MARC Record from marc_columbia

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001 14762657
005 20220403002127.0
006 m o d
007 cr |n|||||||||
008 191212s2020 enk ob 001 0 eng d
035 $a(OCoLC)on1130665641
035 $a(NNC)14762657
040 $aYDX$beng$epn$cYDX$dTYFRS$dOCLCF$dCDN$dYDX$dUKMGB$dOCLCQ$dOCLCO
015 $aGBC032516$2bnb
016 7 $a019641236$2Uk
019 $a1130767902$a1139769258
020 $a9781351396424$q(electronic bk.)
020 $a1351396420$q(electronic bk.)
020 $a9780203729830$q(electronic bk.)
020 $a0203729838$q(electronic bk.)
020 $a9781351396417$q(electronic bk. ;$qEPUB)
020 $a1351396412$q(electronic bk. ;$qEPUB)
020 $a9781351396400$q(electronic bk. ;$qMobipocket)
020 $a1351396404$q(electronic bk. ;$qMobipocket)
020 $z1138304751
020 $z9781138304758
024 7 $a10.4324/9780203729830$2doi
035 $a(OCoLC)1130665641$z(OCoLC)1130767902$z(OCoLC)1139769258
037 $a9780203729830$bTaylor & Francis
050 4 $aML421.R64$bB44 2020
050 4 $aML3534
072 7 $aMUS$x000000$2bisacsh
072 7 $aAVA$2bicssc
082 04 $a781.66$223
049 $aZCUA
245 00 $aBeggars Banquet and the Rolling Stones' rock and roll revolution :$b`they call my name disturbance` /$cedited by Russell Reising.
260 $aLondon :$bRoutledge,$c2020.
300 $a1 online resource (viii, 215 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
504 $aIncludes bibliographical references and index.
520 $aThe Rolling Stones' Beggars Banquet is one of the seminal albums in rock history. Arguably it not only marks the advent of the mature' sound of the Rolling Stones but lays out a new blueprint for an approach to blues-based rock music that would endure for several decades. From its title to the dark themes that pervade some of its songs, Beggars Banquet reflected and helped define a moment marked by violence, decay, and upheaval. It marked a move away from the artistic sonic flourishes of psychedelic rock towards an embrace of foundational streams of American music - blues, country - that had always underpinned the music of the Stones but assumed new primacy in their music after 1968. This move coincided with, and anticipated, the roots' moves that many leading popular music artists made as the 1960s turned toward a new decade; but unlike many of their peers whose music grew more soft' and subdued as they embraced traditional styles, the music and attitude of the Stones only grew harder and more menacing, and their status as representatives of the dark underside of the 60s rock counterculture assumed new solidity. For the Rolling Stones, the 1960s ended and the 1970s began with the release of this album in 1968.
545 0 $aRussell Reising isProfessor of American Culture and Asian Studies, University of Toledo, Ohio
610 20 $aRolling Stones.$tBeggars banquet.
650 0 $aRock music$xHistory and criticism.
650 6 $aRock (Musique)$xHistoire et critique.
650 7 $aMUSIC$xGeneral.$2bisacsh
650 7 $aRock music.$2fast$0(OCoLC)fst01099204
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aReising, Russell.
776 08 $iPrint version:$z1138304751$z9781138304758$w(OCoLC)1029805251
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14762657$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS