MARC Record from marc_columbia

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100 1 $aAustin, Tiffany,$d1975-2018.
245 10 $aRevisiting the Elegy in the Black Lives Matter Era
260 $aMilton :$bRoutledge,$c2019.
300 $a1 online resource (299 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge Research in American Literature and Culture Ser.
520 $aRevisiting the Elegy in the Black Lives Matter Era is an edited collection of critical essays and poetry that investigates contemporary elegy within the black diaspora. Scores of contemporary writers have turned to elegiac poetry and prose in order to militate against the white supremacist logic that has led to recent deaths of unarmed black men, women, and children. This volume combines scholarly and creative understandings of the elegy in order to discern how mourning feeds our political awareness in this dystopian time as writers attempt to see, hear, and say something in relation to the bodies of the dead as well as to living readers. Moreover, this book provides a model for how to productively interweave theoretical and deeply personal accounts to encourage discussions about art and activism that transgress disciplinary boundaries, as well as lines of race, gender, class, and nation.
588 0 $aPrint version record.
545 0 $aTiffany Austin, PhD, was born on April 26, 1975, in Murfreesboro, Arkansas to the union of Anthony (Tony) Eric Austin and Ruth Ann May, who later moved to Kansas City, Missouri in 1977. Tiffany joined the ancestors on Saturday, June 23, 2018. During her career, Tiffany taught at Florida Memorial University, Mississippi Valley State University, and most recently at the University of The Bahamas. She was also a widely published poet, with her chapbook Étude appearing in 2013. Of this volume, her mentor Sterling Plumpp noted, "Austin's genius is her unusual gift for metaphor and allusion." Others recognized Tiffany's genius too, with her poems appearing in such prestigious outlets as Callaloo, Obsidian III, African American Review, Coloring Book: An Anthology of Poetry and Fiction by Multicultural Writers, Warpland, pluck!, The Journal of Affrilachian Arts and Culture, Valley Voices, Auburn Avenue, TriQuarterly, Sycorax's Daughters, and Moko: Caribbean Arts and Letters. Tiffany was a teacher, writer, poet, activist, and feminist. Never one for titles, she was moved instead by both action and passion. She was incomparable, generous, artistic, and authentic--a beautiful soul who will live on in the many artistic and personal seeds she planted and nurtured. Sequoia Maner is a poet-scholar and Mellon Teaching Fellow of Feminist Studies at Southwestern University. She earned her B.A. in English from Duke University and her M.A. and Ph. D. degrees in English from the University of Texas at Austin. She is co-editor of Revisiting the Elegy in the Black Lives Matter Era. Her dissertation and book project, Liberation Aesthetics in the #BlackLivesMatter Era, examines how experimental poetics and performance bolster black social movements. Her essay on the performance of "quiet interiority" as collective praxis in Beyoncé's Lemonade is published in the journal Meridians: feminism, race, transnationalismand her poem "upon reading the autopsy of Sandra Bland," finalist for the 2017 Gwendolyn Brooks Poetry Prize, is publishedin Obsidian: Literature & Arts of the African Diaspora. Emily Ruth Rutter is Assistant Professor of English at Ball State University, where she teaches courses in Multi-Ethnic American and African American Literature. She is the author of two monographs: Invisible Ball of Dreams: Literary Representations of Baseball behind the Color Line (University Press of Mississippi, 2018) and The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry (University of Alabama Press, 2018). Her research has been published in the journals African American Review, South Atlantic Review, Studies in American Culture, Aethlon, and MELUS. Her book chapter on African American women poets appears in A Cambridge History of Twentieth-Century American Women's Poetry, and a book chapter on Amiri Baraka and sports is forthcoming in Some Other Blues: New Perspectives on Amiri Baraka (Ohio State UP, 2021). darlene anita scott is Associate Professor of English at Virginia Union University. She is a poet and visual artist whose research explores corporeal performances of trauma and the violence of silence. Her poetry has appeared in journals including J Journal, Quiddity, and The Baltimore Review, among others. Her art has been featured inThe Journal, an arts and literature magazine of Ohio State University, and at The Girl Museum, a virtual museum celebrating girls and girlhood. Recipient of support from the Virginia Commission for the Arts, Delaware Division of the Arts, Tennessee Commission for the Arts, and College English Association, Scott's most recent project is a multi-media exploration, Breathing Lessons, which explores the role of the good girl as it is applied to girls of color.
505 0 $aMix, "'A diagnosis is an ending': Pathology and Presence in Bettina Judd's Patient ." Tiffany Austin, "Peaches" Charlie Braxton, "Strays in the Hood" Lauren K. Alleyne, "Poetry Workshop after the Verdict: For Trayvon " and "Elegy: For Tamir " III. "Elegists as Activists" Jacqueline Johnson, "Soul Memory (for Renisha McBride)" Chris Campanioni, "#IWokeUpLikeThis or: The Latest in Space-Age #PostInternet Pajamas" and "rendition " Cameron Barnett, "Uniform; or things I would paint if I were a painter" Chapter 10: Licia Morrow Hendriks, "'A Cause Divinely Spun': The Poet in an Age of Social Unrest" Chapter 11: Megan Feifer and Maia Butler, "Edwidge Danticat's Elegiac Project: A Transnational Historiography of U.S. Imperialist State Violence" Chapter 12: Brother Yao (Hoke S.
506 1 $aLegal Deposit;$cOnly available on premises controlled by the deposit library and to one user at any one time;$eThe Legal Deposit Libraries (Non-Print Works) Regulations (UK).$5WlAbNL
540 $aRestricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.$5WlAbNL
504 $aIncludes bibliographical references and index.
650 0 $aBlack lives matter movement.
650 0 $aAmerican poetry$xAfrican American authors$y21st century.
650 0 $aRacial profiling in law enforcement$zUnited States.
650 0 $aAfrican Americans$xSocial conditions$y21st century.
650 0 $aRacism$zUnited States.
650 0 $aProtest movements.
650 0 $aMass media$xPolitical aspects.
650 0 $aSocial media$xPolitical aspects.
650 0 $aLynching$zUnited States.
650 0 $aHate crimes$zUnited States.
651 0 $aUnited States$xRace relations.
651 6 $aÉtats-Unis$xRelations raciales.
650 6 $aMouvement Black Lives Matter.
650 6 $aPoésie américaine$xAuteurs noirs américains$y21e siècle.
650 6 $aProfilage ethnique$zÉtats-Unis.
650 6 $aNoirs américains$xConditions sociales$y21e siècle.
650 6 $aRacisme$zÉtats-Unis.
650 6 $aContestation.
650 6 $aMédias sociaux$xAspect politique.
650 6 $aLynchage$zÉtats-Unis.
650 6 $aCrimes haineux$zÉtats-Unis.
650 7 $aLITERARY CRITICISM$xAmerican$xAfrican-American.$2bisacsh
650 7 $aLITERARY CRITICISM$xPoetry.$2bisacsh
650 7 $aAfrican Americans$xSocial conditions.$2fast$0(OCoLC)fst00799698
650 7 $aAmerican poetry$xAfrican American authors.$2fast$0(OCoLC)fst00807349
650 7 $aBlack lives matter movement.$2fast$0(OCoLC)fst01940193
650 7 $aHate crimes.$2fast$0(OCoLC)fst00951873
650 7 $aLynching.$2fast$0(OCoLC)fst01004334
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651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a2000-2099$2fast
655 4 $aElectronic books.
700 1 $aManer, Sequoia.
700 1 $aRutter, Emily Ruth.
700 1 $ascott, darlene anita.
776 08 $iPrint version:$aAustin, Tiffany.$tRevisiting the Elegy in the Black Lives Matter Era.$dMilton : Routledge, ©2019$z9780367276386
830 0 $aRoutledge research in American literature and culture.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14762843$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS