSICISM TO MODERNISM :$bwestern musical culture and the metaphysics of order.
260 $a[Place of publication not identified]$bROUTLEDGE,$c2017.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge revivals
520 $aThis title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aAvant-garde (Music)
650 0 $aMusic$y20th century$xHistory and criticism.
650 6 $aMusique$xPhilosophie et esthétique.
650 6 $aMusique expérimentale.
650 7 $aSOCIAL SCIENCE$xGeneral.$2bisacsh
650 7 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aAvant-garde (Music)$2fast$0(OCoLC)fst00824287
650 7 $aMusic.$2fast$0(OCoLC)fst01030269
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
648 7 $a1900-1999$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
776 08 $iPrint version:$z1138736775$z9781138736771$w(OCoLC)1008972540
830 0 $aRoutledge revivals.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14759511$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS