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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:140212785:3716
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:140212785:3716?format=raw

LEADER: 03716cam a2200721 i 4500
001 14759711
005 20220703234333.0
006 m o d
007 cr cnu---unuuu
008 190805s2020 enk ob 001 0 eng d
035 $a(OCoLC)on1111577665
035 $a(NNC)14759711
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dEBLCP$dTYFRS$dN$T$dUKAHL$dUKMGB$dOCLCQ$dCDN$dOCLCQ$dOCLCO
015 $aGBB9E1467$2bnb
016 7 $a019500996$2Uk
019 $a1121590338
020 $a9780429264320$q(electronic bk.)
020 $a0429264321$q(electronic bk.)
020 $a9780429563829$q(electronic bk. ;$qMobipocket)
020 $a0429563825$q(electronic bk. ;$qMobipocket)
020 $a9780429554889$q(electronic bk. ;$qPDF)
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020 $a0429559356$q(electronic bk. ;$qEPUB)
020 $z9780367209476
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024 7 $a10.4324/9780429264320$2doi
035 $a(OCoLC)1111577665$z(OCoLC)1121590338
037 $a9780429264320$bTaylor & Francis
050 4 $aN70$b.C887 2020eb
072 7 $aART$x009000$2bisacsh
072 7 $aPHI$x001000$2bisacsh
072 7 $aART$x008000$2bisacsh
072 7 $aAC$2bicssc
082 04 $a700.1$223
049 $aZCUA
100 1 $aCrowther, Paul,$eauthor.
245 10 $aTheory of the art object /$cPaul Crowther.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2020.
300 $a1 online resource (161 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in art and visual studies
504 $aIncludes bibliographical references (pages 153-157) and index.
505 0 $aPictorial art and presentness -- Abstract art and transperceptual space -- In and through space : sculpture, assemblage, and installation art -- Land art : reciprocities of site and formation -- Embodiment and architectural cognition -- The aesthetic space of photography -- Digital objects, aesthetic phenomena.
520 $aMeaning in the visual arts centers on how the physical work makes its content or presence visible. The art object is fundamental. Indeed, the different object forms of each visual medium allows our experience of space-time, and our relations to other people, to be aesthetically embodied in unique ways. Through these embodiments, visual art compensates for what is otherwise existentially lost, and becomes part of what makes life worth living. The present book shows this by discussing a range of visual art forms, namely pictorial representation, abstraction, sculpture and assemblage works, land art, architecture, photography, and varieties of digital art.
545 0 $aPaul Crowther is Professor of Philosophy at Alma Mater Europaea - Institutum Studiorum Humanitatis, Slovenia.
588 0 $aPrint version record.
650 0 $aArt$xPhilosophy.
650 0 $aObject (Aesthetics)
650 6 $aArt$xPhilosophie.
650 6 $aObjet (Esthétique)
650 7 $aART$xCriticism.$2bisacsh
650 7 $aPHILOSOPHY$xAesthetics.$2bisacsh
650 7 $aART$xConceptual.$2bisacsh
650 7 $aArt$xPhilosophy.$2fast$0(OCoLC)fst00815307
650 7 $aObject (Aesthetics)$2fast$0(OCoLC)fst01042785
655 4 $aElectronic books.
776 08 $iPrint version:$aCrowther, Paul.$tTheory of the art object.$dLondon ; New York : Routledge, 2019$z9780367209476$w(DLC) 2019014163$w(OCoLC)1090912027
830 0 $aRoutledge advances in art and visual studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14759711$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS