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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:143654270:8131
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:143654270:8131?format=raw

LEADER: 08131cam a2200805 i 4500
001 14760523
005 20220611232951.0
006 m o d
007 cr mn|||||||||
008 190830t20202020enka ob 001 0 eng d
035 $a(OCoLC)on1114601096
035 $a(NNC)14760523
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dTYFRS$dN$T$dUKMGB$dUKAHL$dOSU$dWAU$dOCLCO$dOCL$dOCLCO$dOCLCA$dOCLCO
015 $aGBB9F4733$2bnb
016 7 $a019534803$2Uk
019 $a1114972885$a1119549833$a1125966976
020 $a9781315168968$q(electronic book)
020 $a1315168960$q(electronic book)
020 $a9781351687539$q(PDF)
020 $a1351687530$q(PDF)
020 $a9781351687522$q(EPUB)
020 $a1351687522$q(EPUB)
020 $a9781351687515$q(Mobipocket)
020 $a1351687514$q(Mobipocket)
020 $z9781138050198$q(hardback ;$qalkaline paper)
024 7 $a10.4324/9781315168968$2doi
035 $a(OCoLC)1114601096$z(OCoLC)1114972885$z(OCoLC)1119549833$z(OCoLC)1125966976
037 $a9781315168968$bTaylor & Francis
046 $k2020$2edtf
050 4 $aPR2880.A1$bR68 2020
072 7 $aLIT$x000000$2bisacsh
072 7 $aAFKP$2bicssc
082 04 $a822.3/3$223
049 $aZCUA
245 04 $aThe Routledge handbook of Shakespeare and global appropriation /$cedited by Christy Desmet, Sujata Iyengar and Miriam Jacobson
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, Taylor & Francis Group,$c2020
264 4 $c©2020
300 $a1 online resource (xxvii, 470 pages) :$billustrations.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge literature handbooks
500 $a"Routledge handbooks" -- taken from front cover image.
504 $aIncludes bibliographical references and index
505 0 $a"The great globe itself . . . shall dissolve" : art after the apocalypse in Station Eleven / Sharon O'Dair -- Others within : ethics in the age of global Shakespeare / Alexa Alice Joubin -- "You say you want a revolution?" : Shakespeare in Mexican [dis]guise / Alfredo Michel Modenessi -- "Don't it make my brown eyes blue" : uneasy assimilation and the Shakespeare-Latinx divide / Ruben Espinosa -- "To appropriate these white centuries" : James Baldwin's race conscious Shakespeare / Jason Demeter -- Bishonen Hamlet : stealth-queering Shakespeare in manga Shakespeare : Hamlet / Brandon Christopher -- Edmund hosts William : appropriation, polytemporality, and postcoloniality in Frank McGuinness's Mutabilitie / Barbara Sebek -- Shakespeare appropriation and queer Latinx empowerment in Josh Inocéncio's Ofélio / Katherine Gillen -- Calibán rex? cultural syncretism in Teatro Buendía's Otra tempestad / Jennifer Flaherty -- Fooling around with Shakespeare : the curious case of "Indian" Twelfth nights / Poonam Trivedi -- "Flipping the turtle on its back" : Shakespeare, decolonization, and the first peoples in Canada / Daniel Fischlin -- Nomadic Shylock : nationhood and its subversion in The merchant of Venice / Avraham Oz -- "What country, friend, is this?" : Carlos Díaz's Cuban Illyria / Donna Woodford-Gormley -- Inheriting the past, surviving the future / Adele Seeff -- The politics of African Shakespeare / Jane Plastow -- Da kine Shakespeare : James Grant Benton's Twelf nite o wateva! / Theresa M. DiPasquale -- Make new nations : Shakespearean communities in the twenty-first century / Sheila T. Cavanagh -- Appropriating Shakespeare for marginalized students / Jessica Walker -- Beyond appropriation : teaching Shakespeare with accidental echoes in film / Matthew Kozusko -- Teaching global Shakespeare : visual culture projects in action / Laurie Osborne -- Othello in a prevailingly homogenous ethnic society / Krystyna Kujawinska Courtney -- Shakespeare in Ireland : 1916 to 2016 / Nicholas Grene -- Shakespeare"s presence in the land of ancient drama : Karolos Koun's attempts to acculturate Shakespeare in Greece / Tina Krontiris -- "To be/not to be" : Hamlet and the threshold of potentiality in post-communist Bulgaria / Kirilka Stavreva and Boika Sokolova -- What's in a name? Shakespeare and Japanese pop culture / Ryuta Minami -- Subjugating Arab forms to European meters / David Moberly -- Shakespeare's Anashid (translation) / David Moberly -- Paul Robeson, Margaret Webster and their transnational Othello / Robert Sawyer -- Ecologies of the Shakespearean artists' book / Sujata Iyengar -- Falstaff and the constructions of musical nostalgia / Stephen Buhler -- The Moor makes a cameo : serial, Shakespeare and white racial frame / Vanessa Corredera -- De-emphasizing race in young adult novel adaptations of Othello / Keith Botelho -- Resisting history and atoning for racial privilege : Shakespeare's Henriad in HBO's The wire / L. Monique Pittman -- Indigenizing Shakespeare : Haider and the politics of appropriation / Amrita Sen -- Ovidian appropriations, metamorphic illusion, and theatrical practice on the Shakespearean stage / Lisa Starks -- Determined to prove a villain? appropriating Richard III's disability in recent graphic novels and comics / Marina Gerzic -- Some tweeting Cleopatra : crossing borders on and off the Shakespearean stage / Louise Geddes -- The sandman as Shakespearean appropriation / Miriam Jacobson -- Shakespeare's scattered leaves : mutilated books, unbound pages, and the circulation of the First Folio / Christy Desmet
520 $a"Shakespeare has been adapted and appropriated onto stage, screen, page, and now a variety of new digital formats. Globalisation has led to a new wave of cultural appropriations and this volume brings together a variety of different perspectives and voices, addressing topics such as trans-and intermedia performances; Shakespearean utopias and dystopias; the ethics of appropriation; Shakespeare and Global justice as well as a section on how to approach the teaching of these topics. Offering an overview and history of Shakespearean appropriations as well as discussing contemporary issues and debates in the field, this book is the ultimate guide to this vibrant topic"--$cProvided by publisher
545 0 $aChristy Desmet was Josiah Meigs Distinguished Professor at the University of GeorgiainAthens, Georgia,USA, and co-general editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation. Sujata Iyengar is Professor of English at the University of Georgia in Athens, Georgia,USA, and co-founder and co-editor of Borrowers and Lenders: The Journal of Shakespeare and Appropriation. Miriam Jacobson is Associate Professor of English at the University of Georgia in Athens, Georgia, USA.
588 0 $aPrint version record.
600 10 $aShakespeare, William,$d1564-1616$xAdaptations$xHistory and criticism.
600 10 $aShakespeare, William,$d1564-1616$xInfluence.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
650 0 $aCultural appropriation.
650 6 $aAppropriation culturelle.
650 7 $aLITERARY CRITICISM / General$2bisacsh
650 7 $aCultural appropriation.$2fast$0(OCoLC)fst02002519
650 7 $aInfluence (Literary, artistic, etc.)$2fast$0(OCoLC)fst00972484
650 7 $aLiterature$xAdaptations.$2fast$0(OCoLC)fst00999955
655 0 $aElectronic books.
655 7 $aLiterary criticism.$2fast$0(OCoLC)fst01986215
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aLiterary criticism.$2lcgft
655 7 $aCritiques littéraires.$2rvmgf
700 1 $aDesmet, Christy,$d1954-2018,$eeditor.
700 1 $aIyengar, Sujata,$eeditor.
700 1 $aJacobson, Miriam Emma,$eeditor.
776 08 $iPrint version:$tRoutledge handbook of Shakespeare and global appropriation.$dAbingdon, Oxon ; New York, NY : Routledge, 2020$z9781138050198$w(DLC) 2019010334$w(OCoLC)1089200099
830 0 $aRoutledge literature handbooks.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14760523$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS