MARC Record from marc_columbia

LEADER: 03613cam a2200601Ii 4500
001 14772449
005 20220604234055.0
006 m o d
007 cr cnu|||unuuu
008 170719s2017 enk ob 001 0 eng d
035 $a(OCoLC)ocn994145594
035 $a(NNC)14772449
040 $aN$T$beng$erda$epn$cN$T$dIDEBK$dN$T$dOCLCQ$dOCLCF$dTYFRS$dOCLCQ$dUAB$dOCLCQ$dUKMGB$dOCLCQ$dK6U$dOCLCO
015 $aGBB7E7371$2bnb
015 $aGBB7G3832$2bnb
016 7 $a018422434$2Uk
016 7 $a018473700$2Uk
020 $a9781351487450$q(electronic bk.)
020 $a1351487450$q(electronic bk.)
020 $a9781351487443
020 $a1351487442
020 $z9781412814805
035 $a(OCoLC)994145594
037 $a9781351487450$bIngram Content Group
050 4 $aPN1995$b.E28 2017eb
072 7 $aPER$x009000$2bisacsh
082 04 $a791.43/61163$223
049 $aZCUA
100 1 $aEarle, William,$d1919-1988,$eauthor.
245 10 $aSurrealism in film :$bbeyond the realist sensibility /$cWilliam Earle.
264 1 $aLondon :$bRoutledge, Taylor & Francis Group,$c2017.
300 $a1 online resource
336 $atext$btxt$2rdacontent
337 $acomputer$bc$2rdamedia
338 $aonline resource$bcr$2rdacarrier
588 0 $aOnline resource; title from PDF title page (EBSCO, viewed August 9, 2017).
500 $a"Originally published in 1987 by Precedent Publishing, Inc."--Title page verso.
504 $aIncludes bibliographical references and index.
520 2 $a"The arts were created from an appeal to freedom. There can be no general aesthetic that defines how that freedom must express itself. Movies offer a seductive example. Of all the major arts, cinema is the only one that was invented during the lifetime of some who are now living. From this perspective, Earle argues that filmmakers were far more inventive in their early days than now, when commercial film has settled into a realist routine with occasional and timid forays into the personal and imaginative. Earle suggests that unsympathetic readers should look again at the possible sources of film poetry, sources that have almost dried up in the flood of boredom experienced nightly in theaters throughout the world. Surrealism in Film is largely a manifesto against realism; it ends in a clash of sensibilities. The book encourages new exploration of absolute poetry. The intention of these essays is to destroy the absolute authority of the realist sensibility. Within that sensibility is everything thought necessary to "sense": narrative plot, recognizable and nameable passions, continuity and integration within the film, a gist or moral for the whole affair, social commentary, and psychoanalytic depth-meanings. Earle argues for a self-critique that should be performed if movies are not to remain encapsulated within its own delusions."--Provided by publisher.
650 0 $aMotion pictures$xAesthetics.
650 0 $aRealism in motion pictures.
650 0 $aSurrealism in motion pictures.
650 6 $aCinéma$xEsthétique.
650 6 $aRéalisme au cinéma.
650 6 $aSurréalisme au cinéma.
650 7 $aPERFORMING ARTS$xReference.$2bisacsh
650 7 $aMotion pictures$xAesthetics.$2fast$0(OCoLC)fst01027288
650 7 $aRealism in motion pictures.$2fast$0(OCoLC)fst01091239
650 7 $aSurrealism in motion pictures.$2fast$0(OCoLC)fst01139549
655 0 $aElectronic books.
655 4 $aElectronic books.
856 40 $uhttp://www.columbia.edu/cgi-bin/cul/resolve?clio14772449$zTaylor & Francis eBooks
852 8 $blweb$hEBOOKS