| Record ID | marc_columbia/Columbia-extract-20221130-030.mrc:140481556:4184 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:140481556:4184?format=raw |
LEADER: 04184cam a2200829 i 4500
001 14759775
005 20220627133735.0
006 m o d
007 cr cnu---unuuu
008 190805s2019 enk ob 001 0 eng d
035 $a(OCoLC)on1111577899
035 $a(NNC)14759775
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dEBLCP$dUKMGB$dN$T$dUKAHL$dOCLCQ$dMZA$dOCL$dOCLCQ$dZCU$dMM9$dOCLCQ$dOCLCO
015 $aGBB9D6718$2bnb
016 7 $a019497529$2Uk
019 $a1171049757
020 $a9780429457449$q(electronic bk.)
020 $a0429457448$q(electronic bk.)
020 $a9780429854736$q(electronic bk. ;$qMobipocket)
020 $a0429854730$q(electronic bk. ;$qMobipocket)
020 $a9780429854750$q(electronic bk. ;$qPDF)
020 $a0429854757$q(electronic bk. ;$qPDF)
020 $a9780429854743$q(electronic bk. ;$qEPUB)
020 $a0429854749$q(electronic bk. ;$qEPUB)
020 $z9781138313774
020 $z1138313777
024 7 $a10.4324/9780429457449$2doi
035 $a(OCoLC)1111577899$z(OCoLC)1171049757
037 $a9780429457449$bTaylor & Francis
050 4 $aN6490$b.R5486 2019eb
072 7 $aART$x015110$2bisacsh
072 7 $aDES$x008000$2bisacsh
072 7 $aBUS$x100000$2bisacsh
072 7 $aAB$2bicssc
082 04 $a745.409$223
049 $aZCUA
100 1 $aRoberts, Bill,$d1979-
245 10 $aArt, design and capital since the 1980s :$bproduction by design /$cBill Roberts.
264 1 $aLondon ;$aNew York :$bRoutledge,$c2019.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 0 $aRoutledge research in design history
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : design's significance for contemporary art -- The proliferation of Dan Graham's Pavilions -- Rita McBride's sculpture of flows -- Tobias Rehberger's exquisite corp. -- Liam Gillick's flights of flexibility.
520 $aThis book examines artists' engagements with design and architecture since the 1980s, and asks what they reveal about contemporary capitalist production and social life. Setting recent practices in historical relief, and exploring the work of Dan Graham, Rita McBride, Tobias Rehberger and Liam Gillick, Bill Roberts argues that design is a singularly valuable lens through which artists evoke, trace and critique the forces and relations of production that underpin everyday experience in advanced capitalist economies.
545 0 $aBill Roberts is a lecturer in art history at Christie's Education London, UK.
588 0 $aPrint version record.
600 10 $aGraham, Dan,$d1942-$xCriticism and interpretation.
600 10 $aMcBride, Rita,$d1960-$xCriticism and interpretation.
600 10 $aRehberger, Tobias,$d1966-$xCriticism and interpretation.
600 10 $aGillick, Liam,$d1964-$xCriticism and interpretation.
600 17 $aGillick, Liam,$d1964-$2fast$0(OCoLC)fst00295795
600 17 $aGraham, Dan,$d1942-$2fast$0(OCoLC)fst00069982
600 17 $aMcBride, Rita,$d1960-$2fast$0(OCoLC)fst00340129
600 17 $aRehberger, Tobias,$d1966-$2fast$0(OCoLC)fst00409904
650 0 $aArt and design$xHistory$y20th century.
650 0 $aArt and design$xHistory$y21st century.
650 6 $aArt et design$xHistoire$y20e siècle.
650 6 $aArt et design$xHistoire$y21e siècle.
650 7 $aART$xHistory$xContemporary (1945- )$2bisacsh
650 7 $aBUSINESS & ECONOMICS$xMuseum Administration & Museology.$2bisacsh
650 7 $aArt and design.$2fast$0(OCoLC)fst01741278
648 7 $a1900-2099$2fast
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iPrint version:$aRoberts, Bill, 1979-$tArt, design and capital since the 1980s.$dLondon ; New York : Routledge, 2019$z9781138313774$w(DLC) 2019015322$w(OCoLC)1096227882
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14759775$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS