MARC Record from marc_columbia

LEADER: 05520cam a2200733 i 4500
001 14761726
005 20220627133757.0
006 m o d
007 cr |||||||||||
008 191004t20202020enka ob 001 0 eng
010 $a 2019045075
035 $a(OCoLC)on1124775458
035 $a(NNC)14761726
040 $aDLC$beng$erda$epn$cDLC$dOCLCO$dOCLCF$dOCLCA$dYDX$dTYFRS$dEBLCP$dTYFRS$dUKAHL$dOCLCQ$dZCU$dYDX$dSFB$dOCLCQ$dNLW$dOCLCO
019 $a1274875501$a1303497823
020 $a9780429268878$qelectronic book
020 $a0429268874$qelectronic book
020 $a9781000027167$qelectronic book
020 $a1000027163$qelectronic book
020 $a9781000027136$qelectronic book
020 $a1000027139$qelectronic book
020 $a9781000027198$qelectronic book
020 $a1000027198$qelectronic book
020 $z9780367219413$qhardcover
024 7 $a10.4324/9780429268878.$2doi
035 $a(OCoLC)1124775458$z(OCoLC)1274875501$z(OCoLC)1303497823
037 $a9780429268878$bTaylor & Francis
042 $apcc
043 $aa-ir---
050 04 $aPN1993.5.I846$bD46 2020
072 7 $aPER$x004000$2bisacsh
072 7 $aPOL$x059000$2bisacsh
072 7 $a1FBN$2bicssc
082 00 $a791.430955$223
049 $aZCUA
100 1 $aDémy-Geroe, Anne,$eauthor.
245 10 $aIranian national cinema :$bthe interaction of policy, genre, funding, and reception /$cAnne Démy-Geroe.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2020.
264 4 $c©2020
300 $a1 online resource (xii, 210 pages).
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aIranian studies
504 $aIncludes bibliographical references and index.
520 $a"This book examines transformations in the production and domestic and international reception of Iranian cinema between 2000 and 2013 through the intersection of the political markers - the presidential terms of Reformist president Mohammad Khatami and his successor, the conservative Mahmoud Ahmadinejad - and filmic markers, particularly Jafar Panahi's The Circle (2000) and Asghar Farhadi's About Elly (2009). Through extensive field and media research, the book considers the interaction of a range of factors including government policy, Iranian national cinema genres and categories, intended audience, funding source, and domestic and international reception, to demonstrate the interplay between filmmakers and the government over these two successive presidencies. While the impact of politics on Iranian filmmaking has been widely examined, this work argues for a more nuanced understanding of politics in and of the Iranian cinema than has generally been previously acknowledged. Drawing on both personal experience as a juror at the Fajr International Film festival and interviews with significant filmmakers, producers, actors and other industry insiders, including senior bureaucrats and politicians, the volume is a key resource for anyone interested in politics and Iranian cinema"--$cProvided by publisher.
545 0 $aAnne Démy-Geroe was the inaugural Artistic Director of the Brisbane International Film Festival for eighteen years and for seven years a co-Director at the Iranian Film Festival Australia. A Vice President of NETPAC, inaugural member of the Asia Pacific Screen Awards Nominations Council, and a director of the Asia Pacific Screenlab, she was awarded an Australian Centenary Medal for services to the film industry in 2003. She now lectures on Asia Pacific Cinema at Griffith Film School, Griffith University, Australia.
588 $aDescription based on online resource; title from digital title page (viewed on April 27, 2020).
505 0 $aCover -- Half Title -- Series page -- Title -- Copyright -- Dedication -- Contents -- List of illustrations -- Acknowledgements -- Glossary and abbreviations -- Introduction -- 1 Making "constructive" films: generic themes and modulations -- 2 Iranian cinema means the middle classes -- 3 New Iranian cinema and the international festivals -- 4 Film festivals and festival films: an Iranian perspective -- 5 Cinema is a weapon: combatting the soft war -- 6 Culture is not a form of entertainment -- Conclusion: our art will remain the same -- Bibliography -- Filmography -- Index
506 1 $aLegal Deposit;$cOnly available on premises controlled by the deposit library and to one user at any one time;$eThe Legal Deposit Libraries (Non-Print Works) Regulations (UK).$5WlAbNL
540 $aRestricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.$5WlAbNL
650 0 $aMotion pictures$zIran.
650 0 $aFilm festivals$zIran.
650 6 $aFestivals de cinéma$zIran.
650 7 $aPERFORMING ARTS$xFilm & Video$xGeneral.$2bisacsh
650 7 $aFilm festivals.$2fast$0(OCoLC)fst00924266
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
651 7 $aIran.$2fast$0(OCoLC)fst01204889
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$aDémy-Geroe, Anne.$tIranian national cinema.$dAbingdon, Oxon ; New York, NY : Routledge, 2020$z9780367219413$w(DLC) 2019045074
830 0 $aIranian studies (London, England)
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14761726$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS