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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-030.mrc:147668614:3733
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-030.mrc:147668614:3733?format=raw

LEADER: 03733cam a2200733 i 4500
001 14761409
005 20220326234502.0
006 m o d
007 cr |||||||||||
008 191006t20202020nyu ob 001 0 eng
010 $a 2021693949
035 $a(OCoLC)on1122451310
035 $a(NNC)14761409
040 $aDLC$beng$erda$epn$cDLC$dEBLCP$dTYFRS$dUKMGB$dN$T$dOCLCF$dYDXIT$dGZM$dCUS$dAU@$dUKAHL$dYDX$dOCLCO
015 $aGBB9E0273$2bnb
016 7 $a019504629$2Uk
019 $a1122919552$a1126781930$a1139667571$a1139769347$a1155875483
020 $a9780429890536$qebook
020 $a0429890532
020 $z9781138602946$qhardcover
020 $z1138602949$qhardcover
020 $a9780429469367$q(electronic bk.)
020 $a0429469365$q(electronic bk.)
020 $a9780429890543
020 $a0429890540
020 $a9780429890529$q(electronic bk. ;$qMobipocket)
020 $a0429890524$q(electronic bk. ;$qMobipocket)
035 $a(OCoLC)1122451310$z(OCoLC)1122919552$z(OCoLC)1126781930$z(OCoLC)1139667571$z(OCoLC)1139769347$z(OCoLC)1155875483
037 $a9780429469367$bTaylor & Francis
050 00 $aPN1995.9.W6
072 7 $aPER$x004030$2bisacsh
072 7 $aPSY$x026000$2bisacsh
072 7 $aSOC$x010000$2bisacsh
072 7 $aJFD$2bicssc
082 04 $a791.43092$223
049 $aZCUA
245 00 $aRe-reading The monstrous-feminine :$bart, film, feminism and psychoanalysis /$cEdited by Nicholas Chare, Jeanette Hoorn and Audrey Yue.
250 $aFirst edition.
264 1 $aNew York :$bRoutledge,$c2020.
264 4 $c©2020
300 $a1 online resource (vii, 267 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge advances in film studies
504 $aIncludes bibliographical references and index.
520 $aThis book provides a critical reappraisal of Barbara Creed's ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman's victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed's ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory.
588 $aDescription based on print version record and CIP data provided by publisher; resource not viewed.
600 10 $aCreed, Barbara.$tMonstrous-feminine.
650 0 $aFeminist film criticism.
650 6 $aCritique cinématographique féministe.
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
650 7 $aPSYCHOLOGY$xMovements$xPsychoanalysis.$2bisacsh
650 7 $aSOCIAL SCIENCE$xFeminism & Feminist Theory.$2bisacsh
650 7 $aFeminist film criticism.$2fast$0(OCoLC)fst00922776
650 7 $aPerforming Arts.$2ukslc
655 4 $aElectronic books.
700 1 $aChare, Nicholas,$eeditor.
700 1 $aHoorn, Jeanette,$eeditor.
700 1 $aYue, Audrey,$eeditor.
776 08 $iPrint version:$tRe-reading The monstrous-feminine$dNew York : Routledge, 2020.$z9781138602946$w(DLC) 2019949347
830 0 $aRoutledge advances in film studies.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14761409$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS