MARC Record from marc_columbia

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001 14771955
005 20220514233357.0
006 m o d
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008 170810s2017 enka o 000 0 eng d
035 $a(OCoLC)ocn993958512
035 $a(NNC)14771955
040 $aTYFRS$beng$erda$epn$cTYFRS$dYDX$dN$T$dEBLCP$dTYFRS$dCNCGM$dOCLCQ$dMERUC$dOCLCO$dOCLCF$dOCLCQ$dS2H$dOCLCO
019 $a1004449003
020 $a9781315561639$q(electronic bk.)
020 $a1315561638$q(electronic bk.)
020 $a9781317201946
020 $a1317201949
035 $a(OCoLC)993958512$z(OCoLC)1004449003
037 $a1026178$bMIL
050 4 $aML3790
072 7 $aBUS$x070060$2bisacsh
072 7 $aTEC$x041000$2bisacsh
082 04 $a384.3$223
049 $aZCUA
100 1 $aSpilker, Hendrik Storstein,$eauthor.
245 10 $aDigital Music Distribution :$bthe Sociology of Online Music Streams /$cHendrik Storstein Spilker.
250 $aFirst edition.
264 1 $aLondon :$bTaylor and Francis,$c2017.
300 $a1 online resource :$btext file, PDF
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
490 1 $aRoutledge Advances in Sociology
520 2 $a"The digital music revolution and the rise of piracy cultures has transformed the music world as we knew it. Digital Music Distribution aims to go beyond the polarized and reductive perception of 'piracy wars' to offer a broader and richer understanding of the paradoxes inherent in new forms of distribution. Covering both production and consumption perspectives, Spilker analyses the changes and regulatory issues through original case studies, looking at how digital music distribution has both changed and been changed by the cultural practices and politicking of ordinary youth, their parents, music counter cultures, artists and bands, record companies, technology developers, mass media and regulatory authorities. Exploring the fundamental change in distribution, Spilker investigates paradoxes such as:The criminalization of file-sharing leading not to conflicts, but to increased collaboration between youths and their parents;Why the circulation of cultural content, extremely damaging for its producers, has instead been advantageous for the manufacturers of recording equipment;Why more artists are recording in professional sound studios, despite the proliferation of good quality equipment for home recording;Why mass media, hit by many of the same challenges as the music industry, has been so critical of the way it has tackled these challenges. A rare and timely volume looking at the changes induced by the digitalization of music distribution, Digital Music Distribution will appeal to undergraduate students and policy makers interested in fields such as Media Studies, Digital Media, Music Business, Sociology and Cultural Studies."--Provided by publisher.
505 0 $aCover; Half Title; Title Page; Copyright Page; Table of Contents; List of illustrations; Acknowledgments; 1 Introduction: Digital dramas; Music on demand?; The folding of technologies; Into and beyond "the piracy wars"; An overview of the chapters; 2 Not only about listening: Understanding the new everyday life of music; Perspectives on the appropriation of digital music; Analyzing youth; The omnipresence and omni-interestin music; Top ten music-relatedpractices; You can always get what you want?; 3 The value of access: Negotiating file-sharingand streaming among young people and with parents.
505 8 $aDomesticating controversial technologiesPiracy as morality and rebellion; Digital music technologies as generational boundary markers and asymmetries; Reflections on piracy and legality; Together in crime?; Music in context -- negotiating other ICTs; An access culture?; 4 In search of the "hacker-punk": Digital music technologies for countercultural measures?; The promises of punk style do-it-yourself; The quest for the hacker punk; What is so punk about punk?; The digitalized underground; In search of the hacker punk; The gap between near and bin(e)ary things; The unruliness of technology.
505 8 $a5 Pre-distributionnetworks and professional networks: Becoming an artist in the age of "piracy cultures"Of network studios and piracy cultures; Assembling work; A visit to the network studio; Being within or without the music industry?; The pre-distributionnetwork and the professional network; Hail to the album!; 6 The irony of virtuality: The production of music and news in "the new economy"; The contents of "the new economy"; Network society or Internet society?; A prehistory of digital news and music; Ensure control over the resources; Gain entry to the networks.
505 8 $aGain entry to the networks #part 2Ensure control #part 2; The new economy: a parasitic economy?; The irony of virtuality; 7 The making of "piracy standards": Assessing the interplay between commercialism and idealism in technology development (with Svein Høier); The interplay between idealism and commercialism; The movement of technologies across time and space; MP3's route to dominance; DivX: the MP3 of video?; The power of the piracy-entrepreneur nexus; 8 Media kills music? An analysis of the newspaper coverage of the Piracy Kills Music campaign; The fourth music estate?
505 8 $aUnderstanding the role of the media in the piracy controversiesIdentifying frames; Qualitative framing analysis; Quantitative framing analysis; "Wasn't much help to get"; 9 The regulation of digital music distribution: Assessing the states and futures of the field; Introducing five regulatory models; 1 The partial obviation of the ownership model; 2 The hope and health of the access model; 3 The professionalization of the alternative revenue model; 4 The remix model as ideology and practice; 5 The radical and the limited compensation model 163.
650 0 $aSound recording industry.
650 0 $aMusic and the Internet.
650 0 $aSound recordings$xPirated editions$xSocial aspects.
650 6 $aMusique et Internet.
650 6 $aEnregistrements sonores$xPiratage$xAspect social.
650 07 $aSOCIAL SCIENCE$xSociology$xGeneral.$2bisacsh
650 7 $aBUSINESS & ECONOMICS$xIndustries$xMedia & Communications.$2bisacsh
650 7 $aTECHNOLOGY & ENGINEERING$xTelecommunications.$2bisacsh
650 7 $aMusic and the Internet.$2fast$0(OCoLC)fst01200152
650 7 $aSound recording industry.$2fast$0(OCoLC)fst01127019
655 0 $aElectronic books.
655 4 $aElectronic books.
776 08 $iPrint version:$z9781315561639$z9781317201946
830 0 $aRoutledge advances in sociology.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14771955$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS