MARC Record from marc_columbia

LEADER: 04522cam a2200721Ia 4500
001 14771693
005 20220611232539.0
006 m o d
007 cr cnu---unuuu
008 170715s2016 enk ob 001 0 eng d
035 $a(OCoLC)ocn993757331
035 $a(NNC)14771693
040 $aEBLCP$beng$epn$cEBLCP$dN$T$dTYFRS$dIDEBK$dOCLCQ$dYDX$dOCLCF$dAU@$dUKMGB$dOCLCQ$dK6U$dOCLCO
015 $aGBB7E7541$2bnb
016 7 $a018423358$2Uk
019 $a993595841$a993636727$a1058641537$a1069658040
020 $a9781351574006$q(electronic bk.)
020 $a1351574000$q(electronic bk.)
020 $a9781315096407
020 $a1315096404
020 $a9781351573986
020 $a1351573985
020 $a9781138255579
020 $a1138255572
020 $z9780754658238
020 $z0754658236
035 $a(OCoLC)993757331$z(OCoLC)993595841$z(OCoLC)993636727$z(OCoLC)1058641537$z(OCoLC)1069658040
037 $a9781351574006$bIngram Content Group
043 $aa-ii---
050 4 $aML3748$b.R68 2016
072 7 $aMUS$x041000$2bisacsh
082 04 $a781.630954/55$223
049 $aZCUA
100 1 $aRoy, Anjali Gera.
245 10 $aBhangra moves :$bfrom Ludhiana to London and beyond /$cAnjali Gera Roy.
260 $aLondon :$bRoutledge,$c2016.
300 $a1 online resource (304 pages)
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aAshgate popular and folk music series
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 11, 2017).
504 $aIncludes bibliographical references and index.
520 $a"Bhangra is commonly understood as the hybrid music produced in Britain by British Asian music producers through mixing Panjabi folk melodies with western pop and black dance rhythms. This is derived from a Punjabi harvest dance of the same name. This book looks at Bhangra's global flows from one of its originary sites, the Indian subcontinent, to contribute to the understanding of emerging South Asian cultural practices such as Bhangra or Bollywood in multi-ethnic societies. It seeks to trace Bhangra's moves from Punjab and its 'return back' to look at the forces that initiate and regulate global flows of local texts and to ask how their producers and consumers redirect them to produce new definitions of culture, identity and nation. The critical importance of this book lies in understanding the difference between the present globalizing wave and previous trans-local movements. Gera Roy contrasts the frames of cultural imperialism with those of cultural invasion to show how Indian cultures have constantly reinvented themselves by cross-pollinating with 'invading' cultures such as Hellenic, Persian, Arabic and many others in the past. By looking at Bhangra's flows to and from India, the book revises the relation between culture, space and identity and challenges boundaries. It weighs both the uses and costs of visibility provided by global networks to marginalized groups in diverse localities and explores whether collaborations between Bhangra practitioners, largely of working class origin, give ordinary people any control over the circulation of culture in the global village. Finally, the book considers whether cultural practices can alter hierarchies and power structures in the real world."--Provided by publisher.
650 0 $aBhangra (Music)$xHistory and criticism.
650 0 $aPopular music$zIndia$zPunjab$xHistory and criticism.
650 0 $aSouth Asians$zForeign countries$xMusic.
650 0 $aPopular music$xIndic influences.
650 6 $aMusique populaire$zInde$zPendjab$xHistoire et critique.
650 6 $aSud-Asiatiques$zPays étrangers$xMusique.
650 7 $aMUSIC$xInstruction & Study$xTheory.$2bisacsh
650 7 $aBhangra (Music)$2fast$0(OCoLC)fst00831115
650 7 $aPopular music.$2fast$0(OCoLC)fst01071422
650 7 $aPopular music$xIndic influences.$2fast$0(OCoLC)fst01071441
651 7 $aIndia$zPunjab.$2fast$0(OCoLC)fst01202652
655 0 $aElectronic books.
655 4 $aElectronic books.
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aMusic.$2fast$0(OCoLC)fst01423855
776 08 $iPrint version:$z9780754658238$z9781138255579
830 0 $aAshgate popular and folk music series.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14771693$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS